Summary

My work on film projects may seem in stark contrast to my stereoscopic endeavors, but I have always seen celluloid, stereoscopy, lighting, and color palettes to be mere tools used to serve a story and its characters. Visit colinpmcdonald.com for my resume

Credits

3/13 – 11/14

Stereoscopic Supervisor ARTIC 3D

TV — Avalanche 3D Entertainment Details
3/13 – 11/14

Lead stereographer on a 2 year documentary about the construction of a new train station in southern California.

6/14 – 6/14

Director of Photography (DP) (Blackmagic Cinema Camera) Another Time

Film (Feature-length)
6/14 – 6/14
4/14 – 4/14

Assistant Camera (AC) (Blackmagic Cinema 2.5K) The First Date

Film (Feature-length) — A John Pistone Production
4/14 – 4/14
3/14 – 3/14

Second Assistant Camera Oddball Comedy Tour (Pilot)

Internet — Digital — Funny or Die Productions Details
3/14 – 3/14

Slate and keep camera gear organized and save. Canon C300.

3/14 – 3/14

First Assistant Camera David Hockney

Film (Feature-length) — BBC Details
3/14 – 3/14

Pulling Focus and protecting the camera (Sony F55) and stedicam

1/14 – 2/14

Director of Photography (DP) (Blackmagic Cinema Camera) Game of Scones

Film (Feature-length) — Open Door Pictures
1/14 – 2/14
11/13 – 11/13

Second Assistant Camera Made Me Do It

Film (Feature-length) — Ironside Productions Details
11/13 – 11/13

Camera assisting for A-Cam, a RED Epic.

10/13 – 11/13

Second Assistant Camera Redstone

Film (Feature-length) — New Wave Entertainment Details
10/13 – 11/13

Camera assisting for A-Cam (one of three C300s)

Media

Recos

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Education

Class of '13

Chapman University, Orange, CA

Bachelor of Fine Arts, Film Production and Minor in Advertising
Class of '12

Busan International Film Festival

Film Studies Ambassador
Class of '11

Victoria University of Wellington, New Zealand

Student Exchange Program