Slating, lens change, pulling focus on the days the 1st AC was not available
Summary
Specialize on digital cinema platforms. Most of my work has been with RED, Canon DSLRs, Sony, and Panasonic. I consider myself a strong, team player on set. I have my own car and usually work in Chicagoland area.
Credits
2/15 – 2/16
Camera Operator (Red Epic Dragon)
Advertising — Dreams on Screen
2/15 – 2/16
9/15 – 9/15
Director of Photography (DP) (Sony A7s) – The Dilemma
Film (Short) — weFILM International LLC
9/15 – 9/15
7/15 – 7/15
Director of Photography (DP) (Sony A7s) – Restoring Heroes (Pilot)
TV — J&R Productions
7/15 – 7/15
3/15 – 4/15
Camera Operator (Red Epic Dragon) – The Rake
Film (Feature-length) — Scotchworthy Productions
3/15 – 4/15
10/13 – 10/14
Second Assistant Camera (Red Scarlet) – The Muck
Film (Short) — Scotchworthy Productions Details
10/13 – 10/14
6/14 – 6/14
First Assistant Camera (Red Epic)
Armor — Advertising
6/14 – 6/14
5/14 – 5/14
First Assistant Camera (Red Scarlet) – 47 Times a Day
Film (Short) — Optimus Chicago Details
5/14 – 5/14
Minor camera operation, pulling focus, lens change
9/13 – 4/14
Director of Photography (DP) (Canon 5D Mark III) – When The Lights Go Out
Film (Feature-length) — Evil Iguana Productions Details
9/13 – 4/14
Operated camera, pulled focus
Media
Recos
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Education
Class of '12
Columbia College Chicago
Cinematography
My Gear
Skills
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