Malcolm Badewitz

Building stringouts and crafting the story of a first-season FYI follow-doc series.

Finding the story buried in hours of interviews, cutting, and pitching stories for a first-season FYI series.

Assisting Story Producers in cutting a-roll string-outs. Pulling story bites. Keeping edit bays from exploding.

Day-to-day consists of organizing and ingesting media from DVCPro/HDCam, prepping cuts for editors, archiving and retrieving B-roll, and outputs for network review. Assisted in transitioning the post workflow from FCP7/SAN to Avid 6.5/Unity.

Transcoding, syncing and grouping XDCam, Gopro, and DSLR media. ISIS maintenance, online prep, and CatDV.

Prepping cuts for network output, building string-outs, and audio turnover (AAF exports). Supporting editors, story producers, and lead AE. Unity- ISIS, Avid 6.5 (mac)

Worked with editors and story producers to deliver the first season of the docu-reality series for Discovery Networks. Maintained immense amounts of media, everything from C300 to Super-8. - Transcoding - Syncing - FTP uploads - Video/audio prep for online - Network Deliverables (LTO) - Upkeep of storage-area-network

Media trans-coding, project organization, and general upkeep of the storage-area-network. Built string-outs, synced multi-cam interviews and prepped audio/video for online.

Synced multi-cam shoots for the docu-reality series for Discovery Networks. Transcoded, organized, and maintained Avid workflow.

Assistant to the line producer/UPM throughout the duration of the tier-1, DGA feature film production "Seven Minutes." Provided administrative and organizational support, working closely with the UPM to file union contracts and maintain the production budget.

Shot and edited the behind-the-scenes EPK to promote the film "Seven Minutes." Produced by Rick Rosenthal, and directed by Jay Martin.

Produced digital marketing strategies and assets for web, print, and television. Integrated with design, animation, and post-production pipelines at the award-winning creative agency. Worked in Adobe Premiere, After Effects, Cinema 4D, and Photoshop.

Assisted in the stop-motion animation production pipeline. Collaborated with department heads in various stages of production, from development, to puppet fabrication and animation.

Provided stage management, scheduling, and support to set designers. Acted as liaison between the director and various department heads. Supported the director, Andrew McGinn, throughout the live theater production.

Provided support to art department leads in set dressing and coordinating extras.