Summary

Over 10+ years of professional work in the film & television industry. Organized, efficient, skilled, and reliable. Can work in Canada and the US. Please contact for a detailed resume ~ ca.linkedin.com/in/darcievp

Credits

6/18 – 10/18

Series Location Producer (Supervising Producer) Gold Rush (Season 9)

Discovery — TV — Raw TV Details
6/18 – 10/18

Managing a production team and steering story across 3 remote locations limited to plane and boat access. Logistics and risk assessments for all movement and activity. Stood in for the Co-Executive Producer for 2 stints which totalled a month’s coverage - responsibilities included managing a team of over 100 people across multiple locations and liaising the executive producer, the edit, and the network on all activity including story developments.

10/17 – 12/17

Edit Producer (Post Producer) Gold Rush (Season 8)

Discovery — TV — Raw TV Details
10/17 – 12/17

Crafting an engaging episode arc across 3 intertwining stories while driving forward the season story arc. Working with the editor on day-to-day decision making while reporting to the Executive Producer. Meeting deadlines on deliverables set by the network.

4/17 – 10/17

Series Location Producer (Supervising Producer) Gold Rush (Season 8)

Discovery — TV — Raw TV Details
4/17 – 10/17

Managing a production team across 3 remote locations limited to plane and boat access. Steering story and guiding production crew. Logistics and risk assessments for all movement and activity. Liaise with other producers & head production in London. Writing and delivering weekly hotsheets for the network.

11/15 – 12/15

Producer Director Gold Rush (Season 6)

Discovery — TV — Raw TV Details
11/15 – 12/15

Producing a season Special on the history of an infamous gold miner and his story of Dutch milk-maid to Klondike kig

4/15 – 10/15

Field Producer (Remote Location Producer) Gold Rush (Season 6)

Discovery — TV — Raw TV Details
4/15 – 10/15

Managerial and editorial duties in leading team of 11-16 crew in a remote location. Editorial responsibilities include contributing to and supervising ongoing story developments, story meetings, story and concept boards. Logistical duties include scheduling, call sheets, crew movements, releases, production stills, liasing with excecutive producers in London base.

2/15 – 3/15

Assistant Producer Leepu and Pitbull (Season 1)

History — TV — Raw TV Details
2/15 – 3/15

Assisting the Producer Director. Story notes and contributing to ongoing story threads. Conducting interviews and OTF's.

4/14 – 10/14

Field Producer (Shooting) Gold Rush (Season 5)

Discovery — TV — Raw TV Details
4/14 – 10/14

Assisting with managerial and logistical duties. Story liaison between London office and the production teams in the field. Call sheets, releases, research, producing story threads, 2nd camera shooting. Filmed on location in rugged and isolated locations in the Yukon.

5/13 – 11/13

Field Producer (Shooting) Gold Rush (Season 4)

Discovery — TV — Raw TV Details
5/13 – 11/13

6 weeks shooting as Producer/Director on the Sony F-800. Minicams technician. Story producing on location in Alaska and the Yukon. Writing story notes for the edit in London.

Recos

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Education

Class of '11

I.A.T.S.E Local 669

Camera Trainee course completed
Class of '08

The Art Institute of Vancouver

Honors Diploma in Digital Film and Video

Skills

  • Avid
  • Shooting
  • Final Cut
  • Story Producing
  • Organized
  • Premier
  • Efficient
  • Reliable
  • Camera Operation: SonyF-800
  • Can work in Canada and the US
  • Works well in isolated and rugged locations
  • Writes story and edit notes