Underwater cinematographer. Designed lighting scheme for underwater scenes. Operated camera (Sony FS700) underwater framing, setting exposure, and pulling focus. Various shots filmed on 35mm 1.4 lens.
In the last several years Aaron has gratefully experienced a range of media/film productions. From supporting roles on larger productions to key positions on smaller ones, he has a wide range of skills and is dedicated to every assignment undertaken.
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Operated camera in framing aesthetically pleasing compositions for static and handheld shots in a "reality style" food show. Stage lighting on location for cooking presentation and interview setting.
Prepped, maintained, and operated camera and support equipment for second unit. Worked with build crew in capturing on-the-fly key moments for episode B-roll and time lapse footage. Media managed footage at end of day and filled camera reports for dailies.
Operating as an IATSE local, I assisted in routing power supply from 1600AMP generators on location sets via distribution boxes and 4/0, 2/0, banded, and bates cable. Helped rig crane lifts with 20K heads.
Operated camera in framing aesthetically pleasing compositions for static, shoulder rigged, and slider shots. Worked with Grip shaping and manipulating available light for exterior scenes. Built equipment lists for camera and lighting.
Managed/maintained company grip equipment and company personnel. Operated/maintained 4-ton grip truck and routinely inventoried, unloaded, and loaded equipment. On set, rigged for overhead lighting, built up to 20' butterflies, 10 foot crane arms, and complex dolly tracks.
Operating as an IATSE local, I assisted in routing power supply from 1200AMP generators on location sets via distribution boxes and 4/0, 2/0, banded, and bates cable. Helped rig crane lifts with 10K heads. Assisted in overhead grid rigging of source four, 1K, and 2K lighting fixtures on sound stages.
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