Associate Producer for "Bound by Flesh". Historical documentary on the life of Daisy and Violet Hilton. Winner of Hollywood Film Festival. Director: Leslie Zemeckis, Executive Producer: Robert Zemeckis
Summary
I have 15 years in the entertainment industry as an Associate Producer, Production Supervisor, Coordinator and APOC for feature films, documentaries, television, commercials and music videos in production, development, talent, art and motion capture.
Credits
2/13 – 2/14
Executive Coordinator
Staff Position — Mitchell Management
2/13 – 2/14
9/11 – 12/12
Associate Producer – Bound By Flesh
Film (Feature-length) — Mistress, Inc. Details
9/11 – 12/12
8/11 – 8/11
Production Manager – Monster Man (Pilot)
SyFy — TV — Gurney Productions
8/11 – 8/11
6/10 – 8/11
Production Supervisor
Partial List: NASCAR, LA Dodgers, Miller Light, Nissan, Acura — Advertising — Anonymous Content Details
6/10 – 8/11
Production and Field: Coordinated over 35 advertising projects: Commercials and Music Videos (Partial List) NASCAR, LA Dodgers, Miller Light, Nissan, Pantene, Acura, Budweiser, Ford, Saturn, McDonalds, Nissan, Managed all aspects of production from development to post production and delivery Movie Magic and AICP Budgeting Crew size from 30 to 100.
6/09 – 12/10
Associate Producer – Behind The Burly Q Documentary
Showtime — Film (Feature-length) — Mistress, Inc. Details
6/09 – 12/10
Associate Producer for "Behind the Burly Q". Historical documentary on the history of Burlesque. Director: Leslie Zemeckis, Executive Producer: Robert Zemeckis
3/09 – 7/10
Assistant Production Coordinator (Development, Production, Art, Talent, Motion Capture) – Philippe Petit Project
Film (Feature-length) — Imagemovers Digital Details
3/09 – 7/10
Development: Managed contact & cast lists. Script distribution & development. Scheduled scanning & casting sessions for talent. Coordinated delivery & inventory of assets and artwork. Minor permits, talent gifts & special projects as needed. Coordinated freelance artists. Prepared all SAG talent and stunt contracts, end of show paperwork. Crew size up to 350.
9/08 – 6/10
Assistant Production Coordinator (Production, Development, Art, Talent, Motion Capture) – Mars Needs Moms
Disney Channel — Film (Feature-length) — Imagemovers Digital Details
9/08 – 6/10
Managed contact & cast lists. Script distribution & development. Scheduled scanning & casting sessions for talent. Coordinated delivery & inventory of assets and artwork. Minor permits, talent gifts & special projects as needed. Coordinated freelance artists & worked with Production Designer. Prepare, maintain & updated all SAG talent contracts, end of show paperwork & DGA reports. Crew size 300.
1/10 – 4/10
Assistant Production Coordinator (Production, Development, Art, Talent, Motion Capture) – Yellow Submarine
Film (Feature-length) — Imagemovers Digital Details
1/10 – 4/10
APOC, Production, Talent, Development, Art, Motion Capture Coordinated delivery and inventory of assets between departments, Production Reports, SAG Contracts, Station 12 clearance, Taft Hartley, Contact Lists, Minor Permits, Talent gifts, DGA Weekly Worklists, DGA and SAG end of show Paperwork, Talent and Stunt Inventories. Crew size up to 200.
Unions
Recos
Skills
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