3/17 – 4/17
First Assistant Camera (A Cam (Alexa Mini))
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The Line
Film (Short)
3/17 – 4/17
3/17 – 3/17
First Assistant Camera (Alexa Mini)
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Eightfold Creative
Wells Fargo — Advertising — Eightfold Creative
3/17 – 3/17
2/17 – 2/17
TV — Pointless Studio Productions
2/17 – 2/17
2/17 – 2/17
Boost Mobile — Advertising — Expressway Productions
2/17 – 2/17
1/17 – 1/17
Music Video — All Ages Productions
1/17 – 1/17
1/17 – 1/17
Facebook — Advertising — People's Television
1/17 – 1/17
12/16 – 12/16
Philadelphia Museum of Art — Advertising — Expressway Productions
12/16 – 12/16
10/16 – 11/16
HGTV — TV — NorthSouth Productions
10/16 – 11/16
10/16 – 10/16
Netflix — Live/Special Event
10/16 – 10/16
9/16 – 9/16
First Assistant Camera (Red Epic / Robotic Arm Motion Control)
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SHAED - Thunder
Music Video — Joffco
9/16 – 9/16
8/16 – 8/16
Second Assistant Camera (Alexa Mini / Movi)
Advertising — Slauson Productions
8/16 – 8/16
8/16 – 8/16
First Assistant Camera (Sony FS7)
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Sitting Still
Film (Feature-length) — SA KWA Pictures
8/16 – 8/16
8/16 – 8/16
First Assistant Camera (A7S / Ronin)
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Drop Target
Film (Short) — Itzi Productions
8/16 – 8/16
8/16 – 8/16
First Assistant Camera (Alexa Mini)
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Revillusion - Red
Music Video — Expressway Productions
8/16 – 8/16
7/16 – 8/16
First Assistant Camera ((A-Camera) - Sony F55/Cooke S4/i)
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Fright Fest
Film (Feature-length) — ShadowBox Pictures LLC, Yardley, PA
7/16 – 8/16
5/16 – 7/16
Film (Short) — Highball Society Details
5/16 – 7/16
Pulling focus for several :30 80s movie parodies, designed for use in a live "Escape The Room" style clue game
6/16 – 6/16
Second Assistant Camera (Arri Amira)
Advertising — Dirt Road Digital
6/16 – 6/16
6/16 – 6/16
Second Assistant Camera (Arri Alexa Mini)
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Smith Gifford
INOVA Health — Advertising — Pilgrim Post LLC
6/16 – 6/16
4/16 – 6/16
Assistant Camera (AC) (PMW-300)
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Mikey (Pilot)
TV — Magilla Entertainment
4/16 – 6/16
5/16 – 5/16
Assistant Camera (AC) (Sugarhouse Spring 2016)
Advertising — Sprocket Systems
5/16 – 5/16
5/16 – 5/16
Live/Special Event — Woodshed Entertainment
5/16 – 5/16
2/16 – 5/16
HGTV — TV — Magilla Entertainment
2/16 – 5/16
1/16 – 5/16
First Assistant Camera (Sony FS7)
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MOHO Creative
Drive Medical — Advertising — PVAF Films
1/16 – 5/16
4/16 – 4/16
Second Assistant Camera (Epic Dragon)
McDonald's — Advertising
4/16 – 4/16
10/15 – 12/15
Destination America — TV — Groff Entertainment Details
10/15 – 12/15
2nd AC/Loader
10/15 – 11/15
First Assistant Camera (Alexa Mini, Zeiss SuperSpeeds)
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Zeroes
Film (Feature-length) — Expressway Productions
10/15 – 11/15
9/15 – 9/15
First Assistant Camera
Advertising — Mangrove Media
9/15 – 9/15
9/15 – 9/15
First Assistant Camera (Red Epic, CP2s)
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Arise and Go Now
Film (Short)
9/15 – 9/15
4/15 – 9/15
Discovery — TV — Magilla Entertainment
4/15 – 9/15
8/15 – 8/15
Film (Short) — Broad Street Pictures
8/15 – 8/15
8/15 – 8/15
First Assistant Camera (Arri Alexa Plus)
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The Green Man
Film (Short)
8/15 – 8/15
8/15 – 8/15
Assistant Camera (AC) (C300)
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Beneficial Spot
Corporate — The Brownstein Group
8/15 – 8/15
7/15 – 8/15
Set Dresser
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Equity
Film (Feature-length) — Broad Street Pictures
7/15 – 8/15
4/15 – 4/15
Assistant Camera (AC) (Sony PMW-F55)
Advertising — ShadowBox Pictures LLC
4/15 – 4/15
4/15 – 4/15
Assistant Camera (AC) (Canon C100)
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Red Tettemer
Morningstar Farms — Advertising — All Ages Productions
4/15 – 4/15
2/15 – 3/15
First Assistant Camera (Red Epic, Canon K35 Primes)
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American Exorcist
Film (Feature-length) — South Fellini Details
2/15 – 3/15
