Johnny Buell

EPK Sound Mixer

Boom and Lav talet and racing karts

Mix between lav and boom and wire car for sound

Mixing sound from several high profile athletes for different advertisements as well as internal videos and videos for apps.

Mixed sound for Nike internal version of Masterclass

Wired and mixed talent with synced timecode to 2 RED Komodos

Mixed lav and boom for several talent in VTR and interviews.

Mixed sound with two talent using two lavs and two booms for a cross brand meeting between Microsoft and Nike.

Tuned frequencies to allow for wiring and mixing seven talent at once

Wired talent and sent TC and scratch mix to cams and producers

Wired and mixed multiple talent and TC-jammed smart slate to Sony mirrorless camera.

sent TC and scratch mix to up to three cameras - Wired seven people for a wedding

Wired talet - sent scratch mix and TC to cameras

Recorded sound separately with TC-jammed slate during somber and serious interview session

Lit and shot multiple live interviews during a campaign event in downtown Portland

Boom and lav quick interviews for the NBC Nightly News

wired talent - sent scratch and TC to cameras - sent mix to cams and recorded separately.

Overnight shoot with four wireless and boom - hops and timecode to camera - providing three IFBs to producer, director, and AP

Lav and boom interviews - sent signal directly to two C300s.

Wired high-profile celebrities - operated boom and mixed in the rain - https://youtu.be/sxUObpgkh0w

Lav and boom for sit down interviews - sent mix and timecode to camera - uploaded MP3s for transcription via FTP at the end of shoot days

Collection of ambient sound, sync sound, and talent interview

Lav and Boom directly to cameras - very sensitive interviews - timecode sync

Ran audio for bio pack for contestant

One-man band interview - Lit with Kino Divas and Lite-panel 1x1s - ran audio and conducted interview - for When a Stranger Calls Back release by Scream Factory

Recorded and mixed with Sound Devices 688 - Mix used Dugan Automix and sent to Sound Board and self-powered PA speakers - Isolated channels and mix recorded and provided to Listen up Portland!

Recorded and mixed with Sound Devices 688 - Mix used Dugan Automix - Sent out to Board and self-powered PA Speakers - Isolated channels and mix recorded and provided to Listen up Portland!

Backup Engineer recording Dan Pashman and Aaron Draplin in Portland, OR. Recorded with Reaper and given to Dan.

Lav talent for vérité - scratch track hops to camera - two person sit down interview

Lav and boom interview and Broll for CJ McCollum in "Bradley Beal, CJ McCollum and Other NBA Stars Speak Out on Racism for Black History Month."

Basic vérité and OTFs - bag drops for driving shots - operation within an active airport

Boom and Lav interview setups to two Panasonic EVA-1s with timecode sync - trying to make hotel conference rooms as quiet and dead as possible.

Boom and lav for vérité and sit-down interviews - Also provided support for field producer and director of photography

Mixed up to five cast members at a time with lavs and boom - hops to camera - IFBs to producers

Responsible for G&E of show - Running out of a full Sprinter Van - Using mostly Astras and the sun to do interview, vérité, and beauty shots.

Recorded sit down interview boom and lav and sent directly to two Sony F55s along with timecode sync.

Boom and Lav sit down interviews sending directly to Canon C300 and C300 Mk2 along with timecode

Lav and Boom sit down interviews - sent directly to two panasonic EVA1s with timecode sync as well and to recorder

Laved talent and used boom to record shotgun blasts during pheasant hunting - Sent Lectrosonics hops to Sony Fs5

Channing Frye podcast recorded on a winery - Five wireless lavs plus five handheld mics recorded into Sound Devices 688 and mixed out to sound board - Isolated channels recorded as wav and mp3 - sent to podcast company for final mix

Reality shoot doing cross coverage with another operator

Mixed Boom and Lav and sent to Alexa Mini via hops

Boomed chef as he prepared sushi

boom and lav multiple subjects for sitdown as well as vérité - sent mix to multiple cameras as well as to producers via comteks

Mixed sound and operated boom as well as directed boom operator on days that could afford one

