Johnny Davis

I operated as Production Coordinator for a House Reality Show. I worked most closely with the Production Manager and Line Producer in the Production Office. I oversaw many tasks from Pre-Production to Wrap and the Finale in Las Vegas. I referred the security company we used on set, as well as catering and Production supplies rentals. I would oversee these and many other duties from beginning to wrap. I also have wide Office experience, am familiar with Word, Windows, Mac, POs, Callsheets, Transpo Grids, Accounting Lines, on-site printer repair, as well as general IT. I set up and maintained the mesh WiFi network at the house location. In addition to working in the office as Coordinator, I also worked as Transportation Captain. We had a minimum of 8 camera crew vehicles and 4 cast sprinters at all times. I oversaw the entirety of transportation, from making driver schedules for 12+ driver PAs daily, ensuring all crew was picked up from hotel at beginning of day, to standing on the road to hold off traffic for our 12+ vehicle caravan departing location.

I worked as APOC on a Smith and Wesson commercial shoot. As APOC I did a lot of prep, such as emailing and calling talent with info before the shoot, picking up various props and clothing for art and wardrobe, and printing and bringing NDAs and other documents to set. On location, we were usually at a shooting range. I would make sure all crew had signed an NDA for the week and a waiver form for the day's shooting range. I would also make sure all talent had signed NDAs and release forms. At the end of the week, I organized all these documents into orderly stacks and handed them in to the producer. I also performed basic PA duties when not doing paperwork, such as assisting with crafty and catering when needing, keeping coolers stocked with ice and drinks, walking talent to and from set, echoing rolls, cuts, etc. We finished after 3 days on location and 2 days in PC&E's Briarwood Studio for MoCap.

Click to edit position descriptionWe shot an internal interview video with the global design board for Coca-Cola. We shot at the Coca-Cola headquarters in Atlanta. I worked three days, one day for prep, and two for the shoot. Day of prep I bought crafty, and picked up walkies from Cloud to Ground rental. On shoot days, I would pick up breakfast before heading to set. On location, I would hand out walkies and hot bricks, perform lockups at elevators nearby our shoot location, find specific coke drinks for the crew and employees, stand in for talent, and assist any department in various tasks. At the end of the day I would collect walkies and help take equipment down the elevators before heading out.

I worked as a Key Set PA on a Tropical Smoothie Cafe commercial shoot. I had a prep day, shoot day, and a day after to return all supplies. On prep day I picked up a van from Ryder, then picked up chairs, tables, coolers, tools, trash cans, a/c unit, and pop ups from Set Supplies. I also got crafty and various props like a picnic table and kayaks. On the shoot, I set up crafty, breakfast, a pop up with a/c for producers and talent, and delivered props to set. I coordinated runs and ran a shuttle from parking to set for reps from our client company. After wrap, I loaded the van back up with help from the other PAs. Next day I returned all supplies, equipment, and the van.

I worked as a PA on Block 1 of Your Worst Nightmare Season 3. When I arrived on set, my responsibilities included, setting up chairs and tables for breakfast, making sure coffee is being made, assisting various departments in prepping for the shoot, handing out walkies, dispersing call sheets, sides, and shot lists. While we were shooting, I would perform lock ups, give cues to talent, set up director chairs, echo rolls,and bring waters to talent and crew between takes. Once we wrapped, I assisted in loading carts, chairs, tables, trash, and various other equipment into the production cube. I would be the last to leave set after all departments had wrapped and left.

I worked as a Production Assistant for a week long shoot on a Belk commercial. I assisted with catering set up and wrap, lock ups, running talent, equipment pickups at PC&E, random errands, etc. I handled petty cash and kept track of receipts for the UPM. I would often assist the art dept on set and in loading up their truck on wrap. I would also assist the Key Set PA in recording out times for sound, crafty, art dept, etc.

Worked as a BG PA on the set of the film Neighbors 2

I doled out PA responsibilities including: locking down, handing out walkies, loading and unloading equipment. When the AD wasn't near video village, I worked as the directors mouthpiece in calling the shots over the walkie to the AD. I also occasionally ran the monitors. I worked closely with the AD.