Josh Raymond

Cutting down, rebuilding and addressing notes on casting packages for network.

For work experience abroad, I got a first-hand chance to look into the documentary TV and film world as I shift my career focus from mainstream reality television to include other genres, thanks to a direct invite from the owner, Anthony Geffen, known for his collaborations with Sir David Attenborough.

Worked in post only putting together episodes based upon pre-edited pods, often in poor shape and that had to be vastly reedited or altered to a different story line. Copious amounts of exec and network notes with multiple cut deadlines on multiple episodes simultaneously. Worked directly with editor and execs.

Worked in post only putting together episodes based upon pre-edited pods, often in poor shape and that had to be vastly reedited or altered to a different story line. Copious amounts of exec and network notes with multiple cut deadlines on multiple episodes simultaneously. Worked directly with editor and execs.

I helped with crowdfunding to raise money for the budget by helping to raise awareness of the project by getting press, interviews, fundraisers etc. I helped during production and as set photographer. Film has been a winner of multiple festival awards and has just confirmed distribution through Wolfe Video Releasing.

I handled doing string-outs, interview cut-downs, rough cuts, working with editors on assigned scenes/acts from concept, shoot and edit to delivery to networks for many sizzles, presentations and pilots. Some of which went to series as a result. I worked under tight deadlines, copious notes and limited footage.

Worked on set doing hot sheets, interview questions, master thread documents, interviews, and field notes. Was slated to produce two episodes then was pulled back into development because of skills and priority.

I oversaw all equipment rental/pick-up/delivery, handled all insurance, locations, permits and vehicle rentals. I wrote up budgets, call sheets, and various other documents. Each shoot day we were on time, never went into OT and stayed close to budget and schedule.

Worked both on set doing hot sheets, interview questions, master thread documents, interviews, field notes as well as producing three episodes in post to air from rough cuts to air. I worked doing string-outs, selects and working with editors one-on-one, while addressing notes from execs and network.

Hot sheets, master thread documents, interview questions, interviews of cast, field notes.

Pulling selects for editors and producers

Helped pull selects and shots for producers to use for episodes.

I was a writers office intern who oversaw the current versions of shoot scripts for filing and reproducing. Copying scripts for the entire show's staff. I go to sit in on executive meetings, notes meetings, shadowed showrunner Edward Allen Bernero and sit in on set during filming on soundstage.