Camera Utility Production Jobs

About *** Television:

*** Television is a leading *** company that owns and operates high-quality stations in 113 television markets that collectively reach 36 percent of US television households.

We constantly strive for excellence. Through upgrading to the latest technology and seeking new ways to stay on top in our markets, we focus on training and development of the best and brightest employees in the business.

Job Summary/Description:

Are you a sports HAWK looking to SCORE your DREAM job and become a FORCE in Atlanta? Atlanta News First is looking for the right BRAVE candidate to soar into this top 10 market like a FALCON and take their career (and our coverage) to the next level. The right candidate is a self-starter who is willing to HUSTLE to get the job done, a BULLDOG with a great story, and a team player who thrives in an environment with a work hard, play hard VIBE. If you are a utility player ready to be part of a dynamic team that is UNITED in its commitment to providing the best sports coverage in the market, apply now- we expect a S**** of applicants, so don't wait!

Duties/Responsibilities include (but not limited to):

- Report, shoot, write and edit sports stories and segments for ****, ****, and PSN (Peachtree Sports Network) as well as digital and social platforms
- Produce sports segments and specials for broadcast and digital platforms
- Co-host daily streaming sports talk show
- Operate camera and LiveU for talent live shots
- Maintain sources and contacts to generate story ideas and exclusive content
- Fill-in as sports anchor
- Other duties as assigned

Qualifications/Requirements:

- Minimum 2 years experience working in a television newsroom sports department REQUIRED, 5 years experience or more PREFERRED- This IS NOT an entry-level position
- A degree in journalism or a related communication field REQUIRED
- Experience using ENPS and Edius PREFERRED
- Must be capable of working under pressure and meeting daily deadlines in a high-energy, fast-paced environment
- Must possess strong communication skills, and the ability to multi-task and manage time efficiently
- Must work well independently and as part of a team
- Must be coachable and open to feedback
- Experience covering (and/or playing) the following PREFERRED: college football, *** , MLB, NBA, ****, golf, hockey, soccer, lacrosse, and other professional/ semi-professional sports
- Scheduling flexibility REQUIRED
- Some travel REQUIRED
- Must provide a link to samples of recent work – videography, writing, editing, producing, on-air

If you feel you’re qualified and want to work with a great group of people go to *** , you may type in the job title, station call letters, or click on "apply now", upload your resume, cover letter, and references (upload reel of work)

(Current employees that are interested in this position can apply through the *** -TV UltiPro self-ser *** portal)

****-TV/ *** Television Group, Inc. is a drug-free company

Additional Info:

*** Television provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, age, disability, or genetics. In addition to federal law requirements, *** Television complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

*** Television expressly prohibits any form of workplace harassment based on race, color, religion, gender, sexual orientation, gender identity or expression, national origin, age, genetic information, disability, or veteran status. Improper interference with the ability of *** ’s employees to perform their job duties may result in discipline up to and including discharge.

*** Television encourages all new employees to be fully vaccinated against the coronavirus virus before the first workday.

The Real-time Engineer is responsible for developing and supporting Sony Torchlight's Virtual Production and visualization toolset. This can range from adding custom behaviors for Unreal's Virtual Camera, to Import/Export support for DCCs, to procedural landscape materials and foliage. In this role, you'll wear many different hats, develop in many different languages, and work one-on-one with many different filmmakers and artists to customize your tools to their exact needs. The Real-time Engineer will pull from a solid foundation in C++/Python, as well as Unreal Engine Blueprints, working alongside the Pipeline Technical Director and Virtual Production Supervisor. Together, this team will continue to architect a state-of-the-art pipeline that empowers filmmakers and artists alike with cutting-edge technical tools, and seamless user experiences.

A career at *** Entertainment is about being part of a team working on some of the most creatively rewarding and ambitious projects to be found in any entertainment medium. You would be welcomed to a dedicated and inclusive environment where you can learn, and collaborate with some of the most talented people in the industry.

Responsibilities:

• Develop and support tools for visualization, motion capture, real-time rendering, and virtual camera workflows for artists and supervisors alike
• Work closely with artists in all departments on pipeline improvements and tool requests
• Facilitate and advise on data I/O
• Support Rendering efforts, including debugging render issues
• Train and support supervisors/artists with use of this pipeline and it's tools
• QA tools being developed internally

Essential Skills:

• Excellent C++ development skills
• Expert-level Unreal Engine user including Blueprint scripting (Asset Action Utilites, Editor Utility Widgets, Startup Objects etc.)
• Familiarity with real-time filmmaking pipelines, data I/O, DCC compatibility
• Strong & proven communication and problem solving skills
• Experience working with Maya or other DCC software
• Experience working in a software development team
• Excellent Python skills
• Experience creating tools and scripts for Maya and Unreal
• Experience with Perforce and/or other source control software
• A solid knowledge of Previs and Animation production and its iteration process
• Audio experience a plus
• A desire to learn from others and to take on increasingly challenging work
• A vivid imagination

Software knowledge:

• Autodesk Maya
• Unreal Engine 5
• Perforce
• ShotGrid
• DaVinci Resolve
• Substance Painter
• Houdini

The essential job functions of this position include: Master Control, Audio, Editing, Signal Acquisition, ENG microwave communication, SNG communications, Camera, utility, prompter, Direct/TD any assigned newscasts, live segments and/or live-to-tape segments. The ideal candidate must be able to excel in a fast-paced news environment, work well under pressure and be solution-oriented. The candidate must interact positively with technical and non-technical staff both independently and as a team member. Strong communication skills is a key component of this role.

