Hello, my name is George. I have been working in the industry for 5 years, something that drives me is my continuing eagerness to learn and make great television.


5/15 – Current

Lead Assistant Editor (Lead) Insane Pools 2

ANIMLPLNT — Reality/Doc (TV) — FishBowl Worldwide Media Details
5/15 – Current

Manage 4K Media and create workflows in a new format with streamlined access for an Online workflow Lead all aspects show production such as distribution of media to editors and project management Institute LTO raw backup and media assets with checksums for quality control

3/15 – 6/15

Assistant Editor Living with the Enemy 1

LIFETIME — Reality/Doc (TV) — BBC America Details
3/15 – 6/15

Work with ISIS management to Uprez shows for Delivery. QC exports going directly to network executives. Prep all shows for seamless and streamlined workflow for all producers, story producers, and editors.

2/15 – 3/15

Online Editor (Avid, FCP, Premiere Pro CC)

Commercial/Ad — Sunset Edit Details
2/15 – 3/15

Online and QC music videos for finally delivery. Take care of clients closely and manage oncoming changes from networks with quick turnarounds. Conform any and all projects for offsite work with Premiere Pro CC, Avid, and DaVinci Resolve.

10/14 – 1/15

Lead Assistant Editor (Lead Online Assistant Editor) Museum Men 1

H2 — Reality/Doc (TV) — TGroup Productions Details
10/14 – 1/15

Lead online assistant editor with duties that include oversight in final delivery of show to network.

1/14 – 12/14

Lead Assistant Editor (Lead Online Assistant Editor) Mystery Diners 8

FOOD — Reality/Doc (TV) — TGroup Productions Details
1/14 – 12/14

Oversight of all graphical elements as well as blurring multiple uncleared items without disrupting story flow. Delivery of final elements to Network, as well as onlining all episodes.

2/14 – 11/14

Lead Assistant Editor (Lead Online Assistant Editor) Swamp Hunters 2

TRU — Reality/Doc (TV) — TGroup Productions Details
2/14 – 11/14

Lead online assistant editor with multiple responsibilities, including blurring of uncleared or unlicensed materials, as well as final roundup of deliverable materials to network.

5/11 – 11/13

Lead Assistant Editor (Avid) Reconciled 1

OWN — Reality/Doc (TV) — GRB Entertainment, Inc. Details
5/11 – 11/13

Sync, Group and Distribute all incoming footage to Editor and export cuts for network viewings.


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Class of '10



My Gear

  • Adobe Creative Cloud Suite
  • AVID
  • DaVinci Resolve
  • FCP X
  • Premiere Pro CC


  • After Effects
  • AVID
  • Blurring
  • Blurs
  • Color Correction
  • Database Management
  • Final Cut 6
  • Final Cut Pro 7
  • Grouping
  • ISIS/Unity Management
  • Media Management
  • Online
  • Onlining
  • Photoshop
  • Premiere Pro CC
  • Syncing