Director: Aaron Beckum, DP: Drew Bienneman My responsibilities: it was a small crew so I acted as a general aid, second ACing, gaffing, sometimes running sound, gripping, etc. Shot on an Arri 35mm film cam with a variety of car mounting, dolly, and tripod shots. Highlight: racing to set up the dolly in the middle of the desert in Joshua Tree before the sun set to get the last shot before wrap.
Summary
Primarily a documentarian, I obsess over pushing image and sound recording techniques to capture phenomenon in a way that reveals something we might have never otherwise noticed about our world.
Credits
12/16 – 12/16
Second Assistant Camera (and general set help, grip, gaff, sound etc) – Born Forlorn
Film (Short) Details
12/16 – 12/16
12/16 – 12/16
First Assistant Camera – The Shores
Film (Short) — LockeWorkz Details
12/16 – 12/16
changing lenses, keeping lenses clean, setting up lights and scrims, mounting the camera on tripod, slider, or cinematographer's shoulder, slating
10/15 – 8/16
Camera Operator (A7sII) – Becoming
Film (Feature-length) — Independent Details
10/15 – 8/16
story development + research, camera operator or sound recordist depending on the needs of the shoot
5/16 – 6/16
Director – Formation
YouTube — Digital — Independent Details
5/16 – 6/16
From creative concept through every aspect of production of this experimental promotional video, I was a one woman team.
2/16 – 2/16
Editor (adobe premiere ) – Pedals for Compassion Promo
YouTube — Digital — Independent Details
2/16 – 2/16
Edited promo video for Pedals of Compassion NGO
7/15 – 7/15
Sound Recordist – Iridescent Field
Film (Short) — Independent Details
7/15 – 7/15
Recorded sound. The short film won best sound design at Ann Arbor's 2016 film fest.
1/15 – 1/15
Sound Recordist – Chocolate Mountain Metal
Internet — TV
1/15 – 1/15
Media
Recos
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Education
Class of '11
Cornell University
Comparative Lit - visual studies emphasis - honors
My Gear
Skills
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