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Summary

I've been dealing with "sound" in one way or the other for many years. I've recorded on both sides of the glass and love sound! Yes I am just starting out in the world of location sound but I WILL get you great audio!

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Education

Class of '13

Avid

Pro tools 110 Certified
Class of '13

Berklee College of Music Online

Master Certificate Music Production Using Pro tools

My Gear

  • 1 Tascam DR-60D 4-Channel Linear PCM Recorder
  • 1 AKG D112
  • 1 API lunchbox with LaChapell 583s
  • 1 DJM-618 Gooseneck microphone
  • 1 K-Tek KE-144CCR 3'.3"-12' Avalon Series Aluminum Boompole
  • 1 Kupo Master 40-Inch C Stand with Sliding Legs
  • 1 Mackie 1402-VLZ3 Premium 14-Channel Mixer
  • 1 Remote Audio Boom Boy
  • 1 Rode NTG-2 condenser shotgun microphone
  • 1 se2200a II
  • 1 Sennheiser e835
  • 1 Sennheiser SKP 100 G3 Plug-On Transmitter
  • 12 Channel send 4 Channel return 50ft snake
  • 2 Audix D2
  • 2 Audix D4
  • 2 CAD e70
  • 2 Furman power conditioners
  • 2 Rode NT5
  • 2 Sennheiser ME2 Clip-On Lavalier Mics
  • 2 Sennheiser SK 100 G3 Bodypack Transmitters
  • 2 sm57
  • 3 Sennheiser EK 100 G3 Camera Mountable Receivers
  • Focusrite Octopre MKII
  • Focusrite Saffire Pro 40
  • Izotope RX3
  • Many cable adaptors and many all around cables...xlr 1/4 1/8
  • Ost Black 801 lavalier
  • Ost TL-40 Black Lavalier
  • Ost TL-40 White Lavalier
  • PreSonus HP4 Headphone amp
  • Pro Tools 10 and 11
  • RODE Blimp Complete Windshield & Suspension Shock Mount System
  • Rycote Undercovers
  • Sony MDR 7509 HD headphone
  • Sony MDR V600 Headphone

Affiliations

  • FCC TPP license call sign WQUP731

Skills

  • Audio Recording Mixing
  • Audio Repair using Izotope RX3
  • Easy going WILLING to go above and beyond normal expectations.