Identifying interview subjects, travel to location to interview, pitching candidates and story ideas for final show, directing crew for B-roll and pickups
Summary
Gary, a Supervising Producer, based in Los Angeles, has 3 Supervising Producer credits and 20 Producer credits, and has been a member since 2012.
Credits
1/20 – 6/22
Supervising Producer
Staff Position — Evolution Details
1/20 – 6/22
1/21 – 6/21
Producer – Were Here (Season 2)
HBO — TV — The Intellectual Property Corporation. Details
1/21 – 6/21
Identifying interview subjects, travel to location to interview, pitching candidates and story ideas for final show, directing crew for B-roll and pickups
7/18 – 12/18
Producer – This Giant Beast That is The Global Economy – IPC (Season 1)
Prime Video — TV — IPC -The Intellectual Property Corporation Buckingham Television Details
7/18 – 12/18
Identifying interview subjects, travel to location to interview, pitching candidates and story ideas for final show, directing crew for B-roll and pickups
1/18 – 8/18
Producer
Staff Position — Days That Shaped America – History Channel / Pilgrim Media Details
1/18 – 8/18
Identifying interview subjects, travel to location to interview, pitching candidates and story ideas for final show, directing crew for B-roll and pickups
3/18 – 6/18
Producer – Speed Demons
History — TV — Pilgrim Studios
3/18 – 6/18
1/18 – 4/18
Producer – Hot Rods & Muscle Cars
History — TV — Pilgrim Studios
1/18 – 4/18
1/18 – 4/18
Producer – Truck Wars
History — TV — Pilgrim Studios
1/18 – 4/18
4/17 – 4/18
Producer
Staff Position — Pilgrim Studios Details
4/17 – 4/18
• Spearheaded research on multiple stories centered on dramatic events in U.S. history • Identified interview subjects and wrote story arcs for approval • Conducted detailed interviews lasting between four and five hours each • Oversaw footage in Avid editing suite and guided story through editing process while addressing content notes, managing clearance issues, and preparing content for delivery to network • Traveled as needed for interviews and shooting with field crew • Created storylines from raw footage in Avid on numerous television projects (History, Discovery, Discovery ID), providing direction to editors and addressing extensive creative notes • Wrote compelling pitches for original broadcast content projects across multiple platforms
Recos
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