Produced multiple shoots around NASA's Artemis program. -Liaison with NASA & private space company talent -Story development, interviews and research -Location scouting -Manage day-to-day office and set logistics -Hire and source crew -Book travel, track expenses (flights, hotel, rental cars, locations) -Secure film permits -Generate daily shooting schedules, call sheets and production reports -Complete insurance forms and related questionnaires as well as issue Certificates of Insurance -Assist with securing releases in the field -Manage rentals and purchases -Approve crew payroll -Archival footage research
Summary
Award winning LA based Producer
Credits
2/23 – Current
Archival Producer – The Blue Angels
IMAX/ Amazon — Film (Feature-length) — Bad Robot/ Sutter Road Pictures
2/23 – Current
3/22 – 12/23
Co-Producer – Space: The New Frontier
Film (Feature-length) — K2 Studios/ Definition Films Details
3/22 – 12/23
6/22 – 9/22
Archival Producer – Pretty Baby: Brooke Shields (Season 1)
Hulu — TV — Matador Content
6/22 – 9/22
11/21 – 3/22
Archival Producer – History's Greatest Mysteries (Season 3)
History — TV — Big Fish Entertainment
11/21 – 3/22
2/21 – 9/21
Archival Producer – Secrets of the Chippendales Murders (Season 1)
A&E — TV — Big Fish Entertainment Details
2/21 – 9/21
-Interfaces with freelance and company creatives, production and post teams serving as Archival -Has knowledge of all the archive in the Chippendale 4 part project. -Responsible for making sure research is delivered on time and that all third party material has been properly licensed or approved by legal counsel as fair use. -At the time of picture lock, responsible for tracking that each asset has been paid for and their respective masters have been received and incorporated into the cut. -Licensing -Maintains master licensor grid for each project -Reviews/sends order forms for final orders -Coordinates legal redlines with third party vendors/contributors and legal counsel -Fair Use/Clearance -Sends cue sheets with each applicable cut for fair use legal review -Coordinates with edit team and creatives to track that fair use/legal notes are being addressed -Cue sheets -Reviews cue sheets before vendor tallies are started -Builds cost estimates when needed -Calculates vendor tallies when needed -Regularly updates company and producers with cost estimates for each applicable cut -Conducts footage research
6/17 – 6/19
Unit Production Manager – Train Time
IMAX — Film (Feature-length) — The Stephen Low Company/ BNSF Details
6/17 – 6/19
Produced multiple US shoots for Canadian production company featuring BNSF trains. -Liaison with BNSF in house producers and marketing team -Manage day-to-day field logistics, including carnets -Location scouting -Hire and source crew -Book travel, track expenses (flights, hotel, rental cars, locations) and upload receipts to the accounting portal -Secure film permits -Generate daily shooting schedules, call sheets and production reports -Complete insurance forms and related questionnaires as well as issue Certificates of Insurance -Assist with securing releases in the field -Manage rentals and purchases -Approve crew payroll -
1/18 – 6/18
Co-Producer – Back From the Brink
IMAX — Film (Short) — Wonderburst/ The Nature Conservancy Details
1/18 – 6/18
Story research and development around The Nature Conservancy programs and scientists in US, India and China. International logistics and planning for shoots.
8/15 – 5/17
Supervising Producer – Aircraft Carrier
Film (Feature-length) — K2 Studios Details
8/15 – 5/17
General Production management: Liaison with US Navy public affairs, field management, manage budget, execute contracts, source vendors and equipment, crew hiring, coordinate travel, create organize po's/ receipts
Unions
Orgs
Media
Recos
Education
Mt St Mary's University/ UCLA
BA/ Marketing
Skills
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