Filming interviews and Broll for documentary

mixed lav and boom during a lively bible study meeting with tens of people and minimal cuts

Commercial for "When in Rome," an Alexa based game - Lav and boom four talent

Made VO booth in hotel room and wired phone into mixer so producer could prompt VO over cellphone

mixed / recorded boom and lav and sent to two Canon C300s as well along with timecode

mixed boom of live action as well as directly from the daily mix during production - mixed boom and lav during interviews with cast for EPK

mixed boom of live action as well as directly from the daily mix during production

Mixed/recorded boom, lavs, and wireless stick mics - used tentacle to sync timecode to Sony Fs7

Filmed various cosplayers at Emerald City Comic Con in slow motion and real time to create a promotional video with speed ramping showing the release of a new book based on the popular podcast, Adventure Zone - https://youtu.be/CsU55vhdDs0

Lit and shot interview as well as B-roll of subject during an active photoshoot - https://www.moltenigroup.com/en/house-of-molteni/emily-katz

Two camera interview with cameras and mics on interviewer as well as Damian Lillard

Set up three point lighting for interviews - Ran two cameras and sound (lav and boom)

Followed local Portland-band, Reptaliens, as they visit different spots in Portland and perform live in different locations - final video: https://youtu.be/W2DjvNQMHa4 - Also used Sennheiser AMBEO VR mic to capture VR sound in different spots throughout Portland

Set up and lit backdrop - lit Interviewees - ran sound and camera - shot b-roll - edited final product.

Recorded off sound board for corporate presentation at Daimler Trucks North America - ran boom for verite shooting - sent Lectrosonics hop to Canon 5Dmk3

Mixed lav and boom for interviews and verite shooting into Canon C100

Mixed lav and boom for interviews and verite in Damien Lillard's mom's house for ongoing documentary

Prepping interview rooms for sound - Lav and boom mic on talent for long interviews monitoring audio for any problems - Lav four talent for b-roll shots.

Used lavs on three subjects and boomed a fourth for reality-style vérité scenes - Used lav and boom for OTF interviews on multiple subjects - Provided comtek to field producer and wireless scratch tracks to two cameras

Filmed headstart students and teachers in classroom settings in Sunnyside, WA and shot interviews with teachers as well

Lit and filmed interviews with several corporate subjects as well as captured B-roll in an active hydrogen peroxide facility and paper mill.

Verite sound mixing/recording during live performance of Glitch Mob PAX-West after party - Recording sound from sound board - Verite sound mixing/recording during PAX-WEST convention - Recorded sound during sit down interviews

Wired and mixed multiple cast members along with boom while cast members build house in the middle of rural Oregon

Set up lights - Break down setups - driving crew and talent

Wired multiple cast and mixed along with boom - Synced using Tentacle timecode sync to a Red Dragon and Canon C300 - Also set up cameras for filming solar eclipse in totality as well as moon shadow rushing toward cast

Morgan Spurlock's latest feature doc - Ran sound into Alexa Mini directly as well as using Lectrosonics wireless as hops - Mixed and recorded sound using lavs and boom - Provided four Comteks for director and producer

Set up, mixed, and recorded all audio including boom, lavs, and hops to cameras

Lit and filmed Interviews and b-roll for Japanese television program giving away a trip to Japan

Positioned Sennheiser 416 with c-stand and boom cradle - Laved talent and sent mix and timecode to Canon C300 - recorded wavs as well as mp3s and uploaded mp3s (with timecode in id3 tags) via ftp for early transcription.

Position Sennheiser 416 with c-stand and boom cradle - Lav attorney generals on camera for BTS shots to be used in final video - Send mix to Arri Alexa as well as record to Sound Devices 664

Positioned Sennheiser 416 with c-stand and boom cradle - laved talent and sent mix to Sony FS7 as well as recorded to Sound Devices 664 - recorded wild sound on streets of downtown Seattle.

Wired four talent and provided hops for scratch tracks to two cameras and jammed time code using a Betso SBox-1N. Mixed talent using Lectro lavs and Sennheiser 416

Mixed to multiple cameras using hops and recorded to 788t

Filmed Shell Employee throughout his day at an active gas station while tethered to sound mixer - Lit and shot several interviews with Shell employee and co-workers

Filmed before and after of the painting of the fish tanks aboard the Cornelia Marie (from Deadliest Catch). Also filmed interviews from several cast members and others involved in the painting.

