Daniel Grove

In my first Stand-up Special, I acted as the lead writer, performer, and editor on this project.

Lead Post Production Coordinator for 2023 Overwatch World Cup, Oversaw the delivery and ingestion of broadcast deliverables into ABE MAM and DAM environments, Published Match VOD content to Overwatch League YouTube Channel, Acted as primary contact for all third party vendor deliverables for aforementioned leagues, Logs and updates all metadata for all BTS photo and video assets from live events (namely, LAN tournaments and conventions), Developed new methodologies for reporting, archival, and communicating the influx of all post-production assets from ABE tournament broadcasts, Third Party vendors, and other onsite production crews, Creates melts for all raw BTS and Interview footage from production teams in adobe premiere, Develops workflows and manages the ABE Signiant Mediashuttle delivery environment, Works alongside ABE legal team in clearance of all BTS assets, EDL tracking for sound library reporting and royalties, Coordinates with ABK Business Asset Management team in projects including (but not limited to) optimizing Isilon storage, migrating assets from ABE Reach Engine MAM environment to Stronghold (proprietary DAM solution), providing testing and user stories for said DAM solution, and development and creation of Vantage encoding workflows.

Post Production Coordinator for 2023 Season of OWL, Oversaw the delivery and ingestion of broadcast deliverables into ABE MAM and DAM environments, Published Match VOD content to Overwatch League YouTube Channel, Acted as primary contact for all third party vendor deliverables for aforementioned leagues, Logs and updates all metadata for all BTS photo and video assets from live events (namely, LAN tournaments and conventions), Developed new methodologies for reporting, archival, and communicating the influx of all post-production assets from ABE tournament broadcasts, Third Party vendors, and other onsite production crews, Creates melts for all raw BTS and Interview footage from production teams in adobe premiere, Develops workflows and manages the ABE Signiant Mediashuttle delivery environment, Works alongside ABE legal team in clearance of all BTS assets, EDL tracking for sound library reporting and royalties, Coordinates with ABK Business Asset Management team in projects including (but not limited to) optimizing Isilon storage, migrating assets from ABE Reach Engine MAM environment to Stronghold (proprietary DAM solution), providing testing and user stories for said DAM solution, and development and creation of Vantage encoding workflows.

Lead Post Production Coordinator for 2023 Season of CDL, Oversaw the delivery and ingestion of broadcast deliverables into ABE MAM and DAM environments, Contributed occasional voice-over recording for promotional social media content relating to upcoming ESports league - in-game content tie-in products, Published Match VOD content to Call of Duty League Channel, Acted as primary contact for all third party vendor deliverables for aforementioned leagues, Logs and updates all metadata for all BTS photo and video assets from live events (namely, LAN tournaments and conventions), Developed new methodologies for reporting, archival, and communicating the influx of all post-production assets from ABE tournament broadcasts, Third Party vendors, and other onsite production crews, Creates melts for all raw BTS and Interview footage from production teams in adobe premiere, Develops workflows and manages the ABE Signiant Mediashuttle delivery environment, Works alongside ABE legal team in clearance of all BTS assets, EDL tracking for sound library reporting and royalties, Coordinates with ABK Business Asset Management team in projects including (but not limited to) optimizing Isilon storage, migrating assets from ABE Reach Engine MAM environment to Stronghold (proprietary DAM solution), providing testing and user stories for said DAM solution, and development and creation of Vantage encoding workflows.

Writer and Lead Actor.

Post Production Coordinator for 2022 Season of OWL, Oversaw the delivery and ingestion of broadcast deliverables into ABE MAM and DAM environments, Published Match VOD content to Overwatch League YouTube Channel, Acted as primary contact for all third party vendor deliverables for aforementioned leagues, Logs and updates all metadata for all BTS photo and video assets from live events (namely, LAN tournaments and conventions), Developed new methodologies for reporting, archival, and communicating the influx of all post-production assets from ABE tournament broadcasts, Third Party vendors, and other onsite production crews, Creates melts for all raw BTS and Interview footage from production teams in adobe premiere, Develops workflows and manages the ABE Signiant Mediashuttle delivery environment, Works alongside ABE legal team in clearance of all BTS assets, EDL tracking for sound library reporting and royalties, Coordinates with ABK Business Asset Management team in projects including (but not limited to) optimizing Isilon storage, migrating assets from ABE Reach Engine MAM environment to Stronghold (proprietary DAM solution), providing testing and user stories for said DAM solution, and development and creation of Vantage encoding workflows.

Oversaw creative technology integration for both an Avid and Adobe After Effects environment, Worked alongside Senior Post Operations Manager, Ryan Flader, in creating a new remote editorial solutions via Teradici to support the work from home needs for 30+ users (ranging from Editors, AE's, Motion-Graphics artists and producers) during the 2020 COVID-19 pandemic, as well the production of the first ever DCFandome Experience, Aided in the virtualization of their data center within VMWare, Managed their backup storage of Dell EMC Isilon and Quantum Stornext environments within Microsoft Azure, Helped optimized their various video encoding workflows within Telestream Vantage, Integrated a daily back-up solution for all Avid Projects, User Data, and Avid Interplay Metadata through the Goodsync Platform, Built out new Reprise License Management solutions for all creative post-production applications (Avid Media Composer, Cinema4D) as well as plug-ins (GreyScaleGorilla, BorisFX, RedGiant, Re:Vision), Completed a full overhaul of the hardware with WWTVM's Motion-Graphics environment, Helped footage capture of live production events for Warner Brother's Upfronts, Sales Meetings, and Pilot Screenings during the 2019 LA Screening's through the build out and creation of Newtek MDS1 and Tricaster technology, Managed Soundminer and Netmix audio libraries and storage servers, Oversaw support and upgrades in hardware and wiring installations for 12 Editorial Bays, including a continual support to provide quality 5.1 sound equipment in each bay, Acted as main technical coordinator and liason during Studio's LA Screenings and events, Quality Controlled DCP Screeners for various onsite screening events, Worked with WB Information Security team in assuring that all technology in WWTVM is compliant with Warnermedia security protocol, Generated inventory of all hardware technology within WWTVM's data center, Machine/Finishing Room, and User Workstations