Media management (receiving field drives and backing up footage to internal post drives), ingesting and transcoding footage, organizing footage, performing vérité cut downs for transcription and exporting sequences, performing network and internal exports, script syncing, syncing and grouping, editing string outs requested by the producers and editors, performing upres/prepping for online delivery, creating AAF and EDL and or prepping for audio mixing, creating GFX in After Effects, working with 4k media, selecting music, and archiving shows after delivery. Comfortable on MAC and HP RGS remote system workflows and working with Avid Nexis. Other technical Skills include: Adobe Media Encoder.
Summary
Very results driven as part of team, eager to learn and grow, flexible, adaptable, and dependable.
Credits
1/23 – 7/23
Assistant Editor (Avid Media Composer 2021.9.0) – BBQ Brawl (Season 4)
Food Network — TV — Rock Shrimp Productions Details
1/23 – 7/23
1/23 – 7/23
Assistant Editor (Avid Media Composer 2021.9.0) – Bobby's Triple Threat (Season 2)
Food Network — TV — Rock Shrimp Productions Details
1/23 – 7/23
Media management (receiving field drives and backing up footage to internal post drives), ingesting and transcoding footage, organizing footage, performing vérité cut downs for transcription and exporting sequences, performing network and internal exports, script syncing, syncing and grouping, editing string outs requested by the producers and editors, performing upres/prepping for online delivery, creating AAF and EDL and or prepping for audio mixing, creating GFX in After Effects, working with 4k media, selecting music, and archiving shows after delivery. Comfortable on MAC and HP RGS remote system workflows and working with Avid Nexis. Other technical Skills include: Adobe Media Encoder.
10/21 – 7/23
Assistant Editor (Avid Media Composer 8.8.5 and 2021.9.0) – Beat Bobby Flay (Seasons 30-37) (Season 30)
Food Network — TV — Rock Shrimp Productions Details
10/21 – 7/23
Media management (receiving field drives and backing up footage to internal post drives), ingesting and transcoding footage, organizing footage, performing vérité cut downs for transcription and exporting sequences, performing network and internal exports, script syncing, syncing and grouping, editing string outs requested by the producers and editors, performing upres/prepping for online delivery, creating AAF and EDL and or prepping for audio mixing, creating GFX in After Effects, working with 4k media, selecting music, and archiving shows after delivery. Comfortable on MAC and HP RGS remote system workflows and working with Avid Nexis. Other technical Skills include: Adobe Media Encoder.
3/21 – 7/21
Assistant Editor – Undercover Underage (Season 1)
Investigation Discovery — TV — Discovery Details
3/21 – 7/21
Using markers to cutdown dailies for editors, working with proxy files, working with multi-cam set up, and editing string outs for editors.
6/19 – 7/19
Assistant Editor (Final Cut Pro X) – What She Said
Film (Feature-length) — Shallow Grave Productions Details
6/19 – 7/19
Responsible for the storage and organization of film shot in 35mm 4K footage. Logged and organized footage in Final Cut Pro X. Synced sound to picture for each scene and take.
10/16 – 11/16
Second Assistant Editor (Adobe Premiere ) – 2050
Film (Feature-length) — Princeton Holt Details
10/16 – 11/16
ingesting media, organizing footage, and syncing audio to picture.
Unions
Orgs
Media
Recos
Education
Class of '15
Columbia University
BA Film
Skills
To message this person, you must be networked on Staff Me Up OR have an EMPLOYER or COMPANY Subscription. Upgrade to Premium!