As a storyteller, my passion is helping tell stories that are too large to capture from one angle. // DC | Maryland | Virginia // G&E and Camera Dept. Crew Member // @glennevis


1/17 – 1/17

First Assistant Camera (Arri Amira) Commercial for Queen of Meatloaf

Film (Theatrical) — Fringe Films, LLC Details
1/17 – 1/17

Assisting DP: Shannon Palmer maintaining and operating Arri Amira w/ Cooke Speed Panchro lenses. Wirelessly pulling focus from RTMotion3.1 via Atomos Shogun - maintaining video village as well as managing 2nd AC w/ report/slate duties and Camera Utilities.

1/17 – 1/17

Camera Utility (Key) Unnamed Louis C.K. Comedy Special

NETFLIX — Live / Special Event (TV) — JMX Production Details
1/17 – 1/17

Camera Utility for 2nd AC Mike Pzancheko and Key 1st AC Chris Horne on an 8-camera Varicam35 shoot of Louis CK's comedy special at DAR Theatre in DC. Local 600 shoot.

1/17 – 1/17

First Assistant Camera (Day Play) 10-42

Film (Short) — Percepto Studios Details
1/17 – 1/17

Filling in for 1st AC Kelly McAdams on Day 2 of "10-42". Responsibilities included organization of camera dept., maintenance of CP.2 set, Sony FS5, as well as wireless feed to 2x Shogun Infernos via Teradek Bolt 600. Wirelessly pulling focus utilising RTMotion 3.1 FF unit. DP: Hank Vohrer

12/16 – 12/16

Camera Operator (RED Weapon CF) Noble Energy - Odessa Oil Field

Corporate — Colella Digital, LLC
12/16 – 12/16
12/16 – 12/16

Digital Imaging Technician (DIT) – Hyundai Hope on Wheels

Commercial/Ad — Shareability Details
12/16 – 12/16

Managing media from 3x C300Mk2s, 2x FS7s, and 2x Blackmagic Ursa 4.6Ks. Included backing up to 3x Shuttle drives with the use of a disk-cache SSD for fast transferring times. Utilizing both Hedge for Mac and ShotPutPro6 Beta.

11/16 – 12/16

Director of Photography (RED Helium) – tinyEngine (Bad Aditude)

Commercial/Ad — Cue93 Studios Details
11/16 – 12/16

Shot on RED Helium in 8K with Kowa anamorphic lenses. 30/60/90 all on location in and around DC. Gaffer: Sean Douglas

11/16 – 11/16

Assistant Camera (Arri Amira) You Should Be in Here Too

Film (Theatrical) — Playwright's Lab Details
11/16 – 11/16

Pulling focus for DP: Kuni Ohi off of an onboard Atomos Shogun Flame w/ RTMotion single channel hand unit. Also managed up to 5 CFast2.0 cards per day from a single camera on location using ShotPutPro6.

11/16 – 11/16

Assistant Camera (RED Scarlet-W ) – NPR Tiny Desk Promo

Commercial/Ad — Run Riot Films Details
11/16 – 11/16

Pulling focus and maintaining the camera setup for DP Brian Stansfield. Including setup of Teradek Bolt 2000 wireless system, as well as Arri SXU-1. Lenses: Cooke S5i/ Anamorphic.


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My Gear

  • 15" Macbook Pro Retina w/ ShotPut Pro and Resolve
  • 6x6 Butterfly Kit
  • 8x8 Butterfly Kit
  • Arri 300w Fresnel
  • Arri 650w Fresnel
  • Arri T2 2K Fresnel
  • Arri Tungsten Kit
  • Assistant Camera Bag
  • C-Stands
  • Dana Dolly Kit
  • Dedolight DLH-4 150w
  • ETC Source4 EDLT 750w
  • Kino Barfly 200 Pair
  • Litemat 18x23 Bicolour LED
  • Mole Richardson 1K
  • Sachtler FSB-8
  • Sekonic L-478DR
  • Sony FS7


  • Best Boy
  • Camera Assistant
  • Camera Operator
  • Director of Photography
  • Electrician
  • Gaffer