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Looking for an AE with media management experience and Avid expertise. Job will be Monday-Friday in office at Venice, CA. Flexibility with hours needed but no crazy long days. Familiarity with Netflix media management is a big plus.

More detailed description:
The Edit assistant will follow the workflow set out in the Post Production guidelines below. The edit assistant will be responsible for wrangling of all camera cards, saving and backing up the footage. They will be required to be in the office to manage all the media coming and going from location, saving using correct naming conventions and logging this footage in the database. They may be required to have flexible work hours on occasions to ingest media for a tight turn around. They will also be required to do cast cutdowns and scene cuts as instructed by the Director or Senior Field Producer The edit assistant will also communicate regularly with the Sydney, Australia Post Production team as they will work closely on downloading all the footage sent from the US office. There is a tight turnaround between the shoot and the edit happening in Australia ,the edit assistant needs to make sure that efficiency and attention to detail at all times.

April 29th
May 1st
May 2nd

Must have corporate town hall experience
Must have Microsoft Powerpoint Experience
Must have Windows Computer Experience

In charge of talents powerpoints (making sure correct slide deck is up, giving cues to director if embedded video, full screen slides, etc is coming up)
Making sure confidence monitors have correct view for the presenters

Be able to aid in giving cues/how many slides are left

Hiring a qualified editor for a three episode docuseries, currently shooting S1. It's a talking head show, with three to four segments covering a b-story shoot in the field.

Successful candidates will have relevant credits on Discovery, Nat Geo, History, etc. Special attention will be paid to those who have credits covering paranormal/UFO topics, i.e. Encounters, Unsolved Mysteries, Skinwalker Ranch, Ancient Aliens (or anything Prometheus), Unidentified, etc.

If you have solid docuseries credits and haven't worked in the ufo/paranormal space, but have knowledge of the topic, please let us know. Interest or knowledge of the topic isn't required, but may prove useful.

11 weeks to edit and deliver three hour-long episodes, you will work directly with two EPs.

An ideal candidate will have experience delivering required assets to streamers like Apple TV and Prime Video, and will be comfortable cutting limited promo shorts for social media.

This is a remote position. If you live in the NYC tri-state area, you may have a slight advantage. Please mention if this is the case.

$2,500 per week for 11 weeks. Weekly pay based on five 10-hour days. For your convenience, pay can arrive weekly via direct deposit or common online payment services like Zelle.

Looking for an editor to polish a short film (about 25 minutes long) that is already at a solid rough cut, and needs an experienced narrative editor to fine-tune it into it's final form.

The film tells the story of an estranged father and son reuniting in a diner in the middle of the night after the father abandoned the family 20 years ago, and is made up of four scenes: 1) A tense standoff where the son waits for the father outside the diner, the father arrives, and we are unsure of their relationship or the nature of their meeting; 2) the meeting itself, which is essentially one long conversation where the father tries to explain to the son why he had to disappear long ago; 3) a farewell scene where they go their separate ways, back outside of the diner; and 4) a final reckoning for the young man, where he must decide whether to forgive his father or hold onto his resentment for the rest of his life.

All interest candidates should send along samples of work (ideally a full film or at least full scenes, rather than a reel), as well as any questions or concerns they have about the project and collaboration.

Contract (Freelance)
6 months with potential to extend
$600/10 (daily rate)
Hybrid - must be able to commute to office in Manhattan NY

Job Description
Finance news brand is seeking an experienced video editor to edit engaging, informative and timely video features, recurring series episodes and in-depth interviews. The video editor will regularly work on segments ranging from eight to 10 minutes with opportunities to expand stories to 25 minutes for OTT platforms.

These originals will be expected to capture viewers' attention through their sharp perspective, approachable style, and clear relevance to the biggest investments and financial questions investors face. You will help spearhead execution across a range of programming formats.

You will work closely with reporters, studio, graphics, and more to elevate brand’s feature video stories. You will be expected to be a strong collaborator and execute an efficient video production process to ensure clean, final delivery. Attention to detail, clear communication and being mindful of deadlines are a must. Strong candidates will be comfortable balancing a variety of projects and deadlines while working with different producers.

Responsibilities:
- Edit original features using Adobe Premiere, for audiences across our daily live distribution onsite and off, YouTube, and major social platforms.
- Help conceptualize, manage and execute visually dynamic, original edits in a deadline-driven environment.
- Stay up-to-date on the workings of company systems including proprietary infrastructures, working with the post support team to source and acquire assets as necessary for projects.
- Communicate in an appropriate and timely manner to relay issues and concerns about individual edits, technical issues and deadlines.
- Regularly update media and project tracking documents as necessary.
- Troubleshoot day-to-day issues with the IT team and post management.
- Develop and grow audience engagement across major platforms and help editorial leads establish and maintain OKR goals
- Complete additional duties as assigned.

Qualifications:
- At least 3 years of experience editing narrative features for onsite and OTT.
- An exceptional storyteller with a proven track record of editing high-quality, original field production with the audience and platform in mind.
- Proficient with Adobe Premiere.
- Must be experienced working with graphic templates and MGRTS within premiere. AfterEffects experience preferred.
- Comfortable sourcing pictures, video, soundbite from subscriptions services, including AP, Reuters, Getty, etc.
- Editor must thrive under deadline pressure and be able to juggle multiple tasks and assignments.
- Clear communicator, both written and verbal.
- Be able to work within and conform to established organizational systems and work/troubleshoot in team environments.
- Quality control of all video assets sent to the control room and published to our site and OTT platforms.

Looking for a Post Production Supervisor for an established competition series - Avid, 9 cameras, digital and remote workflow.

Key Responsibilities

Project Management:
• Collaborate with the Producer team to align on post-production deliverables and deadlines.
• Lias with Executives and Network to execute post-production schedule and resource allocation plan
• Coordinate with various departments to ensure seamless workflow and timely delivery of project components.
• Monitor project progress, identify potential issues or delays, and implement solutions to keep projects on track.

Team Management:
• Supervise AEs and overall project maintenance/delivery schedule
• Assign tasks, set priorities, and provide guidance to team members to ensure efficient and high-quality work.
• Foster a positive and collaborative work environment, promoting effective communication and teamwork among the post-production team.
• Coordinate with external vendors through post and online

Quality Control:
• Ensure the technical and creative quality of all post-production deliverables, including video/audio quality, color, visual effects, and overall aesthetic consistency.
• Review and provide feedback on graphics, visual effects, and other elements to ensure alignment with project goals.
• Implement quality control processes that confirm video quality prior to being sent to client for review.

Communication and Collaboration:
• Serve as a primary point of contact for all post-production-related inquiries and updates.
• Communicate project status, progress, and any potential issues to executives, prod co and network in a clear and timely manner.

Position can be performed remotely

If you answered yes to these above questions please explain your experience in your cover letter. Please do not apply if you don't have a post background.

This series is high volume with a large team. I am looking for someone who is dedicated and has the time to work on a large scale series. Communication is key. Please send examples of how you communicate with your team and why it's effective.

Returning cooking competition series seeking Editors to join the team! Applicants should only apply if they have prior food or competition experience (food competition a plus). The positions would start in May and run through July.

Daily rate for a 10 hour day.

Looking for a 2nd assist on a very fun gameshow. Need someone proficient in injest/sync/group work who lives in ATL and is comfortable working in an office every day.