Mickey Ramos

Producing in the field & Creating brand spankin' new 'Wipeout' background packages.

Field Producer handling cast; wrangling, prepping, interviewing for the first season of a new tattoo reality show for Netflix.

Another season of producing kickass content in an extremely challenging environment. Direct my crew, work with safety team, interview cast, keep the network updated on progress, train newbies, liaise with the locals to make the impossible possible and most important, try not to die in the elements.

Contestant Producer in Production. Story Producer in Post. Netflix's #1 show! Stoked about that since it was a beast of a Season One. New, stylish & absurd gameshow featuring 80,000 gallons of lube as the Star of the show. In production, my job was to prep contestants to run the course and how do deal with the lava, conduct all interviews, take contestants through the shooting process. In post, took first pass at edit, wrote all content for 5 of 10 episodes; comedy, V.O., play by play, host copy, worked with editors, handled network notes, waded through the soul crushing process of a difficult season one. Emerged with a global #1 show so in the end, it was all worth it.

Storyteller in the physically challenging world of Port Protection, Alaska. Documentary style show with creative freedom to tell compelling stories. We shoot sick specialty cam footage as well so we're telling the story in a few ways on this one. I also got to navigate a challenging daily field shoot/grind in the elements where it rains 100% of the time & the tides change your entire shooting schedule on a whim. Small crew; down and dirty, the way I like it. All Producer skills firing at all times. Love it.

Field/Story Producer on 1st season of intensely physical competition show. Conducted interviews & OTFs. Responsible for creative docs; hot sheets, updates, field notes. Cut my own episodes in post & trained newbies every step of the way.

Producer/Shooter for second season of MTV's biggest show. Madness in Panama City Beach, Florida. Producer/Shooter/Psychologist/Bouncer/Contortionist with out of control cast on a 24/7 house reality show.

Cinema Verite at its best. Work with difficult & insane talent. I attempt to control chaos and unleash it when needed. Direct crew, call cameras, develop story, conduct all interviews, create daily schedules, write hotsheets. Small run and gun crew making the impossible happen regularly.

Voice Talent for the video game "South Park: The Fractured but Hole"

[International] Field Producer with heavy international production management duties. Handled all logistics for shoots in Mojave Desert, Trona Pinnacles, Spike Island Ireland and Isle of Man. Responsible for every aspect of production.

True Documentary style reality show; completely hands off. Led an all female crew in the production of a lively, physical show following 11 yr old kids at Camp Waziyatah. Handled daily improvisation of constantly changing camp schedules. Interviewed campers and camp staff, wrote hot sheets, tracked story beats and managed an adventurous crew in boats, canoes, busses, tracking vehicles and whatever else they threw at us. Directed cameras; 850s & GoPros. I was a kid magnet and 'the fun producer.' Passed Edward Myers & Associates background check to be able to work with children.

Produced 10 episodes of a relationship-based gameshow featuring married couples. Booked all contestants, edited casting videos, pitched pairings to network, created one sheets, talked on the phone for 7 billion hours and talked scared contestants off the ledge.

Headed up Contestant Department. Wrote bios, called endless amounts of contestants, prepped them for the game, saw them through the entire process. Worked with network to set pairings for each episode.

Developing pilot presentation for well known internet celebrities.

Headed up Media Management team and acted as liaison between field & post back in Los Angeles. Tracked story beats for post & facilitated communication between multiple departments during daily shoots. Shot challenges in a different state every day across the country for 30 straight days. Massive production incorporating field elements, studio elements & social media.

Pilot for Oxygen so the job consists of every position; challenge, field and post (on Premiere). Throw in some cast interviewing/wrangling, pitching/developing challenges, writing up pitch materials, managing a budget & scouting locations and you know 10% of what I am actually doing. Pilots rule!

Produce, research, develop and direct documentary pieces for Chelsea's studio show for Netflix. Direct crews, handle production management, book & manage talent, clear locations, write creative and run the show on set.

Field/Story/Talent/Supervising Producer positions all rolled into one. Develop content with incredibly challenging talent, handle location logistics, write insanely long and useless documents for network eyes then realistic documents for use in the field. Babysit challenging talent, direct a sick and efficient crew while keeping a smile going.

Scouting locations, interviewing cast, caring for cast. While scouting remote location I was attacked by swarms of Africanized killer bees. Medivac'd back home after nearly dying and had my time with the show cut short. It's a great story I lived to tell though, damn.

