Luke Buckley

This brand film combined two sports at the center line of the screen to make one fluid action. I worked with a large team to source footage, transcode, organize, and ingest ripped footage. I delegated work to other assists and worked closely with the film's editor and creatives to create an unforgettable film for Nike.

Field Producer for an interview with Rebel Wilson in Seattle, WA about her new clothing line at Bloomingdales.

Organizing the project, logging footage, video-editing, motion graphics, sound design, exporting the video, sharing with stake-holders, implementing notes, and delivery of the final package.

While at Swift Agency I worked alongside their PayPal Team during their 2018 March Madness campaign. I was responsible for organizing the projects, logging the footage, choosing selects, assembling a cut, creating motion graphics, and color correction. The ads also required keying, motion tracking, and replacing cell phone screens with graphics.

Edited an episodic series of motion graphic heavy videos for Intel's international sale division.

Edited 60-second spot for 24/7Laundry Service. Duties: Organizing the project, logging footage, video-editing, motion graphics, sound design, exporting the video, sharing with stake-holders, implementing notes, and delivery of the final package.

Sole video editor of a top-down food video series, I was responsible for video-editing, sound design, color correction, graphics, and delivering different versions (aspect ratios and bit rates) of the same video, in accordance with Scripps Networks Interactive delivery standards, to multiple locations.

I was responsible for each step of post-production. Selecting the music, logging footage, choosing selects, creating motion graphics, creating an edit, sound design, collecting notes from stakeholders, and handling revisions.

I was responsible for each step of post-production. Selecting the music, logging footage, choosing selects, creating motion graphics, creating an edit, sound design, collecting notes from stakeholders, and handling revisions.

Contracted to work with a small team to create video content for Nike. I had to download footage from multiple servers, organize the project, log the footage, develop a story structure with stakeholders, video-edit, sound design, and export deliverables.

I was contracted to work remotely from Portland with a Birmingham, AL based advertising agency to edit a 15-episode series of external facing content for BBVA Compass. These videos required green screen keying, color correction, and motion graphic development, in addition to editing for content and story.

I had to download footage from multiple servers, organize the project, log the footage, develop a story structure with stakeholders, video-edit, sound design, and export deliverables.

I was responsible for organizing the projects, logging the footage, choosing selects, assembling a cut, creating motion graphics, and color correction.

I was responsible for each step of post-production. Selecting the music, logging footage, choosing selects, creating motion graphics, creating an edit, sound design, collecting notes from stakeholders, and handling revisions.

I was responsible for organizing the projects, logging the footage, choosing selects, assembling a cut, creating motion graphics, and color correction.https://staffmeup.com/profile/lukejbuckley#

I was responsible for organizing the projects, logging the footage, choosing selects, assembling a cut, creating motion graphics, and color correction.

I was responsible for each step of post-production. Selecting the music, logging footage, choosing selects, creating motion graphics, creating an edit, sound design, collecting notes from stakeholders, and handling revisions.

I was responsible for organizing the projects, logging the footage, choosing selects, assembling a cut, creating motion graphics, and color correction.

I was commissioned to produce an experimental dance film/advertisment for Sure Microphone, and was the lead editor for the behind the scenes content.

I was responsible for each step of post-production. Selecting the music, logging footage, choosing selects, creating motion graphics, creating an edit, sound design, collecting notes from stakeholders, and handling revisions.