Credits
7/18 – 10/18
Production Support – The Kid Who Would Be King
Film (Feature-length) — Working Title Films
7/18 – 10/18
6/16 – 9/16
Compositing Sequence Supervisor – Assassin's Creed
Film (Feature-length) — New Regency Productions
6/16 – 9/16
3/16 – 6/16
VFX 2D Supervisor – Denial
Film (Feature-length) — Krasnoff / Foster Entertainment
3/16 – 6/16
10/15 – 1/16
Compositing Supervisor – The Huntsman: Winter's War
Film (Feature-length) — Roth Films
10/15 – 1/16
5/15 – 8/15
Facility VFX Supervisor – The Danish Girl
Film (Feature-length) — Pretty Pictures
5/15 – 8/15
11/14 – 2/15
Compositor & Matte Painter – Marvel's Avengers: Age of Ultron
Film (Feature-length) — Marvel Studios
11/14 – 2/15
2/14 – 5/14
Digital Compositing Lead – Frank Miller's Sin City: A Dame to Kill For
Film (Feature-length)
2/14 – 5/14
5/13 – 8/13
Compositor – The Truth About Emanuel
Film (Feature-length) — MRB Productions
5/13 – 8/13
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