Camera Department Production Jobs

Non union reality show seeking local cam op for a one-two day shoot in the Jacksonville area. Gear will be provided by our DP, we looking for a local op to join us.

Experience with reality, non union shows required. Filming one-two talent at their home docu-reality style.

Rate- $500/12
*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Looking for an experienced camera operator with an ENG camera and light kit for a one-camera news broadcast in Sheridan, WY, on Tuesday, May 21st, 2024.

Should have a news style camera, Sony HXC or comparable is preferred.

Must have experience with live-streaming events and broadcast cameras. Must have camera and lighting gear.

Professional attire and a photo ID are required. Please provide work samples, a description of your experience and your gear, and your 10-hour day rate.

We will be in Memphis, TN covering an AAU basketball tournament. We are looking for an experienced camera operator with familiarity with Sony FX3.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Documenting behind the scenes captures essence of the production process. They will primarily follow interns who will be on the production set. They will skillfully navigate the chaos of the set to immortalize candid moments, revealing the dedication and collaboration of the intern team.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Supports the camera team in various technical and logistical aspects of production. Their responsibilities include assisting with equipment setup, maintaining camera gear, managing batteries and memory cards, and ensuring smooth operation during filming. The AC works closely with the Director of Photography to achieve desired shots and camera movements.

Crew Position: Cam Op (big plus if you have drone/own/operate/insured)
Date: 4/29-5/6
Rate is negotiable

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a camera operator to follow a reporter around during the BYB Extreme show on May 10th. This person should have a gimbal or steadicam for smooth motion. Camera should be Canon C200 / Sony FS5 or better. Lighting / Audio will also be needed.

Please show examples of your work in motion.

Looking for a camera operator for a one day shoot in Beaverton. We will be filming interviews, broll, and product shots. Experience filming with Ronin's are a plus. Please respond with your gear list, previous work examples, and day rate. Thank you!

Looking for a camera operator who has VR Camera experience for a concert shoot. Rates based on experience.

We are looking for a local 3rd cam op to shoot two days in Victoria MN and Minneapolis.

Must have docu-follow/reality experience. Please list credits that showcase experience.

Camera is Sony A7S III

True crime documentary looking for local in Phoenix, AZ, to assist DP with talking head style interview set up. This is a small crew with only AC/DP, so some set up of simple lighting/grip package expected.

This position also requires media management, a file dump + camera report on a company provided laptop at the end of each shoot day.

No focus pulling or gear required, A camera is locked off, B camera is on a slider that the DP operates.

Dates are 5/2-5/3.

Seeking experienced teleprompter operator with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th.

-2x camera shoot
-Total of 3x talent throughout the day delivering reads from a teleprompter

Seeking experienced drone operator with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th, to assist in capturing b-roll of the corporate offices and surrounding area. Must be able to provide own kit.

Seeking experienced camera op with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th to support DP as a b-camera operator.

-2x camera shoot
-Total of 3x talent delivering reads from a script/teleprompter throughout the day.
-B-roll of the corporate offices.
-Ability to provide own gear for an additional kit rental fee is a plus.

Seeking experienced DP/cam op with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th.

-2x camera shoot
-Total of 3x talent delivering reads from a script/teleprompter throughout the day.
-B-roll of the corporate offices.
-Tech scout on May. 13 ahead of the shoot.
-Ability to provide own gear for an additional kit rental fee is a plus.

Seeking experienced AC/Utility with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th to support camera department (DP and b-cam operator).

-2x camera shoot
-Total of 3x talent delivering reads from a script/teleprompter throughout the day.
-B-roll of the corporate offices.
-Ability to provide own gear for an additional kit rental fee is a plus.

We're looking for an experienced AC/ B-Cam Op who can prep and set an Arri Amira for a corporate/ docu-style home interview series filming on Friday, April 26th

$600/$650/10 + OT after 10

Must be local to Atlanta

Must provide proof of experience

Please apply for more details!

