Kyle Floyd

· Conducted case research and outreach to family and law enforcement · Secured participation and commitment of main cast for multiple interviews · Verbally pitched potential cases to show runner and owners for approval

Researched multiple databases for violent crime cases fitting the appropriate criteria for Investigation Discovery series “Murder In The Heartland” and “The Night That Didn’t End”. Pitched cases to Showrunner with proposed narrative structure and fleshed out case details to secure a further commitment from the company. Obtained contact information for victim's family members, friends, and all law enforcement involved in each case.

Assistant to two managers whose client list included 15+ working television writers and directors Contributed both administratively and creatively in the day-to-day office operations Handled a high volume of incoming calls and note taking, while also maintaining call sheet and rolling through outgoing calls Managed calendar of both managers in addition to all clients, which included setting meetings around town with high-level current and development executives Continuously updated several databases, including incoming and outgoing client submissions and meeting logs Created high volume of client submissions, selecting appropriate client material based on series being targeted and adjusting pitch letters directed at specific studio, network, and production company executives. Helped evaluate network and cable pilot scripts for potential fit with client, and contributed to write-ups for each, encompassing script synopsis, character breakdowns, and themes.

Met weekly with the writing staff to oversee script development for episodic web series. Managed all activity on set and made final creative decisions on framing, composition, movement, lighting, and sound. Created full storyboards, shot lists, overhead diagrams, and breakdown sheets for episodes.

• Performed coverage on submitted scripts and novels, and comics for executives. • Covered desks for assistants and reception – included rolling calls, scheduling, and other tasks. • Completed daily clerical duties such as mail and document distribution, office organization. • Pitched film and TV ideas in weekly in weekly simulated meetings.

• Read and give creative notes on drafts of client work, including feature and television scripts, episode outlines and show bibles. • Perform Second Assistant duties, including rolling calls, researching, and organizing submissions for clients and casting. • Produce and update production books and other materials for above-the-line personnel on new pilot for Amazon Studios, Tropicana.

• Complete regular coverage and analysis on feature scripts, pilots, plays, and novels as well as give constructive notes for ongoing company projects. • Facilitate all incoming phone calls to executive assistants. • Help with administrative duties around the office and perform regular errand runs around the area.

40-minute documentary profiling the aftermath of one student’s experience with sexual assault on a college campus and her attempt to bring her perpetrator to justice. Website/Full Film: https://kafloyd.wixsite.com/aftermath

• Organized paperwork, answered telephones, and provided walk-ins and members with information for the community access television station. • Supervised MAST Charter high school students in developing screenplay structure, and breaking down logistical needs of scripts in order to produce polished short films.

Scouted Locations, acted in roles including 1st Assistant Camera, 1st Assistant Director, and Boom Operator