Managing Camera Department, pulling focus, etc
1/15 – 1/15
Digital — Weathervane Music Organization Details
1/15 – 1/15
Operate a camera for a documentary style in-studio music webseries
12/14 – 12/14
First Assistant Camera (B-Cam Blackmagic 4k Steadicam)
Toyota/Philabundance — Advertising — CSM Productions, LLC Details
12/14 – 12/14
Building camera, pulling focus, and managing gear for B-Camera (Blackmagic 4k on Steadicam)
12/14 – 12/14
Music Video — All Ages Productions Details
12/14 – 12/14
Building camera, pulling focus, and managing gear
11/14 – 11/14
First Assistant Camera (Blackmagic 2.5k)
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How to Win
Film (Short)
11/14 – 11/14
11/14 – 11/14
First Assistant Camera (Arri Alexa Plus)
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Not Yet
Film (Short)
11/14 – 11/14
11/14 – 11/14
Film (Short)
11/14 – 11/14
5/14 – 11/14
Discovery — TV — Magilla Entertainment Details
5/14 – 11/14
As 1/3 of a 3 person crew, my responsibilities include camera support and maintenance, hot sheets/camera reports, media management, and sound. Also, handled all PA duties including managing all of the petty cash, releases, and driving.
7/14 – 9/14
Destination America — TV — Bray Entertainment Details
7/14 – 9/14
Building, maintaining, and troubleshooting 2 C300s, 3 5Ds, 5 XF105s, and GoPros. Also managing and backing up all media.
8/14 – 8/14
Lifetime — TV — Jarrett Creative Details
8/14 – 8/14
Building and maintaining 2 C300s, operating C-cam (5D), managing media.
7/14 – 7/14
First Assistant Camera (Arri Alexa)
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Crooked and Narrow
Film (Feature-length) Details
7/14 – 7/14
1st AC, Arri Alexa, SuperSpeeds. Responsibilities included maintaining and managing Camera Department, pulling focus, building the camera, etc.
12/13 – 4/14
Second Assistant Camera (F3, PDW-F800, RED Epic, 5D, GoPro)
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Game On, America (Season 1)
Travel — TV — My Entertainment Productions Details
12/13 – 4/14
C-Camera operation, assisting the camera department with camera builds and lens changes, slating, among other responsibilities.
9/13 – 11/13
Digital — Highball Society Details
9/13 – 11/13
On "From Where We Stand", my responsibilities include building the camera, managing a B - Crew, pulling focus, and camera maintenance.
10/13 – 10/13
Director of Photography (DP) (5DMKIII)
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New In Town
Film (Short)
10/13 – 10/13
10/13 – 10/13
Production Assistant
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Ogilvy
Comcast — Advertising — FIONA Details
10/13 – 10/13
Held and released talent, assisted the DIT, made runs, transported agency, handled petty cash, among other responsibilities
8/13 – 8/13
Internet — Live/Special Event — Pandafeed.tv Details
8/13 – 8/13
Pandafeed.tv provides high definition, multi-camera live feeds of events like professional fighting and music. For "Boxing at the Bob", my duties included managing all media/data, running cables, and recording audio in the corners.
8/13 – 8/13
Internet — TV Worldwide Details
8/13 – 8/13
Operate one of four cameras for a live internet stream of a meeting of a Presidential Commission.
4/13 – 5/13
Music Video — Highball Society Details
4/13 – 5/13
On this job, shot on a RED Epic, I managed focus pulling, lens changes and maintenance, camera support, and some camera operation.
12/12 – 12/12
First Assistant Camera (First Assistant Director)
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Queen V - Right or Wrong
Music Video — Highball Society Details
12/12 – 12/12
On this project, I pulled focus, maintained and managed lenses, and kept camera logs. I was also the 1st AD. I kept the production on time, and did the pre-production scheduling.
6/12 – 10/12
First Assistant Camera
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Hollis
Film (Feature-length) — Highball Society Details
6/12 – 10/12
On Hollis, my duties included focus pulling, equipment management and troubleshooting, and general camera assistance.
8/12 – 8/12
Music Video — Woodshop Films Details
8/12 – 8/12
I directed and edited this video.
6/12 – 8/12
Music Video — Woodshop Films Details
6/12 – 8/12
This video was a pet project with a small (6 person) crew. I conceptualized, produced, directed, and edited this video. I made/bought props, kept the schedule, and operated the camera.
