Meagan Asplin

- Distill script notes and collaborate with showrunner to craft new story elements that satisfies the needs of the Studio, and Network while protecting the integrity of the storytelling. - Liaise with Studio, Network, Producers, Production, Clearance, and Post teams to keep all parties abreast of the latest drafts, story developments, clearance and production issues. - Provide an entirely new writing staff with institutional knowledge and plot continuity for the series. Anticipate the desires of the network and advise on story elements that would best gratify the interests of the viewers. - Proofread and format using Final Draft and distribute to production teams via Scenechronize platform. - Mastered multitasking acting as Script Coordinator, Writer’s Assistant, and Production Assistant supervisor.

- Produced Projects Include: Absentia, Carter, Ultraviolet, Hannibal, Crossing Lines, Zbrodnia - Received “Pictures of Excellence” Award for “Passion and creativity, perseverance and dedication.” - Read and evaluated pilots, treatments, and bibles to identify projects for development. - Noted, collated, and distributed notes on all written materials, casting, production, marketing, and cuts for series. - Participated in weekly calls with line producers to anticipate and address production issues in real time. - Collaborated with teams in Sony’s international programming offices to develop and produce local series. - Oversaw on-set production in multiple locations including Canada and Bulgaria. - Liaised with vendors and producers on sales reels, sizzles, titles, and digital companion pieces for current series. - Worked with Marketing and PR departments to provide show-specific content for both B2B and B2C purposes.

- Maintained programming report tracking series in various stages of development, production, and acquisition. - Built and maintained tracking grids for series characters, writers, directors, and production companies. - Interviewed, hired, and managed student interns.

- Produced Projects Include: PAN AM - Provided feedback on casting, drafts and cuts - Took notes on all notes calls with producers, studio, network - Liaison to Business Manager (assisted with preparation and submission of tax documents, etc.) - Created a remote office system for working offsite - Worked with 2nd Assistant to maintain calendar, travel, assignments, etc. - Rolled heavy calls, maintained schedules for two executives - Arranged travel (domestic and international, including foreign visas) - Hired and supervised interns - Created and maintained production notebooks

- General office support to four assistants and six executives