Boom op during media event with Golden State Warrior's Coach Brown while mixing with stick mic to camera. Sent feed to Atlanta via HSAN. Mixed boom and lav to camera during interview with Stephen Curry. Mixed boom and stick mic during post game interview in locker room and Moda Center hallways.

Filmed presentation with multiple cameras and used lav for sound - edited together based on requests from client

Shot on sticks and handheld while pulling own focus - worked in a two camera set-up

set up boom and lav for interview of talent - mixed to camera and recorded as backup on Sound Devices 664

Lit and filmed interview with Tom Skerritt for a featurette to be included with a new release of The Devil's Rain (1975).

Lav and boom talent with professionalism due to sensitive subject matter involved - Jam TC to FS7 with Tentacle sync - placed wireless mics in police cruiser and followed in car behind while recording sound

Mixed and Recorded using boom and lavs directly in camera (Sony FS7) as well as backup into recorder (Sound Devices 633)

Followed talent with boom throughout Amazon warehouse - Mixed and recorded with lav and boom for talent interviews

Mixed and recorded interviews with high level employees at Colombia Sportswear discussing Dell products using boom and lavs

Pick up crew from airport and drive to Eugene - load in - G&E - load out - pick up crafty - appearance releases - ship hard drives

Wired talent - Boomed talent - Mixed levels from multiple sources - Setup hops to camera - Record backup audio

Operated boom and mixer going straight into Sony FS7 and recording as a backup

Wired talent of NBC's Grimm and Jim Denver for Evening Magazine and mixed into camera and recorded backup

Recorded live musical directly from sound board - Set up two cameras - Edited two cameras for each performance and created a highlight reel seen here: https://vimeo.com/195229633

Operated Camera and directed other camera operator - recorded live conference/presentations - Recorded breakout sessions - Edited Powerpoint and PDF slides into final product

Traveled to Central Oregon and set up outdoor interview with camera and sound and conducted interview as a one-man-band - interviewed nomadic talent and filmed b-roll of talent tending to horses and digging for and preparing food in the wilderness

Setting up Sennheiser MHK-416 to boom and using Lectrosonics wireless and Sanken COS-11D lav mics for talent - mixing straight into camera and recording for backup

Filmed audience reactions to two-hour discussion on personal relationships - helped conduct pre and post-discussion interviews with audience members

Wiring Talent - Booming - Mixing and recording to Sound Devices 664

Wired talent and set up boom for sit-down interviews - mixed into camera and recorded as a backup

Helping production in all aspects - driving talent - working with camera, sound, and lighting - stand-in - multiple production runs - home depot runs - load in/load out

Wired reporter and Drew Bledsoe - mix sent to camera and recorded for backup

Wired each talent with a Sanken COS-11D - boomed with Sennheiser MKH-416 - deadend generator noise with sound blankets - used Tentacle Sync to sync timecode with Arri Alexa

Proper setup and lighting of green screen - setup of lights for talent - proper framing, focus and exposure for talent

Mixed lav and boom through Sound Devices 302 into camera - helped with grip & electrical to set up interviews and broll

Lav and boom on talent - mixed into camera and recorded for backup - uploaded backup to google drive for easy delivery to client

Set up wireless mics throughout Harviey's comedy club to get audience ambience and laughter - mixed wireless mics along with standup's mic through the sound board and into camera jamming timecode from Sound Devices 664 mixer - recorded sound on mixer for backup as well

Directed photography - Ran camera - Recorded audio - Set up interview with Lino for a quick artist impression for The National Liberty Museum in Philidelphia

Interview with Stuart Spohn - Gaffer on early Al Adamson films - shot on Canon 5DmkIII and Canon t3i with Sound devices 664 - set up multiple camera angle and lighting shoot and conducted interview in Port Angeles, WA

Set up and balancing of steadi-cam - general setup of lights and wiring of power to all overhead lights - final video: https://youtu.be/z36n5lgtBow

Wired talent - boom operation - record levels - detailed sound reports

Used lav and boom to record audio from artist in Sound Devices 664

Went on runs to ensure smooth production - Helped to set up and break down set

Ran sound for interview of two subjects simultaneously - lavs and boom

Filmed speakers giving tutorials to attendees at Cytometry convention. Captured sound using Sennheiser G3 lavs.

