Loren Graves

Gaffer in charge of lighting design.

DIT responsible for all media management, Dailies distribution and cloud backups with Frame.io

Media Management. Digital dailies copies and distribution. Post workflow, reports, checksum confirmations, drive managment.

International Travel Coordination between Indian Embassy and PBS, passport and visa fixing.

Responsible for delivering crew and gear to and from the airport, hotels and set.

Handled all grip and on set safety responsibilities.

Gripped and Gaffed for digital promotion series for Brozal Mezcal.

Designed and built podcast studios with branded flats and lighting rigs and full studio camera infrastructure for multi-camera live streaming.

Dedicated gaffer in charge of lighting all industrial setups and interviews and night time harvest shooting.

Specialized lighting for concept photography and video project, extensive planning for particular high contrast black and white look using color filters,

Provided coordinating, vetting and hiring skills for cast and crew. Logistics and creative collaboration with the rest of the producing unit from preproduction staffing through locations wrap out to 2nd unit camera pickups.

G&E Swing duties, plus driving, grip truck checkout and on set safety protocol. https://www.instagram.com/reel/Ch5ohn3hlo2/?igshid=NzNkNDdiOGI%3D

On set DIT on the feature film ClearMind. 22 day shooting schedule. Responsibilities included, back-up of all material. Color profile construction and hand off for the Camera Dept. (Arri Alexa Mini). Application and conforming of custom LUTs (Company 3). Silverstack Lab Camera Reports and distribution, including shot lists and all camera metadata with Scripty notes. Dailies construction and distribution through Frame.io. Livegrades when necessary. Assembly edits as needed. QC on all footage and cards using Silverstack checksums and Parashoot.

As a Producer I put together the crew and collaborated with the director on casting. During production I field produced alongside the director and the camera crew while making sure that we got proper coverage. Post production I oversaw the cut, color and final deliverable delivery.

Transferred and backed up all the footage with checksums in Shotput every day.

Handled day to day coordination of crew and gear and all costs associated.

A cam operator for 2021 Audubon Society's campaign to save the Farallon Islands from invasive rodent populations.

Shot and cut a branding campaign for coaching/consulting firm Victory Strategies highlighting their team pedigree of Navy SEALs and Top Gun Pilots and Olympic athletes.

AC, pulled wireless focus all day. DIT and capture tech on the back end running backups and checksums for all footage.

Shot Ad Campaign for Model Bakery on location in Napa, CA

Story, shooter, drone op

Produced and delivered 60 second commercial spot for corporate tech firm OpenGov. EP'd the pre-production and post and line produced the shoot days on set. $60K budget.

Handled all file/card transfers and backups from Arri Mini. Checksum reports, dailies and distribution through Silverstack.

Shot the annual end of the year CEO company address.

Director of photography and camera operator for 60 second perfume/fashion spot. I also helped cast and lock locations for the shoot to get the exact look we were going for.

Color matched and graded entire campaign of "Spark Wonder" videos.

Camera Operator and Coordinator. I put together the teams that shoot for UCSF's Oncology and Disabilities research teams, which means I cover conferences, symposiums, off-sites and any necessary internal communications messaging.

Produced and shot annual investors brunch for Tipping Point, a non-profit housing solutions company based in Silicon Valley. Ran A cam and coordinated 2 additional Ops on gimbals.

Produced and operated with a 4 camera team, covering Life Move's fund raising breakfast for homeless solutions in Silicon Valley.

Produced and directed and operated coverage for Inman Connect's 4 day real estate conference. 120 interviews, daily recaps and final sizzle reel.

Directed, produced and 2nd camera op on a 60 second commercial for the Fireside Lounge in Alameda, CA

Produced, directed and shot over 100 internal communications videos for Genentech to share updates between international branches and across divisions.

Directed and produced a series of short doc commercials for specialized tutoring firm Green Ivy.

Managed all Arri card transfers and checksums via Shotput. Dailies and distribution through Frame.io.

Colored all the promos for San Francisco's International Film Festival promos.

Colored and finished the spot.

Produced, shot and edited campaign for the Clockshark app release.

As Director of Photography I oversaw the look of the film from lighting to camera gear and worked with the director to shoot his vision.

Capture and distribution of all shot material. Conform to all social platforms.

Colored and did finishing titles on the trailer.

Primarily edited pieces for weekly distribution for Toyota's 9 month long Ever Better Tour. Everything from ingestion, to pulling selects, to locking cut and coloring and delivering. Also shot pickups when needed.

Produced, edited and delivered advert for new drug delivery system.

Edited 180, one hour classes shot on 4 cameras with 6 microphones, delivered in 4K.

Produced third season of promo spots for the 2014 season of Supercross

Produced, directed and shot marketing, broadcast and internal communications video for Monster Energy Kawasaki's Supercross team.

Produced, shot, edited and distributed content for Moose Racing and their partners.

Produced, directed and shot all video content and training videos for EHP.

Compiled, cut and colored promo for Moto GP

Produced and shot Nate Adams X-Games intro for 2012.

Producer in charge of staffing talent, managing projects from inception to delivery in a high volume, quick turn around environment. Managed over 20,000 videos in three years.

Gaffed entire video.

Producer and High Definition Signal Coordinator for the Boston Red Sox. Made sure that all the wireless signals from the on field cameras and the blimp were coordinated and piped correctly to the TV truck during live broadcast.