Worked both field and post and since it was a pilot, my job was EVERYTHING. Point person for all things talent related; sequester, wardrobe, call times, conducting OTFs, babysitting. Assisted with scouting. Directed cameras and talent. In post, edited multiple acts.

Ran one of two field crews. Pitched story arcs & directed multiple cameras. Scouted and locked in locations, trained story APs, art directed locations, managed 12 person cast, conducted interviews, handled logistics, shot pickups and ultimately ended up the person to fill in any position/situation required.

Field team organization & cast interviews at beginning of production then into starting up post where I head up a team of 8 editors and 3 producers with 5 shows going at all times. Stringouts, rough cuts, dealing with Syfy network notes, cutting superteases, cold opens and handling every other fire that needs extinguishing.

Deal with talent issues for cast of kids ages 16-20; scheduling, counseling, dealing with difficult parents. Integral in shaping story for show with intimate subject matter. Write hot sheets & beat sheets. Lots of internet research and detective work. Run crews & call shots. Major influence on a heavy show.

Music show pilot for MTV Since this was a pilot my job spread across a variety of skills; field producer, story producer, talent producer and camera operator. I was responsible for all talent issues, scouting & shooting background packages and interviewing contestants.

I pitch story ideas, stunts, pranks and activities for crazy kids to carry out. I direct my crew, schedule my team, take field notes, write hot sheets, scout locations & get in with the locals to make the shoot easier. You know, that kind of stuff.

Reality competition format with high profile and somewhat difficult talent. 2 hour special for Fox where we train celebrities to dive off the high dive. An intense job handling high profile talent who took multiple trips to the ER. I now know all there is about neurology departments and emergency rooms.

Docu-soap format. Pilot for A&E shot in the muddy bayous of Louisiana. It was a pilot therefore I had to do every job a human can possibly do on a production.

Observation doc style reality show featuring Oprah Winfrey and the town of Kingsland, Georgia. First season of new series. 45 days living and breathing Georgia life. I handled all talent, shaped story, pitched show ideas and edited back in post on AVID.

Reality competition format in the fashion world with docu soap thrown in. 1st season of new series. Handled talent in field & came back to LA to head up post production and trained multiple story producers & APs along the way.

Food based reality competition. 1st season of new series and all the headaches that come along with a 1st season. Handled all talent, trained APs and supervised post.

Edited 100s of casting reels for Tijuana for multiple shows.

Ob doc reality format shooting all over the country. 1st season of a new series. Responsible for booking interviews, locations and clearing the same. Interviewed & handled all talent.

4th season of a reality competition show based on the principles of torture and sensory deprivation. Intense position for a story producer and I loved every grueling hour of it. Then went into post and cut my own episodes.

I am the voice of "Tammy Warner," Kenny's girlfriend on South Park.

Reality competition series. In short, I got to play God to a man trapped inside a little box and it was the best reality experience I have had to date. Intense experience for a field/story producer. I also created & tested challenges.

Docu soap reality format. I had my own crew and the freedom to shoot whatever I wanted as the behind-the-scenes producer. I also wrote story notes for the show and tracked story and was in post.

Scripted voiceover replacement show. Small company so I did every job on the show; writing, voicing, producing, editing, finishing and delivering. Comedy show where I was in the writer's room as well.

Docu soap format. Odd type of job. I created, shot, edited content for their website in addition to being a story producer for the show. Definitely the work of more than 2 people but I got it handled.

Docu soap format. Interviewed all talent for all 3 seasons of show and edited/produced hours of extra footage to accompany re-run of the show on Fox Reality.

Scripted comedy voice replacement show where I spent a great deal of time in the writers room. I was also responsible for voicing, editing, finishing and delivering to the network.

They let me have the run of the show once I proved myself so I got to do everything.

Docu soap format. Interviewed all talent for all 3 seasons of show and edited/produced hours of extra footage to accompany re-run of the show on Fox Reality.

Gambling reality competition show. Handled talent on location and supervised post back home.

I handled the nuts and bolts of the show while trying to force my way up the ladder. It totally worked and I got to do everything...and stayed with the company for 5 years.

Docu soap reality format. Filmed the wedding of Outback Jack and his bride. Took back to post, edited and delivered.

Nuts and bolts position. Did it. Learned it. Moved up.

Build show format for Lifetime. Shot footage, handled talent. Did darn near everything.

Comedy based reality competition format. Handled 152 comics for 1st season.

All the duties of a Radio Producer; booking talent, supporting hosts, voicing & producing imaging, answering phones, managing crew. Was also On Air as a personality and worked the sound FX for the show.