Lindsay Webster

• Write edit scripts for 20+ segments of the documentary series, The Story of God, produced by and starring Morgan Freeman, for National Geographic Channel • Review 100+ hours of footage to engineer engaging story arcs, transforming complex religious and scientific arguments into relatable narratives • Draft extensive voiceover for all segments, requiring detailed research and fact-checking

• Oversaw all aspects of post-production for ESPN2’s basketball competition series, Ball Up Million Dollar Summer Challenge, building character-driven stories that still resonated for avid sports fans • Simultaneously supervised 6 editors under an accelerated post schedule while liaising daily with executive producers to respond to network notes and successfully manage workflow

• Oversaw current series and development of new properties at America’s only arts network, successfully producing a rich slate of programming that saw a 110% lift in audience size • Spearheaded launch of 15 new series and specials, driving them from greenlight to premiere and boosting original programming demo audience by +43% in first year • Continually generated new show ideas while taking daily pitch meetings with outside producers and agents to cultivate a robust development slate of 25+ projects • Analyzed all show budgets and consistently negotiated advantageous financial scenarios to maximize $5MM original programming budget

• Independently scripted and strung out episodes in Avid, collaborating with a team of 7+ editors to deliver shows under intense deadlines • Reviewed hundreds of case documents to craft compelling narratives while adhering to the facts at all times • Worked directly with editors to develop episodes in the bay and respond to both internal and network notes on extremely short turnarounds

•Worked directly with showrunners to script and string out episodes of this highly-rated competition series •Followed multiple episodes into the bay, working with 5+ editors simultaneously to deliver cuts and respond to network notes

•Sourced hundreds of hours of archival video and images, collaborating directly with producers and editors to shape story beats around acquired material •Met daily with executive producers to develop segment narratives and report on supporting research