Sound Recordist Production Jobs

Looking for a Sound Recordist/Operator for a scripted interview on a half day shoot in the San Diego Metro area.

Date: Thursday, May 23rd, 2024
Area: San Diego, CA
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Sacramento, CA for 2 Days.

FRIDAY 05/17/24
SATURDAY 05/18/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $800/Day (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget. The days will be shorter 6-8hrs TBD.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

We need a Location Sound Recordist for our 4-day shoot in Rio Grande Valley.

You should have at least two credits, and your own equipment including mics and boom.

We are brining the series Black Clown FROM Dallas TO THE RIO GRANDE VALLEY and are looking to connect with up and coming talent in the valley.

The shoot will be 2-days on, 1 day off, 2-days on for a total of 4 shoot days.

Sound Recordist for a microbudget short horror film to shoot in Granby, CT on June 1st.

Venmo Zelle or other preferred method of payment

Dates: One or more days between June 3-7

Audio Field Engineer: This role will be responsible for recording 2-4 talent each day for lifestyle spots for a senior living brand.

Gear: We ask that you provide an audio recorder, lav mics, and a boom mic.

Need audio recordist for feature documentary. Must have your own gear.

Sound recordist -- documentary style -- following two subjects in vegas. Saturday and Sunday. Should be a 10 hour day max.

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

I'm looking for a sound mixer/op for an independent documentary shoot in Eugene, OR, May 24, 25. We will be shooting mostly verite. Rate is for 12 hours, depending upon experience. Looking for someone local to join our fabulous team for the shoot!

Looking for a doc / run & gun experienced sound mixer with equipment for a 2 day shoot in June.

2-3 cameras
Mic 2-3 people at a time and using a boom
Non-union

Shoot is on the smaller side, crew of about 15 people
Must be professional, respectful and work well with others

Dates are TENTATIVE and could shift back by a week or so
Days will be back to back

Real Estate Reality shoot

Preferred Equipment:
Standard kit + 4x wireless, 2x camera hops, smart slate, 2x camera hops, 4x IFB

/12 + 400/day kit

Please provide recent references.

Thanks for your interest!

Looking for an audio mixer to help with sit down interviews on a well established show in its 4th Season. 1 location, 2 interviews, 1 person at a time.

We need someone who owns their own gear and will pay $250 per shoot day for the gear package.

Gear needed:
2 lavs (we only need 1 but would like a spare just in case)
1 boom
recorder
slate (dumb or smart, doesn’t matter)

Looking for a sound mixer in NYC, experience in live sports/games is a huge plus!

Looking for a sound mixer in Dallas, experience in live sports/games is a huge plus!
+kit fee

Looking for a sound mixer for a true crime series shooting in Long Beach Island area of NJ. Hotels can be provided from for overnights on consecutive shoot days.

Main shoot set up is a 2 camera talking head interview, we shoot about 2 sit down interviews a day. Sometimes we will also shoot OTF interviews/walk and talks.

Gear requirements are 2x lav mics (for the occasional 2 head interview) and a boom for the interviews. We will not need comteks.

Shoot is 5/21-5/25, dates are slightly in flux. One or two days might end up being broll only.

Rate is $600/12 + $400 for gear. You will never need to be on set for full 12 hours, can hopefully accommodate drive from nearby city within the 12!

Thank you!

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Sound Mixer for a field shoot happening in the Indy area on Friday 05/17.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.
Gear needed: mixer/recorder, boom, 2 lavs, and timecode/audio to 2 cameras

750/12 + 350 kit fee = $1100/per day

Hello,

I am looking for an audio mixer for a one-day shoot in Lafeyette, LA.

There is a maximum amount of talent of three with one camera and one producer.

Rate: 650/12
Kit Rental: 400/ Day

Hops/ Slate/ Jam/Sync Audio/ 3 Lavs/ 1 IFB

Thank You,

We are looking for a solid Sound Mixer to join our team May 19th - 21st & 24th for season 3 of a true crime series for Oxygen.

Filming will consist of inside, sit-down single person interviews. Audio files will be uploaded immediately after the interview wraps for transcription, as well as offloaded to the physical drive. We will be shooting on two Sony FS7s or comparable Sony cameras - Exact cameras TBC. A Post Bible will be provided upon hire.

When applying, let us know if you can provide audio equipment.

Rate: $600/12 + $300 kit rental
Date: May 19th, 20th, 21st, 24th and possibly 26th
Location: Petoskey, MI

If you are interested and available, please send me your resume!

We are looking for a solid Sound Mixer to join our team on May 18th for season 3 of a true crime series for Oxygen.

Filming will consist of an inside, sit-down interview. Audio files will be uploaded immediately after the interview wraps for transcription, as well as offloaded to the physical drive. We will be shooting on two Sony FS7s or comparable Sony cameras - Exact cameras TBC. A Post Bible will be provided upon hire.

When applying, let us know if you can provide audio equipment.

Rate: $600/12 + $300 kit rental
Date: May 18th
Location: Detroit, MI

If you are interested and available, please send me your resume!

Non-union crime docuseries is looking for an audio mixer with their own gear for a 4 to 5-day interview shoot in the Dallas area.
The 4 to 5 days are the 5/19 through 5/24. Must be local or can work as a local in Dallas!

Production will NOT put you up, provide mileage, or pay your tolls.

This shoot is all interviews. Simple straightforward shoot. Small all-hands-on-deck type crew. The interviews will be primarily filmed in hotel suites and Airbnb.

w/ a $300 kit

I am looking for a Sound Mixer for June 10th and June 11th for my short film "Heaven's Diner."

Heaven’s Diner is run by women of color who have taken justice against harassers into their own hands. They hire Lilah to walk down NYC streets at night to scout and bring back male catcallers to the diner. The staff then work together to kill and butcher the men into burgers.

It is important to me to elevate women and non-binary people in filmmaking. As a result, I will have an all female/non-binary crew, with a particular emphasis on people of color.