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Media Manager for a field shoot happening in the Twin Cities area on 4/24 or 04/25.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Role would be to:
Back up using ShotPutPro or similar MD5 checksum software
Input footage descriptions and information into a copy of the footage log
No transcoding, no proxies, no coloring

The proposed shoot consists of a day in the life of an athlete, workouts and interviews.

We will be shooting 4k on a Cinema Camera. And then gimbal Bcam for a few scenes.
Production will provide SSDs and a RAID for back up.

500/12 + 50 kit fee = $550/per day

Job Opportunity: Camera Operator

Date: April 25th, 2024
Location: Atlanta, Georgia
Call Time: 6:30 AM - 3:30 PM

We seek a skilled Camera Operator to join our team for corporate video production in Atlanta, Georgia, on April 24th, 2024. The Camera Operator will capture interviews and b-roll footage using a Sony FX3 camera. This is a one-day assignment at a company location. This is also a pretty simple, straightforward corporate shoot. Whoever is selected doesn't need even to bring any gear. Show up, build equipment, shoot, tear down equipment, leave.

However, production is traveling out of state, so if you have any gear that you feel may be useful, please let us know, and we may rent that equipment from you. That could include camera systems, gimbals, lighting, tripods, and c-stands. Essentially, anything that will spare production has to travel with those items.

Key Responsibilities:

Operate a Sony FX3 camera proficiently.
Capture high-quality interviews and b-roll footage as per production requirements.
Collaborate effectively with the production team and follow directorial guidance.
Help with an interview set up and tear down. (Cameras, Lighting, Very simple Audio)
Monitor Audio running directly into camera while operating

Requirements:
Prior experience operating professional video cameras, particularly Sony FX3 or similar models.
Strong proficiency in camera operation and framing.
Experience with interview and b-roll filming techniques.
Ability to work efficiently within a team and take direction from the director.

Additional Information:
All necessary cameras and filming equipment will be provided.
Professional demeanor and strong communication skills are essential.
This is an excellent opportunity for a talented Camera Operator to contribute to an engaging corporate video production. We would love to hear from you if you meet the qualifications and are available on April 24th, 2024!

Need a one man band who can provide a two cam interview setup, lighting, drone, and professional audio. This will be a corporate shoot consisting of talking head interviews, b roll, and drone shots.


Rate based on 8/hour day. Must provide basic interview lighting package, professional camera, audio, and drone.

I'm a music video director looking for a Los Angeles-based DP to film a fun road trip-themed music video shoot in Santa Monica and Malibu on 5/16. It's pretty run and gun with a skeleton crew, so would like to bring someone who owns and operates a komodo/bmpcc6kpro/fx3/fx6 + ronin rs3 pro setup or similar. A rig that we can smoothly switch from gimbal to handheld to tripod as needed. ND filter would be crucial as well. Budget for DP is between 500-600 for the day. Please link your previous work/website/gear list in your submission!

I can provide the following gear if needed: bounce and neg material, sachtler flowtech legs, heavy duty shoulder rig, teradek/directors monitor, and a DZOfilm Vespid prime set in PL and EF mount. But let me know what gear you own and we can figure it out from there.

Rate is based on (1) shoot day

AC needed with reality experience, please send credits and references. Sony FX9

AC needed with reality experience, please send credits and references. Sony FX9

Hello!

We're working on a documentary film about a man whose life ended while in police custody in the 1980's and the civil rights attorney that fought for justice on the case.

We are seeking an Assistant Camera Operator -or- Director of Photography that has experience with both shooting interviews (with light set-up) and verite in the field (follow-and-shoot).

This is a passion project, but will likely have a successful festival run and will be a great credit to add to your resume. This is a meaningful film intended to create conversations that spawn social/cultural awareness and change. The right candidate will have a high level of sensitivity to work with a family and community in mourning.

*Bonus if you have experience setting-up lights -or- have a light kit included in your gear list.

Three easy days (under 12 hours). We'll be working with an 86-year-old participant, so we'll only shoot for a few hours each day, at a slow pace. 3-4 Interview set-ups and two days of light verite / broll.

Sony Fx3 -or- Sony Fx6