Communicating with the EP, Director, AD, and AP during show and rehearsals for music and sound cues; acquiring all songs and sound effects used in the show; cutting and editing music to fit game requirements; working alongside audio; filling out expense reports and petty cash reports by production wrap
Summary
I found my passion in production, but is it worth all the risk? Everytime. If I'm not on the grind then I'm not doing enough.
Credits
6/16 – 6/16
Music Coordinator – Switcheroo
NBC — TV — Monkey Kingdom Productions Details
6/16 – 6/16
1/16 – 5/16
Assistant
Staff Position — ABC/ Summerdale Productions Details
1/16 – 5/16
Assist Senior Supervising Producer on Fablife; scheduling for 6 producing teams with wardrobe department; liaising between producers and wardrobe
1/16 – 2/16
Assistant/Coordinator to SVP & VP of Production – The Passion
Corporate — Dick Clark Productions Details
1/16 – 2/16
I jumped in doing travel coordinating as the office prepared for production out of state. I rolled calls, manned the schedules/calendars, drawing up documents, communicating with the other executive assistants and coordinators in the office. I was brought in as a temp, as the coordinator was on the road with production, and I had a great relationship with the company and worked on several shows with them.
12/15 – 1/16
Control Booth Coordinator – Undateable (Season 3)
NBC — TV — Dohner Productions Details
12/15 – 1/16
sitting through rehearsal alongside the live and scripted directors and flagging the script for any jokes/lines or actions that would serve as cues and require particular types of camera movement. I also had to go through and mark every shot within the script for the technical director, while then making changes to the rundown and assisting the back-timer time the live show. In order to do the job successfully I had to remain highly organized and coordinate heavily with the directors, script supervisor, and stage managers. I also had to have a running knowledge of the dialogue in order to time accurately. At the end of tape days, my final job was to ensure that rehearsals were timed and formatted into the rundown, then distributed to network.
11/15 – 11/15
Production Assistant (Script Production Assistant) – The American Music Awards
ABC — TV — Dick Clark Productions Details
11/15 – 11/15
I assembled binders, did distro, made revision copies, and made the DNA pick ups.
11/15 – 11/15
Production Assistant (Script Production Assistant) – Dick Clark's New Year's Rockin' Eve 2015 With Ryan Seacrest
ABC — Live/Special Event — Dick Clark Productions Details
11/15 – 11/15
I worked in the office putting together binders and dividers as well as making face sheets.
10/15 – 11/15
Talent Assistant – Little Big Shots (Season 1)
NBC — TV — Adrian Court Productions Details
10/15 – 11/15
I managed SAG/AFTRA and start paperwork for 80 acts as well as work with producers, accounting, and production very closely.
7/15 – 10/15
2nd Key Production Assistant
Staff Position — Dance Nation Productions Details
7/15 – 10/15
I served as the second Key PA which required me to assist post production in logging flashbacks in each episode and documenting them in order to compensate directors through DGA.
Recos
Education
Class of '12
University of South Carolina
BA in Media Arts, Minor in Psychology
My Gear
Skills
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