Luke Schiltz

Coordinated with executives at MoboTrex to create a factory tour video with interviews of quality management staff under specific guidelines for a Florida D.O.T. application. Produced/Shot/Edited

Assisted producer/shooter on Sony FS700. Shot additional slo-mo B-Roll.

Assisted two camera operators. Shot additional B-Roll/Timelapse/Slo-mo. Sony FS7 & RED Dragon.

Produced the pilot season of the Sugar webseries under Dylan McDermott, shot in Summer 2016, scouted locations, and revised the script. Held a press interview with Justin Long to promote an upcoming comedy‐travel series to be shot in October 2016.

Developed the look of a black & white film shot at eight locations over four days of production. Designed a shooting plan to accommodate the heavy schedule, using a Sony a7S with Atomos 4K recorder, primarily handheld. Used and enhanced natural light at interior & exterior locations to enable quick turnaround. Color-timed the film in post production to recreate the look and feel of black & white 35mm film stills.

Organized a single day, single location shoot at night. Secured cast, crew, props, and assets with director & production designer; arranged transportation for cast & crew. Official selection for the 2016 Sarasota Film Festival.

Built the dolly on tracks for several exterior shots on the beach, in a forrest, on uneven ground. Worked with the DP, Director, and Production Designer to prep for each carefully constructed shot.

Single camera shoot, interior of a large upscale house, assembled the Sony a7S with rigging for the PL-Mount Xenon Primes, and an Atomos 4K Shogun. Shot on tripod, Dana-dolly, and shoulder-rig.

Wrote, directed and edited a project shot on RED Epic, on location at the Ritz‐Carlton with five actors, a crew of fourteen, and a budget of $1,500. Won the “Best of Ringling” Award for Production Design.

Director of Photography on a 2-day short film shoot with an even mix of interiors and exteriors. Shot on RED Epic, with RED Primes. Used Kino Flo banks, ARRI HMIs, Mole Richardsons, and small practicals. Mimicked the look and feel of classic James Bond lighting and shot design, with the child-like element of Little Rascals and Sandlot to create an exaggerated portrait of a child's journey to overcome the town bully.

Sound mixed on a student short film crew of 8 core members, and another 7 crew and 3 cast. Mostly interior shoot, using Sennheiser Shotguns, Schoeps Hyper/Super Cardioid, Wired and Wireless Sennheiser Lavs.

Hired to produce an in‐house commercial for a new restaurant brand under the Heart of America Group. Reported to the Vice President of Marketing to edit the project using Premiere Pro & After Effects.

Worked with local business owners to create a commercial to showcase their unique rental properties, primarily through their website and AirBnb. Planned, shot, and edited the piece for online display.

Operated the boom in a mostly exterior shoot using a Sennheiser MKH-416 Shotgun Mic, and a Schoeps Hypercardioid.

Assisted gaffer in a day-for-night shoot of a small interior house and an office waiting area. Worked with Kino Flos, Arri HMIs, Mole Richardson Tungstens.

Contracted to support a ten day shoot for three hotels in Key West. Assisted the CEO and two producers in managing equipment, communicating with staff, capturing b‐roll and working with the drone pilot.

Assisted key grip and gaffer on a spec commercial directed by a senior film student on a 2 day production.