Summary

Graduate of USC School of Cinematic Arts Screenwriting program. Having worked both on set and off, I've worked in assorted crew positions (including producer) with assorted film/TV production companies and did whatever's necessary to get the project done.

Credits

10/15 – 12/22

Field Producer After the First 48 (Season 5)

A&E — TV — ITV America Details
10/15 – 12/22

Work with cameraman, lease with presiding judges, local prosecutors, law enforcement, and victims' families and advocates. Create shot list for B-roll and script log. Secure video and news footage from local stations. Collect docs and available records from courts. Act as AF48 rep in the field.

3/15 – 3/16

Writer Hollywood Heat (Pilot)

TruTV — TV — Trutv Details
3/15 – 3/16

Creator/Writer (Pilot)

10/14 – 3/15

Screenwriter MORRISONLAND

Film (Feature-length) Details
10/14 – 3/15

Writer/Producer

11/13 – 11/14

Writer WARPATHS

Film (Short) — Brasilia Productions Details
11/13 – 11/14

Executive Producer

11/12 – 8/13

Executive Producer (EP) (Screenwriter) CHIANG

Film (Feature-length) — Brasilia Productions Details
11/12 – 8/13

Producer, screenwriter, locations manager, line producer, costume designer, art director, craft services, and any position necessary to promote my multi- award-winning pilot script CHIANG, which had been previously optioned by ION Network.

12/11 – 12/11

Assistant Camera (AC) (Canon HDSLR) Nerve Center (Season 13)

Discovery — TV Details
12/11 – 12/11

Transported, loaded, unloaded camera equipment. Logged, supplied tapes to DP. Kept batteries, walkies charged, scripty-type log and still photo log, got releases for on-camera talent to send to Canada daily. Purchased, rented equipment & supplies for shoot with assigned petty cash. Drove rental van. Doubled as PA, providing mobile craft services.

5/10 – 5/11

Writer/Producer

Staff Position — Brasilia Productions Details
5/10 – 5/11

President/CEO

12/09 – 1/11

Field Producer After the First 48 (Season 1)

A&E — TV Details
12/09 – 1/11

Worked with Cameraman to get court footage, "B" roll, interviews with crime victims, attorneys, etc. Kept videolog during trial. Got releases from on-camera talent. Responsible for getting equipment, tapes, etc. to New York production offices in NY.

Recos

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Education

University of Southern California School of Cinematic Arts

MFA