Primary Responsibilities

Ability in some of the listed areas: Operate Master Control and Master control automation, production audio, edit, Drones, operate field camera equipment and report, Direct/TD Newscasts. Ability to operate automated cameras, CG graphics and Premiere editing. Expert knowledge of Ross OverDrive automation or equivalent is a plus. Experience with Newsroom Automation Systems such as ENPS. Coordinate with News department on live-shot needs. Scout live-shot locations for optimal signal strength, safety and shot composition. Responsible for operation video and audio switchers, video and audio recorders, microwave equipment, monitors, test equipment, tools and all Electronic News Gathering, various digital equipment. Including IP and Cellular devices.

Requirements:

Must have at least 2-4 years Broadcast Engineering experience with live news or talk shows. Understanding of live newscast production. Strong people skills, team player. Good driving record. Must be able to work various hours and shifts.

Must possess a valid state driver's license and have an excellent driving record. Must be able to lift, run and carry heavy cable reels, television monitors, camera tripods and other equipment weighing up to 50 lbs. Must be able to climb 10-15 foot ladders and work and operate (in the field) under pressure and control heavier than normal, full-sized television remote live van.

Also, must have the ability to:

• control heavier than normal, full sized television remote live van, which requires much greater braking distance than normal;
• raise a fifty-foot, telescoping mast, and be able to avoid obstructions at that height, such as power lines, especially at night;
• lift, run, and carry heavy cable reels, television monitors, camera tripods and other equipment weighing up to 40 pounds for live shots;
• climb 10 to 15 foot ladders, set up shots on rooftops;
• bend, reach, and kneel to retrieve, place and store equipment in assigned places in ENG trucks;
• vision corrected to 20/20 with no impairments. Sight is very important for driving an ENG/ SNG van. Much driving is required, must have excellent depth perception;
• move swiftly at breaking news locations;
• climb several flights of stairs carrying heavy equipment;
• use both hands, have ability to balance, kneel, crouch, crawl, and reach/work overhead to place and connect cables in buildings and on remote sites, and to transport and set up remote equipment;
• work outside and on the roof of an ENG truck in all types of weather;
• work and operate under pressure in a fast paced news environment.

Every great story has a new beginning, and yours starts here.

Welcome to *** Discovery... the stuff dreams are made of.

Who We Are...

When we say, "the stuff dreams are made of," we're not just referring to the world of wizards, dragons and superheroes, or even to the wonders of Planet Earth. Behind WBD's vast portfolio of iconic content and beloved brands, are the storytellers bringing our characters to life, the creators bringing them to your living rooms and the dreamers creating what's next...

From brilliant creatives, to technology trailblazers, across the globe, WBD offers career defining opportunities, thoughtfully curated benefits, and the tools to explore and grow into your best selves. Here you are supported, here you are celebrated, here you can thrive.

We are the now and the next. The power behind the people building the future. We are born from the spirit of innovation. We are created from the idea that people around the world want more, need more, deserve more. We are the home of the global digital revolution. We are *** .

See what it's like to work at *** ! Follow us on Instagram, Twitter and Facebook.

Your New Role...
*** seeks a Studio Operator for the Technical Operations department. The Studio Operator is a broad job title that encompasses a great variety of skills and assignments.

Your Role Accountabilities...

• Flash Studio Control (operate robotic cameras and lighting; establish/designate IFBs and Comms)
  
• Studio crews (pedestal cameras, hand-held, jib and Steadicam, Audio Assist and Utility)
  
• Viz Multiplay Videowall Control (create effects, route feeds and control playback of servers feeding video walls)
  
• Video shading (responsible for maintaining acceptable video levels for incoming, outgoing and internal signals, and initial daily set-up and shading of studio cameras)
  
• One of the keys to our success is the close-knit nature of the working relationship within our crews and with their managers, Directors, Technical Directors, Audio Designers, talent and producers
  
• *** is a 24/7 news operation and this position will include working on weekend show
  

Qualifications & Experience...

• 3 years' experience in a facility (network, station, production house) engaged in multiple camera production
  
• Experience with using camera robotic systems and studio cameras preferred
  
• Must be able to succeed under the pressure of a live television production environment, exhibit great attention to detail, and be a team player
  
• Must be able to prioritize and ser *** multiple requests, demonstrate analytical and problem solving skills, remain calm under pressure, and show a willingness to learn and embrace new technologies
  
• Must be available to work weekends
  

How We Get Things Done...

This last bit is probably the most important! Here at WBD, our guiding principles are the core values by which we operate and are central to how we get things done. You can find them at www.wbd.com/guiding-principles/ along with some insights from the team on what they mean and how they show up in their day to day. We hope they resonate with you and look forward to discussing them during your interview.

The Legal Bits...

*** Discovery embraces the opportunity to build a workforce that reflects the diversity of our society and the world around us. Being an equal opportunity employer means that we take seriously our responsibility to consider qualified candidates on the basis of merit, without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.

If you're a qualified candidate and you require adjustments or accommodations to search for a job opening or apply for a position, please contact us at [Please reply using Staff Me Up].