James Fouche

Writer/Director and first editor on the short film 2am. This is still in post production.

Directed a series of reinterpreted scenes from the movie Franklyn (2008) for an acting reel. I took the three scenes and cut them together into a short film.

Working closely with the other Visual Effects Coordinator, I downloaded and uploaded data to the client, tracked and pushed shots through the development and shot pipeline, ran Dailies for the team, coordinated for Facial Animation, and attended capture sessions with the talent at the Institute of Creative Technology.

Unproduced comedy pilot, still shopping around.

I was the script supervisor and 1st AD on the heavy bank robbery day. http://www.youtube.com/watch?v=U9rgG2vPAvQ

Working closely with the Visual Effects Coordinator and Digital Effects Supervisor, I maintained RefChef, Shotgun, and worked in RV and DMX, as well as ran Dailies for the Visual Effects team. Along with the Digital Effects Supervisor, I also setup and shot all additional elements needed.

Working closely with the Visual Effects Coordinator and Digital Effects Supervisor, I maintained RefChef, Shotgun, and worked in RV and DMX, as well as running Dailies for the Visual Effects Team.

I worked closely with the Visual Effects Coordinator, as well as Matte Painting and Environments. I logged all data in FileMakerPro, setup Craft Service for the Visual Effects Crew, and downloaded incoming data via FTP.

I worked closely with the Visual Effects Coordinator, as well as Matte Painting and Environments. I logged all data in FileMakerPro, setup Craft Service for the Visual Effects Crew, and downloaded incoming data via FTP.

This was a National Visa Commercial that premiered during the Super Bowl. I was a Key Set Production Assistant that supported the camera department. Directed by: Robert Logevall Cinematography by: Tobias Schliessler

Worked very closely with Cinematographer, Operators, and ACs. When we ran three cameras, the Cinematographer would operate, and I would be his 2nd Assistant Camera.

I assisted the Writer/Producer, Jorge Zamacona, in all his duties, mainly helping with script coverage, as well as other tasks.