Angelica Robinson

Chocolate (SAG/AFTRA TV Pilot), Los Angeles, CA July 2018 - Completed/currently shopping ▪ Produced & Managed $350K budget featuring Bruce Davison (X-Men/ The Fosters), Roger Guenveur Smith (Queen Sugar/ Do the Right Thing), James Dumont (Jurassic World/ Roe v. Wade), V. Bozeman (Empire), Dante Basco (Hook/ Star Wars Rebels), Brian Epps (Sandy Wexler) & Quincy Smith (True To The Game), casting by Zora Dehorter (A+Z Casting Partners)

Pierre Live: Make America Mixed Again (Comedy Special), West Hollywood, CA May 2018 ▪ Managed $75k budget for 1 hour 4K-Multicam TV Comedy Special filmed at the ROXY featuring Pierre Edwards.

• Analyzed competitive materials for the multicultural marketplace to make quick decisions to effectively communicate research. • Created strategic campaign narratives released across multimedia platforms that provided perspective for targeted creative materials to ensure consistency in materials & strategies in the campaign and to have clear positioning plan through the utilization of Spot Market Media lists, filmmaker PowerPoint/Keynote Deck/Playbook pages and Share-of-Voice documents • Created and updated commercial rotation documents for Domestic media and update all MPAA clearance issues; weekly media plan packets; media film budgets; competitive media updates and industry news/trending items, and media highlight sheets. • Create & manage departmental calendar(s) and film project specific junket and media Rollout schedules; and maintain comprehensive log of creative content distributed on various social platforms for Creative Content materials. • Floor managed on BTS shoots, transcribed & watermarked interviews/vignettes/clips, cart & provide hi-res download links for EPK materials, review alpha channel string outs & iconic character lines for toolkits & policy trailers; lent my voice to trailers. • Provided in depth research on: Film-specific Intellectual Property, filmmakers & internal/external talent, creative national event opportunities, scripted character descriptions, competitive film content executions, appropriate musical cues in content pieces.

• Provided a bridge for clear communication between EVP’s office and multiple internal departments, demonstrating discretion & trust with senior management team(s); and served as a point of contact for various media partners, producing partners, filmmakers, internal department executives, third party members, and other external guests for domestic MPG projects. • Supported team in executing media plans & sending airtimes to filmmakers/management with an exceptional eye for detail. • Managed day-to-day calendar events, complex travel arrangements, telephone communication with kindness, and balancing expense accounts using both SPE programs: Concur & Service Now.

• Strong understanding of how to gracefully use discretion when dealing with sensitive information; anticipate calendar, travel, and meeting itinerary management; handle office politics; and navigate on a high level desk with the emotional IQ needed to make sure all parties felt heard (and their needs attended to) but still protect my boss in the process, within a fast paced environment.


• Maintained Business Affairs Production Grids, insurance documentation and assisted in both scripted and non-scripted content for all company subsidiaries, including Leftfield Entertainment (The Real Housewives of New Jersey), Gurney Productions (Duck Dynasty), High Noon Entertainment (Fixer Upper), ThinkFactory Media (Marriage Bootcamp), DiGa (The Ed Bassmaster Show), and ITV Studios America ( #RichKids of Beverly Hills, Hell’s Kitchen). 


• Analyzed/prepared residual set ups and payments for TV, Media, Theatrical projects & distribution markets for SAG/AFTRA, DGA, WGA contracts and crafted extensive audit excel sheet to verify set ups for: Leverage Seasons 3, 4, & 5 and Librarians Season 1. 
 • Reconciled Bank and Vendor Statements with QuickBooks accounts for various show seasons.

Managed heavy call volume/call log, scheduled meetings and conference calls, generated/reconciled expense reports. Maintained Script/manuscript submissions log, analyzed/broke down numerous scripts, and wrote extensive coverage. Assisted in test screenings and social media marketing tactics for projects i.e.: Woman in Black: Angel of Death and AWATT.

Sculpting and managing production budget.

Provided basic administrative duties for Production Manger, Dawn Manning; handled expense reports, crew payroll, managed vendor and crew lists, acquired Insurance Certifications for vendors, organized pick up and return schedules.

Provided administrative assistant duties for Executive Vice President. Scheduled appointments, email correspondence, rolled calls, handled expense reports, complied extensive project research Handled script and manuscript submission, wrote extensive coverage, and responsible for managing company related runs.

Covered busy desks’ of CEO Michael Green and Manager Steven Grossman. Handled heavy call volume, maintained call logs,rolled calls, updated contacts, scheduled appointments, organized courier runs.

• Demonstrated strong public speaking & performance skills by communicating with a high level of enthusiasm with people from different socioeconomic backgrounds as well as A-list Talent to provide guidance about park entertainment, events and programs.

• Collaborated in the establishment of corporation structure, including legal formation, obtaining federal EIN, and negotiated annual general liability & workers comp insurance based on company needs. • Proficient in MovieMagic Budgeting and MovieMagic Scheduling and responsible for overall project management from basic story development, including script/story content notes to final post deliverables. • Spearheaded production meetings, created production/post schedules, tracked & maintained budget cost reports, placed equipment orders, secured locations/obtained permits from city officials, and handled publicity materials for final deliverables. • Collaborated with Casting Directors, legal advisors and talent managers to craft deal memos, contracts, SAG documents, music sync licenses (int’l & domestic), as well as, mixing/editing/composing contracts and schedules. • Strong Physical Production (On-Set) Experience as Producer, Production Manager, and Line Producer (Please see IMDB credits) with a thorough knowledge of breaking down and interpreting a script.

Documentary Film on Climbing Kilimanjaro

Assisted Executive Producer Tia Boyd, by providing basic administrative duties and handled scripts submission for festivals. Hired production assistants; ordered props/set pieces; and directly handled and escorted talent.

Communicated effectively with my team members, gave direct commands and followed direct instructions to solve problems or dilemmas quickly. Hung, cabled & focused lights; patched dimmers, channels, sub-masters, etc.

Oversaw floor management and collaborated with Producers during live/recorded broadcasts making informed decisions and being a pro-active problem solver; and the main liaison to “A list” Talent/Managers/Agents during broadcasts & events. Transcribed Video/Beta tapes, sent/filed invoices, composed edit schedules, intensive client research, and meeting deadlines.