3/17 – 3/17
YouTube — Digital — COMPLEX MEDIA
3/17 – 3/17
3/17 – 3/17
Delish — Digital — Hearst Digital Media
3/17 – 3/17
2/17 – 2/17
TV — Trigger Productions, LLC
2/17 – 2/17
2/17 – 2/17
Digital Details
2/17 – 2/17
Lighting Design for a Pilot Asian American web series for people from TED Inc.
1/17 – 1/17
TED Talks — Digital — TED Inc
1/17 – 1/17
1/17 – 1/17
The GAP — Advertising — No Wheelies Inc.
1/17 – 1/17
9/16 – 11/16
CBS — TV — CBS Eye Productions
9/16 – 11/16
10/16 – 10/16
Electrician (Additional)
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Monster
Film (Feature-length) — Get Lifted Film Co.
10/16 – 10/16
9/16 – 9/16
Swing
Advertising — Sliding Sideways Production
9/16 – 9/16
9/16 – 9/16
Film (Feature-length) — HS Lovers LLC
9/16 – 9/16
8/16 – 8/16
Animal Planet — TV — Optomen Productions
8/16 – 8/16
8/16 – 8/16
Film (Short) — Park Slope Productions
8/16 – 8/16
8/16 – 8/16
Film (Short)
8/16 – 8/16
7/16 – 7/16
Corporate — Cole Creative
7/16 – 7/16
5/16 – 5/16
Music Video Details
5/16 – 5/16
Camera and car rigging. Follow car operator. Light effects rigging.
4/16 – 4/16
Key Grip (Electrician)
Advertising — Creative Soldier
4/16 – 4/16
4/16 – 4/16
Intstagram — Digital — 247 Laundry Service Details
4/16 – 4/16
Created lighting plots and lighting package.
4/16 – 4/16
CocaCola — Advertising — Chemistry Creative
4/16 – 4/16
2/16 – 2/16
TV — VS.
2/16 – 2/16
2/16 – 2/16
Film (Short) — Little Pigs Productions
2/16 – 2/16
1/16 – 1/16
TV Details
1/16 – 1/16
Was hired as a grip but fell more into the role of a gaffer as the only people they hired to do lighting were myself and another grip who didn't know electric work so I lead with the proper lighting set ups and procedures as well as what more equipment we needed.
12/15 – 12/15
Film (Feature-length) — GWIK, LLC
12/15 – 12/15
12/15 – 12/15
Electrician
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Rosy
Film (Feature-length) — 3 Arts Entertainment
12/15 – 12/15
11/15 – 11/15
Film (Feature-length) — Easy Living LLC.
11/15 – 11/15
10/15 – 10/15
Electrician
Advertising
10/15 – 10/15
10/15 – 10/15
Film (Feature-length) — Red Square Pictures, OffHollywood Pictures
10/15 – 10/15
10/15 – 10/15
Film (Feature-length) — 305 Media Group
10/15 – 10/15
8/15 – 9/15
Best Boy Electric (electrician)
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Viral
Film (Feature-length) — Big Block Entertainment
8/15 – 9/15
8/15 – 8/15
Best Boy Electric
Advertising — Creative Soldier
8/15 – 8/15
2/15 – 4/15
Production Coordinator
Staff Position — Indigital Media
2/15 – 4/15
7/14 – 4/15
Spike TV — TV — Bongo, LLC Details
7/14 – 4/15
Traveling set and G&E P.A. I drive trucks, assist with local P.A's, rig lights and run power for load ins and load outs. I am given responsibilities and details because I travel which includes me overlooking certain things while PC is not present.
6/14 – 6/14
CMT — TV — Tremendous! Entertainment
6/14 – 6/14
6/14 – 6/14
Film (Feature-length) — East Shore Productions Details
6/14 – 6/14
Driving Talent and doing lockdowns.
6/14 – 6/14
Music Video — Arch Entertainment Details
6/14 – 6/14
Box Truck Driver
4/14 – 5/14
Spike TV — TV — Bongo, LLC Details
4/14 – 5/14
Helped out Grip and Electric a lot.
Drove trucks
Set up crafty
Lock downs
Release forms
4/14 – 4/14
Film (Feature-length) — NYU Thesis Film Details
4/14 – 4/14
Took photos of the crew working and other miscellaneous tasks for all departments.
3/14 – 4/14
ABC — TV — Santa Monica 23 Productions Details
3/14 – 4/14
Drive crew and equipment van to and from set.
Help various crew members set up and break down equipment.
Load vans each morning and unload them each night.
Walkie sign out sheet.
Set up lunch
3/14 – 3/14
Light Room Studios Details
3/14 – 3/14
Recorded sound and set up and moved lights.
10/13 – 11/13
Film (Feature-length) — The Prospekt Group Details
10/13 – 11/13
I ran the film and sound to Deluxe in NYC from MA every night.
4/13 – 5/13
Still Photographer (Editor)
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Valediction
Film (Feature-length) — Full Sail University Productions Details
4/13 – 5/13
Took pictures of the set and all the behind the scenes photography.
1/13 – 2/13
Unit Production Manager
–
SuperPowers
Film (Feature-length) — Full Sail University Productions Details
1/13 – 2/13
Handled budget, ran meetings, and organized paper work and petty cash.
11/12 – 12/12
Assistant Camera (AC) (Arri SR3)
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Tear Drop
Film (Feature-length) — Full Sail University Productions Details
11/12 – 12/12
Set up camera and pull focus.
9/12 – 10/12
TV — Full Sail University Productions Details
9/12 – 10/12
Manned the studio camera with the most segment moves.
7/12 – 7/12
Director (Editor)
–
Interview
TV — Full Sail University Productions
7/12 – 7/12
5/12 – 5/12
Full Sail University Productions
5/12 – 5/12
4/12 – 5/12
Film (Feature-length) — Full Sail University Productions Details
4/12 – 5/12
Setting up and taking down camera. Slating the film.
4/12 – 5/12
TV Details
4/12 – 5/12
Setting up Camera
4/12 – 4/12
Film (Feature-length) — Full Sail University Productions
4/12 – 4/12
4/12 – 4/12
Music Video — Full Sail University Productions Details
4/12 – 4/12
Collect Props and made the suits they used in the video
