Lauren Leonard

Lighting Director: Michelle Saintey Equipment: Optipars, PAR Cans, Sharpys

Gaffer: Jeff Gordon Equipment: 18k, Maxi Brutes, Mini Brutes, PAR cans, Banded, 2/0 camlock, 4/0 camlock, Bates, Spiderbites, Soft Ts, Hard Ts, Distro, Snack Boxes, lunch boxes, condor. Key Grip:Max Shores Equipment: 5 ton grip package. Duties included laying track for dolly shots, setting up 12x, skinning gels, etc.

Gaffer: Talbot Solenberger Equipment: 1.2k hmis, Diva Kino, 6x frame

Equipment: 650 Moles, 1k

Equipment: 3K vista beam Kino, Diva kino, Kino Flo 4 bank kino, 2k, 1k, sodium vapor gels

Gaffer: Trevor Patterson Equipment: 650s, 150s, Parabeam

As a Grip I was responsible for preparing Kino, 1k and 2k lights, building 12x12 frames, shading using flags, gels, diffusion, setting C stands and combos, running stingers and attaching dimmers, checking outlets and tenting to film day for night. Also helped build the dana dolly and rig lights.

As a Grip I was responsible for preparing 650, 1k, 2k, and china ball lights, shading with flags, gels, and diffusion, setting C stands and combos, running stingers and attaching dimmers.

As a Grip I was responsible for preparing 2k and 1k lights, shading using flags, gels, diffusion, setting C stands and combos, running stingers and attaching dimmers, checking outlets and building the dana dolly.

As a wedding videographer, I was responsible for capturing the important moments in the wedding aswell as some b-roll footage.

As a producer my job included finding crew, cast, and location. I was also in charge of creating a budget and gathering release forms.

As assistant art director my job was to help set the scene. I was responsible for helping find some of the props and setting the scene according to the director's vision.

As a grip, my duties included wrangling cables for camera 1 as he went around and got live shots during time out breaks. I was also in charge of setting up the back drop for the announcers during half time and wrapping cables and packing the truck.