Ran sound and slate for many narrative and interview type scenes involving speaking and signing

Filmed speakers using HMC-150 and sound from the sound board - edited footage together with speaker titles and powerpoint slides

Mixed and recorded on Sound Devices 664 with boom and lav on high-profile MLB player for documentary style commercial shoot.

Loading equipment in/out - Battery changes - G&E setup - Crafty/Coffee runs

Recorded sound with boom and lavs into Tascam DR-680mkII

Operation of a Canon 5D mkIII on tripod and slider - recorded sound using lavs and booms into a Tascam DR-680 mkII recorder

Recording and mixing of sound through wireless lav and boom of multiple people being interviewed

Edited together several interviews paying tribute to outgoing CEO of International Living Future Institute using Adobe Premiere and After Effects

Recorded sound using lavs and boom onto Tascam DR-680mkII

Mixed and recorded sound for card game using multiple boom mic setup. Followed host through Emerald City Comic Con and recorded sound from hand held mic onto Tascam DR-680MKII.

Recording sound with boom and lavs on talent as well as quick VO capture on location - https://youtu.be/x8CPKR540w8

Camera (Canon 5D) and lighting setups - Lav and boom sound recording - Interviewing attendees - B-roll capture - editing footage together for delivery - also captured breakout sessions with Panasonic HMC-150

Lockdowns - wrangling talent - getting forms signed - air conditioning setup/breakdown - walkie distribution

Recorded sound with Tascam DR-680, Sennheiser lavs and boom - even made a cameo - https://youtu.be/mSS-jcdNsSE

Recording/mixing sound with Sound Devices 552 and Sennheiser Lavs and Boom

Picking up/dropping off rental equipment - Setting up generators to power tiny homes - setting up lights - general assistance

Mixed and recorded sound on Zoom H6 with lavs and boom

Camera (Canon 5D Mark III) and lighting setups - Lav sound recording - Interviewing attendees - B-roll capture - editing footage together for delivery - final video: https://vimeo.com/144561009

Loading/unloading equipment - Setting up lights - Placing lav mics on talent - Greeking sets

Mixed and recorded sound using boom, lavs, and Zoom H5

Mixed and recorded sound on Zoom H6 with Sennheiser lavs and boom

Best boy grip & electric swing - Responsible for setups as described by DP, gaffer, and key grip - Unloading and loading 3-ton grip truck - Providing assistance to camera department as needed (shot on super 16mm)

Loading/unloading Equipment - Driving crew to locations - Assisting crew - Getting releases signed and organized - B-roll location scouting

Loading/unloading equipment - Setting up lights - Placing lav mics on talent - Greeking sets

Operated Tascam DR-70D and boom with separate mics for indoor and outdoor recording

Filmed and edited Keynote addresses with an HMC-150 and Canon 5D Mkiii - Color-matched and edited footage together with visuals from each speaker's powerpoint slides - revisions and final delivery through vimeo

Run and gun as well as OTF and sit down interviews - Mixing/Recording with Sound Devices 633, Sennheiser Lavs and Boom

Winner of the Paste Cloud $10,000 Video Contest. http://www.pastemagazine.com/articles/2016/02/the-paste-cloud-10000-video-contest-winner-reveale.html

Work with sound recordist to get in best location for optimal sound and least distraction to talent.

Used Sound Devices 302 and Zoom H4N setup - Boom and wired lavs for each actor

Filmed event with Panasonic HMC-150 and Canon T3i and recorded sound from sound board with Zoom H4N for internet viewing.

BTS video using Panasonic HMC-150 with wireless lavs when appropriate

Assist in operation of camera - Setup of Steadicam - Setup of Jib

B Cam operator for large scenes and B-roll footage