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Need a 1AC available for 4/24-28 in Boston. Additional rate for equipment rental - monitor/FIZ/wireless.

Looking for a 1st AC for a b roll shoot - nimble crew a la ENG but needing someone to pull focus and assist DP.

Please send references along with response!

We need a 1AC to support our Director of Photography on a 4 day shoot in the Rio Grande Valley.

Preferably you would have multiple 1AC credits, your own focus puller, monitor, and other great.

We are brining the series Black Clown to Rio Grande Valley (from Dallas) and are looking to connect with up and coming talent in the valley.

Camera first with camera cart $50.00. Straight forward corporate shoot. I have a Nucleus.

AC needed with reality experience, please send credits and references. Sony FX9

Need a camera op with own gear Sony A7 iii or similar. Looking to hire a camera operator in San Diego for a half day shoot on Saturday, April 20th to follow subjects for opening pitch at Padres game.

Requirements:
Must own or have access to a Sony A7iii camera or similar. And must have audio lavs or good boom mic into camera.

Bring your gimble for steady shots.

Job Opportunity: Camera Operator

Date: April 25th, 2024
Location: Atlanta, Georgia
Call Time: 6:30 AM - 3:30 PM

We seek a skilled Camera Operator to join our team for corporate video production in Atlanta, Georgia, on April 24th, 2024. The Camera Operator will capture interviews and b-roll footage using a Sony FX3 camera. This is a one-day assignment at a company location. This is also a pretty simple, straightforward corporate shoot. Whoever is selected doesn't need even to bring any gear. Show up, build equipment, shoot, tear down equipment, leave.

However, production is traveling out of state, so if you have any gear that you feel may be useful, please let us know, and we may rent that equipment from you. That could include camera systems, gimbals, lighting, tripods, and c-stands. Essentially, anything that will spare production has to travel with those items.

Key Responsibilities:

Operate a Sony FX3 camera proficiently.
Capture high-quality interviews and b-roll footage as per production requirements.
Collaborate effectively with the production team and follow directorial guidance.
Help with an interview set up and tear down. (Cameras, Lighting, Very simple Audio)
Monitor Audio running directly into camera while operating

Requirements:
Prior experience operating professional video cameras, particularly Sony FX3 or similar models.
Strong proficiency in camera operation and framing.
Experience with interview and b-roll filming techniques.
Ability to work efficiently within a team and take direction from the director.

Additional Information:
All necessary cameras and filming equipment will be provided.
Professional demeanor and strong communication skills are essential.
This is an excellent opportunity for a talented Camera Operator to contribute to an engaging corporate video production. We would love to hear from you if you meet the qualifications and are available on April 24th, 2024!

Need a one man band who can provide a two cam interview setup, lighting, drone, and professional audio. This will be a corporate shoot consisting of talking head interviews, b roll, and drone shots.


Rate based on 8/hour day. Must provide basic interview lighting package, professional camera, audio, and drone.

I'm a music video director looking for a Los Angeles-based DP to film a fun road trip-themed music video shoot in Santa Monica and Malibu on 5/16. It's pretty run and gun with a skeleton crew, so would like to bring someone who owns and operates a komodo/bmpcc6kpro/fx3/fx6 + ronin rs3 pro setup or similar. A rig that we can smoothly switch from gimbal to handheld to tripod as needed. ND filter would be crucial as well. Budget for DP is between 500-600 for the day. Please link your previous work/website/gear list in your submission!

I can provide the following gear if needed: bounce and neg material, sachtler flowtech legs, heavy duty shoulder rig, teradek/directors monitor, and a DZOfilm Vespid prime set in PL and EF mount. But let me know what gear you own and we can figure it out from there.

Rate is based on (1) shoot day

AC needed with reality experience, please send credits and references. Sony FX9

AC needed with reality experience, please send credits and references. Sony FX9

Hello!

We're working on a documentary film about a man whose life ended while in police custody in the 1980's and the civil rights attorney that fought for justice on the case.

We are seeking an Assistant Camera Operator -or- Director of Photography that has experience with both shooting interviews (with light set-up) and verite in the field (follow-and-shoot).

This is a passion project, but will likely have a successful festival run and will be a great credit to add to your resume. This is a meaningful film intended to create conversations that spawn social/cultural awareness and change. The right candidate will have a high level of sensitivity to work with a family and community in mourning.

*Bonus if you have experience setting-up lights -or- have a light kit included in your gear list.

Three easy days (under 12 hours). We'll be working with an 86-year-old participant, so we'll only shoot for a few hours each day, at a slow pace. 3-4 Interview set-ups and two days of light verite / broll.

Sony Fx3 -or- Sony Fx6

We are looking for a CAMERA SHADER to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Ursa Broadcast G2 or Sony Bodies is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

I'm looking for a drone-certified shooter to capture footage of a gun shooting competition in Edgefield, SC, on Saturday, April 27th, from 8 a.m. to 5 p.m, as well as standard b-roll footage of the competition.

We would provide the drone, but we would need the shooter to bring their own camera that can shoot 4k 60P.

Would you be available for this? Can you send me a link to your website or portfolio? Thanks.

Date: Flexible. We need to shoot between mon-fri across three locations and are looking to make this a 2-day shoot.
Location: Arlington, Fort Worth, McKinney
Position: Drone Op
Call Time: TBD, 10hr
Gear Required: Drone
Rate: $425/day

This one is for a series of schools. We will need to film during the week day so we can get people in the playgrounds.

Seeking a Cam Op with wildlife/nature experience to gather BRoll in Yosemite National Park. Would be provided a hit list of edit-specific footage/timelapses needed. Ideal candidates would have experience in Yosemite, their own vehicle, gear, and comfortable being a one-man-band.

Rate would depend on experience. Rate also does not include added kit rental if applicable.

Looking for a 2nd AC for a b roll shoot - nimble crew a la ENG but needing someone to manage media and help 1st AC.

Please send references along with response!

In need of DP with all own camera, audio and. grip. for. one day two camera shoot.

We are seeking an AC for a well established show in its 4th season. It will be a one day shoot that consists of 2 sit down interviews, one person at a time and some b-roll.

In addition to the rate listed above we will do a $25 kit rental and need someone who can bring their laptop with them to drag and drop media to hard drives, no special software needed.

$350/12 or $25/hr

We are seeking a DP with gear for a well established show in its 4th season. It will be a one day shoot that consists of 2 sit down interviews and some b-roll.

We are looking for someone who owns their own gear (Sony cameras).

In addition to the rate listed above we can offer $700/day for the camera package and $200 for the lighting package.

-$53.5714/hr for a 12 hour day.