• Developed and maintained strong and clear communication and rapport with Production, Editorial and Network • Established and maintained efficient work flow and schedule for the processing of dailies based on Camera acquisition (Cannon C300, Sony A7s, Go Pro4 and various Archival formats and codec's. • Negotiated bids with Online-Color, Sound and Graphic Post facilities that met our budget, artistic and technical requirements. • Liaised with Network to ensure proper adherence to Production and Post specification and delivery. • Set up and adjusted as needed Final Post Schedule for Delivery to Network.
Summary
Highly talented, motivated, and versatile professional empowered with over 30 years of management experience in full-service operations and video post-production. during my time at Duart I was directly involved with hundreds of post projects.
Credits
4/18 – 7/18
DI Producer – Galveston
Film (Feature-length) — Low Spark Films
4/18 – 7/18
3/17 – 6/17
DI Producer – American Assassin
Film (Feature-length) — Di Bonaventura Pictures
3/17 – 6/17
3/17 – 6/17
Digital Intermediate Administration – mother!
Film (Feature-length) — Protozoa Pictures
3/17 – 6/17
6/15 – 4/16
Post Production Supervisor – The Killing Season (Season 1)
A&E — TV — Jigsaw Productions Details
6/15 – 4/16
1/15 – 4/15
Laboratory Supervisor – Mad Women
Film (Feature-length)
1/15 – 4/15
1/98 – 1/15
VP of Post Production
Staff Position — Duart Film and Video Details
1/98 – 1/15
• Directed day-to-day operations of Post Division: On-Line Editorial, Color Grading, Sound Edit & Mixing, QC, Duplication, Encoding and On-boarding media to networks and delivery to distributors. • Worked on a daily basis with Executives, Producers, Editors and Directors on project needs and scope. • Directed and assigned scheduled for all Video and Digital personnel. • Coordinated with Engineering and IT to review and determine equipment needs, purchases and budgets. • Directed increased of Off-line and Productions Office rentals from 20 to 97 rooms. • Responsible for purchase of Edit Systems- Avid, FCP & Premier, Avid Isis, Unity & Edit Peripherals for Off Line & Online rentals. Digital Vision Nucoda Film Master and BARCO 4K Project for DI suite. • Post Produced and quoted projects from dailies, off line rentals, final post to distribution and network deliverable. • Developed and maintained close relationship with vendors to ensure up to date knowledge base for new technologies and workflows.
1/98 – 1/15
Post Production Supervisor
Staff Position — DU ART FILM & VIDEO Details
1/98 – 1/15
• Directed day-to-day operations of Post Division: On-Line Editorial, Color Grading, Sound Edit & Mixing, QC, Duplication, Encoding and On-boarding media to networks and delivery to distributors. • Worked on a daily basis with Executives, Producers, Editors and Directors on project needs and scope. • Directed and assigned scheduled for all Video and Digital personnel. • Coordinated with Engineering and IT to review and determine equipment needs, purchases and budgets. • Directed increased of Off-line and Productions Office rentals from 20 to 97 rooms. • Responsible for purchase of Edit Systems- Avid, FCP & Premier, Avid Isis, Unity & Edit Peripherals for Off Line & Online rentals. Digital Vision Nucoda Film Master and BARCO 4K Project for DI suite. • Post Produced and quoted projects from dailies, off line rentals, final post to distribution and network deliverable. • Developed and maintained close relationship with vendors to ensure up to date knowledge base for new technologies and workflows.
10/11 – 1/12
Post Production Supervisor – Downtown Express
Film (Feature-length) — David Grubin Productions
10/11 – 1/12
Recos
Would you like to write a recommendation for Joe?
Write a Recommendation »
Skills
To message this person, you must be networked on Staff Me Up OR have an EMPLOYER or COMPANY Subscription. Upgrade to Premium!