Apply to this Grip Job

Seeking a grip to assist on a skeleton crew capturing interviews and b-roll for our client in the Des Moines, IA area. This is for a large retail brand.

Seeking candidates with on set grip/PA experience, ideally in the commercial/event space.

No gear required.

***THIS WILL BE AN OVERNIGHT SHOOT***

Call time will be 9:15pm

Seeking a grip assist on a skeleton crew capturing interviews and b-roll for our client in Brunswick ME. This is for a software company.

Seeking candidates with on set grip/PA experience, ideally in the commercial/event space.

No gear required.

Rate is $150 for five hrs on set.

We reimburse every mile traveled after traveling 100 miles round trip at $0.67 per mile.

Seeking a grip assist on a skeleton crew capturing interviews and b-roll for our client in Hartford City IN. This is for a local manufacturing plant.

Seeking candidates with on set grip/PA experience, ideally in the commercial/event space.

No gear required.

We reimburse every mile traveled after traveling 100 miles round trip at $0.67 per mile.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A key member of the camera department responsible for setting up and operating equipment to achieve desired shots. They assist in camera movement, rigging, and maintaining safety on set. Grips ensure that lighting and camera gear are properly positioned and secured, contributing to the overall visual quality of the film.

Missouri-based commercial video company looking for a local Grip with kit for a commercial shoot.

This is a simple, comedic spot being filmed at a gas station exterior.

Please respond with the day rate and equipment list.

If this sounds like something you are capable of doing, please reach out to us!

Important note: In case of April showers, we are also holding weather days for this job on May 2nd and May 3rd.

1 day shoot to light an interview with 1 or more doctors, and possibly light a surgical procedure (you'd be in the OR....if you're squeamish, please don't apply).

Please provide your rate, grip package gear list, resume and link to your website or reel. Quoted rate should include any and ALL costs (gear, travel, parking, etc.).

Dates: May 14-17

Role: As grip/PA, you'll be supporting our DP and Gaffer in executing the DP's vision for lighting each scene using our Aputure fixtures and modifiers. We will have our grip truck on-site with all necessary grip and other gear. Ability to lift 50lbs necessary due to weight of equipment.

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a highlight sizzle; along with additional marketing content.

Applicant should be capable of setting up and rigging lighting and grip equipment for interviews and broll scenes. Please advise if you own any gear and provide a list with rates. We could add the gear to your kit rental with a standard multi day discount; as we budgeted to rent the equipment from a rental house.

600d +dome/Fresnel w/battery (1)
Kino Flo Diva 21 (2)
1x1 LED w/Battery (2)
Additional grip (Rags, Curtains, Rolling stands, C-stand cart, Camera cart, Splitters etc)

Teams will be on a 12hr day but likely wrap in 8-10. There will be plenty of breaks and downtime.

Thanks!

Looking for experienced Gaffer

We are filming multiple vertical commercial videos.
There will only be 1 person on camera at a time.

Shooting on Iphone and Black Magic

will be paid via invoice

o Will be assisting hand-held camera operators throughout the game

o Moderate to high cable coil management proficiency, MUST be able to Over/Under consistently in a high tempo environment behind a handheld camera throughout the show

o Assisting in tear down of compound post game

All Entry Level Positions
Utility
o Will be assisting cart camera operators throughout the game

o Low to moderate cable coil management proficiency,

o Assisting in tear down of compound post game

Light Panel
o Will hold a lighting panel toward the sideline reporter to make sure their face is properly lit for the broadcast

o Assisting in tear down of compound post game

Parab
o Will hold the parabolic mic, pointing it at the action on field to collect audio for the broadcast

o Assisting in tear down of compound post game

o Will be assisting hand-held camera operators throughout the game

o Moderate to high cable coil management proficiency, MUST be able to Over/Under consistently in a high tempo environment behind a handheld camera throughout the show

o Assisting in tear down of compound post game


Needed on 5/10-5/11. Pays $30/10

Looking for experienced utilities for a corporate event in Reno, NV on May 2nd. This will be a one day set-shoot-strike. Must have experience working on live events/broadcasts. Utilities will be responsible for running cabling, building cameras, and assisting with load-in and strike.

Looking for a Nashville-area gaffer and excellent collaborator to work with me on a b-roll shoot we have coming up 4/29-5/1. We'll be filming a flooring installation in a home, and on the final day, the finished rooms with installed floors.

Looking for someone ideally with a lighting package that allows us to be somewhat mobile. Open to options, but I could see us getting a lot of use out of a 300D with a battery and softbox/lantern, and some tube lights. Battery power isn't strictly necessary but would be nice to have. In any case we have another $200/day for the rental ($600 total for the job). Let me know what you can put together for that.

We will be able to leave gear on location overnight each night also. The location is in Franklin near Clovercroft Elementary School.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

The head of the lighting department responsible for implementing the DP's vision. They work closely with the DP to set up and adjust lighting equipment to achieve the desired mood, tone, and atmosphere for each scene. The gaffer oversees the lighting crew, ensuring that all lights are properly positioned, powered, and controlled to enhance the visual storytelling and support the director's creative vision.Plays a pivotal role in overseeing and coordinating all aspects of the production process. Their responsibilities include managing budgets and schedules, arranging for locations and permits, and ensuring that the production runs smoothly from pre-production through post-production.