Byron Goggin

Director of Photography for development and shooting of a fashion reality pilot. Can't elaborate due to confidentially issues. Shot with C-300 with Fujinon Cabrio Lens, Canon 5D DSLR Time lapses, Dana Dolly.

Director of Photography for a Discovery Channel hot rod car build show. My responsibility was to supervise crew and establish a style and feel for the show. Set up interviews (OTF's), lighting and set staging. Created custom bumps through use of HDR Time lapse, and high speed FS 700 camera,

Team leader, Field Producer & Lead Camera Operator for History Channel's Ax Men 7. Daily duties were to supervise crew, create daily stories, oversee the overall look of our production, manage talent and communicate with Supervising producer. I also shot a significant amount of underwater photography.

Oversaw camera department on our field crew. Created overall look of production by establishing which cameras were to be used in what situation. This position extended into management of talent, writing daily script, production notes, site surveys and overall storytelling. I also shot a significant amount of underwater photography.

Director of Photography / Field Producer for a SYFY reality Sizzle reel. Cant elaborate past that due to confidentially issues.

Director of photography. Created overall look of roll ins. Shot driving shots on Las Vegas strip. Rigged lights and camera implements for tracking shots. Shot bumps, promo.s and teases.

Director of Photography and Field Producer for National Geographics Wicked Tuna. Created overall look of show with the goal to improve production standards from the previous year. Created underwater rigs, Implemented and shot with FS-700 high speed camera. Motion control time lapse, sliders etc.

Director of Photography. Creation of "Sci Fi" paranormal series. Created overall look of program with tools like Lens Baby & motion rigs. Lead team including instruction on equipment, Daily interviews, re-creations, daily story coverage from script.

Shooter producer for a parole / prison / law enforcement program. Shot daily story, produced from behind the camera, created HDR Time Lapses, OTF interviews, b-roll etc. Program resulted in #1 ratings.

Director of Photography. Created overall look of program. Lead team including instruction on equipment, Daily interviews, re-creations, daily story coverage from script. Field producer and team leader.

Director of Photography. Created overall look of program. Lead team including instruction on equipment, Daily interviews, re-creations, daily story coverage from script. Field producer and team leader.

Director of Photography. Created overall look of program. Lead team including instruction on equipment, Daily interviews, re-creations, daily story coverage from script. Field producer and team leader.

Director of Photography. Created overall look of program. Lead team including instruction on equipment, Daily interviews, re-creations, daily story coverage from script. Field producer and team leader.

Director of Photography. Created overall look of program. Lead team including instruction on equipment, Had to invent ways to create light in a coal mine with no electricity Picked cameras, and developed strategy for shooting in a hostile enviornment. Field producer and team leader.

Shot daily story, Time lapses, specialty camera as well as field producing.

Responsible for Producing and shooting daily stories about Alaska's Department of Transportation and the truckers that were traveling the Dalton Highway ice roads in -70 degree conditions.

Shot Detroit Lions NFL Football Live Events, locker room post game interviews, press conferences and edit program material for weekly "Ford Lions Report" Supply weekly footage to NFL Films and the NFL Network. Deliver weekly program for ABC and NFL Network.

Shoot daily coverage of build show. Producing, Jib operator, Steady cam operator. Daily field production and interviews

9 years "Live" Hand Held camera operator in the pit area. Shot pre-race interviews, opens, bumps & teases. Shoot interviews and elements for packages to be aired during the race. Covered pit stops and interviews with crew members after the stop.

9 years freelance EFP and live event photographer in charge of creating daily stories and behind the scenes documentaries for the NFL Network and Fox Sports Network. HH sideline camera for Super Bowl XL as well as all regular season games.

➢ 9 years freelance NHL Live Event production HH camera, Hard, Slash. Also EFP packages, lighting, interviews, specialty B-roll. Shot EFP for two Stanley Cup Finals.

Documentary style camera operator. EFP. Film lighting for sit down interviews. Avid editor. Worked on shows including topics including: "Jimmy Hoffa; The Untold Story" "Quame Kilpatrick, Hip Hop Mayor" "Dr. Jack Kevorkian, The Right to Die" "Richard Penski, Powering Detroit"