Used raw production footage to build commercials, sizzle reels, and company promos in FCP7. Titles were built separately in After Effects, and incorporated at a matching resolution. The finished products were uploaded into multiple formats, utilizing different codecs, dependent upon the client's request.
Summary
Daniel, an Editor, based in New York, has 4 Editor credits, and has been a member since 2013.
Credits
10/14 – 10/15
Editor (Premier) – Video
SLATE Magazine — Digital
10/14 – 10/15
2/14 – 7/14
Editor (Avid) – Road Trip With G Garvin (Season 3)
Cooking Channel — TV — Powerhouse Productions
2/14 – 7/14
6/13 – 7/13
Editor (FCP 7) – Magnet Media
Time Warner Cable — Advertising — Magnet Media Details
6/13 – 7/13
3/11 – 5/13
Editor (FCP) – Know the Cause
Syndication — TV — Mediatrition, Inc. Details
3/11 – 5/13
As Editor, my responsibility was to build raw footage into a tightly formatted episode, specified by the producer's script. Editing was done on NLE software, primarily with Final Cut Pro 7. Chromakey work and motion graphics, including name-key lowers and transitions, were usually built in Adobe After Effects CS6.
Recos
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Education
Class of '10
Baylor University
B.F.A. Theatre
Skills
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