As a freelance Director of Photography, my camera work has taken me around the world to Israel, Palestine and Thailand and can be seen on broadcast shows such as The Incredible Dr. Pol (National Geographic, 2013) and DC Cupcakes (TLC, 2012).


8/14 – 4/15

Director of Photography (Sony PMW-F5) Wild Inside the National Zoo

Smithsonian — Internet — Run Riot Films Details
8/14 – 4/15

I'm the DP for this web series about the keepers and animals at the Smithsonian National Zoo in Washington DC. I shoot the series on my Sony PMW-F5 with a small crew, just myself, a Producer/Director, and a Sound Recordist.

11/14 – 11/14

Director of Photography (PMW-F5) ExxonMobile Internal Spot

Corporate — Pigs Fly Media Details
11/14 – 11/14

I setup and lit a paper seamless green screen for a head to toe key. I shot on my PMW-F5 and ran audio myself.

9/14 – 9/14

First Assistant Camera (PMW-F5, DJI Ronin, DJI Phantom, Data) The Last Alaskans 1

ANIMLPLNT — Reality/Doc (TV) — Half Yard Productions Details
9/14 – 9/14

I was the First AC on this reality show about fur trappers living in the wilderness of AK. I handled all technical aspects of the Sony F5, PMW-300, Cabrio 19-90, DJI Ronin with 5DMKIII, and Sony A7S. I was in charge of data management and backup as well.

8/14 – 8/14

Director of Photography (PMW-F5) NYC Triathlon

FOX — Sports (TV) — Starr Media Design Details
8/14 – 8/14

I shot race day coverage of the "elite athletes" during the swimming portion of the race, then hopped off my boat and captured more footage of the masses during the bicycling and running portions of the race. I also cut bumper packages from my footage for the program.

6/14 – 6/14

First Assistant Camera (RED Epic, Wireless Monitors, Data Tech) – EpiPen (Superseed Content)

Commercial/Ad — Superseed Content Details
6/14 – 6/14

I prepped the RED Epic package, built the rig for our DP, assured that the correct format and frame rate was used, downloaded the footage on set as Data Manager, and cycled batteries as needed. I packed up the camera at the end of the shoot as well.

6/14 – 6/14

Director of Photography (Canon 5D) Sierra Club interviews

Corporate — Promedias, LLC Details
6/14 – 6/14

I shot interviews against a black seamless backdrop for the Sierra Club. I provided the camera kit, lighting package and audio recorder, then mailed a hard drive with the footage to their video team.

6/14 – 6/14

First Assistant Camera (Sony F5, Wireless FF, Wireless Monitors, High Speed) – Michael Phelps Swim Club (8-Sided Productions)

Commercial/Ad — 8-Sided Productions Details
6/14 – 6/14

Built the package (F5, Preston Wireless FF, Teradek Wireless monitoring, shoulder rig), drove the gear to Baltimore, prepped the kit for our DP, pulled focus wirelessly while he shot hand held, and ensured that all the equipment was returned to the rental house intact and on time.

6/14 – 6/14

Camera Operator (Canon C300) – FairFax Hotel (Plus)

Commercial/Ad — Plus Details
6/14 – 6/14

I shot with a C300 on a commercial for the Fairfax Hotel in Washington DC


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Class of '10

University of Pennsylvania

BA in Communications

My Gear

  • Arri Fresnel 3 light kit
  • baby stands
  • c-stands
  • Canon 5D MkIII
  • Canon C300
  • H4N Audio recorder
  • KinoFlo Celeb LED fixture
  • KinoFlo VE Fixture
  • macbook pro
  • Nikon AI-S 17-35mm f/2.8
  • Nikon AI-S 28-70mm f/2.8
  • Nikon AI-S 35mm f/1.4
  • Nikon AI-S 50mm F/1.2
  • Nikon AI-S 80-200mm f/2.8
  • Nikon AI-S 85mm f/1.4
  • RAID Data station
  • Sachtler Video 18 tripod
  • Sennheiser 416 Shotgun Mic
  • Sennheiser G3 wireless lav
  • Sony F5
  • Sony PMW-F5


  • 4K
  • aerial photography
  • aerial video
  • aerials
  • audio
  • camera checkout
  • color correction
  • Data Management
  • editing
  • Green Screen Lighting
  • handheld coverage
  • Interview Lighting
  • macro photography
  • Octocopter Pilot
  • Quadrocopter Pilot
  • reality coverage
  • scuba
  • scubadiving
  • Slow Motion
  • UHD
  • underwater
  • underwater camerawork
  • wireless audio