Responsible for; creative direction, financial management, physical production, post production and business affairs.
Summary
I possess extensive experience in the film and television industry. Primary responsibilities were in management and supervision of day-to-day operations of motion picture and television production. Skills are in organization, attention to detail, the abil
Credits
4/06 – 10/07
Executive Producer (EP) – Boneyard The Secret Lives Of Machines (Season 1)
A&E — TV — Perpetual Motion Films Details
4/06 – 10/07
4/06 – 12/06
Executive Producer (EP) – The Russian Navy
A&E — TV — Perpetual Motion Films Details
4/06 – 12/06
Responsible for overall business affairs and financial management.
11/96 – 6/97
Supervising Producer – The Great Ships (Season 2)
A&E — TV — Perpetual Motion Films Details
11/96 – 6/97
Hands on production management in a decision making capacity, employed creative financial management tactics for shows budgeted under $200,000 with successful results. Provided creative, physical and financial management of the day-to-day operations for television programming.
8/96 – 10/96
Unit Production Manager – Kentucy Cycle
A&E — TV — HBO Studio Productions Details
8/96 – 10/96
Provided financial analysis and production schedule for a series of motion picture projects to be produced consecutively. Responsibilities were to create budgets for foreign and domestic production totaling over $30,000,000. Project never started.
9/95 – 10/95
Project Manager – Warrior Of Waverly Street
Film (Feature-length) — Trimark Pictures Details
9/95 – 10/95
Labor Relations.
9/95 – 10/95
Project Manager – Exit in Red
Film (Feature-length) — Exit in Red Productions Details
9/95 – 10/95
Completion Bond Representative. Oversaw the day-to-day operations of physical production. Oversaw the financial reporting and reconciliation of accounts, Implemented creative management tactics to complete the project within targeted budget.
6/95 – 8/95
Project Manager – From Dusk til Dawn
Film (Feature-length) Details
6/95 – 8/95
labor relations.
11/94 – 12/94
Supervising Producer – Cyborg III
Film (Feature-length) — DM Productions, Inc. Details
11/94 – 12/94
Provided crisis management services to deliver a completed theatrical release motion picture. Re-negotiated arrangements with vendors and labor for payment of monies owed and due. Re-configured production schedule to accommodate financial overages to deliver project on schedule and within monetary restrictions.
Recos
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Education
Rhode Island School of Design
Film Animation Video
University of LaVerne College of Law
Law
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