Untitled docuseries for Hulu. Managed travel for all crew & producers, sourcing crew and vendors in different cities across the United States. Tracking crew working hours, paperwork, arranging vehicles, overall, safely getting from point A to point B. Staying organized and pivoting quickly are essential skills to this role.
Summary
Molly, a Production Manager, based in Los Angeles, has 2 Production Manager credits and 1 Unit Production Manager credit, and has been a member since 2015.
Credits
3/23 – 5/24
Production Manager (Hulu)
Staff Position — Number 19 Productions Details
3/23 – 5/24
11/23 – 11/23
Unit Production Manager – Star Thieves
Film (Short) — Dark Matter 86 Details
11/23 – 11/23
Non-Union. Managed on-set production elements as well as coordinating logistics for department heads. Shot in and around Los Angeles for three days. The remainder of production to be continued later in 2024. Budget 150k. Guided producers & first-time director through the feature filmmaking process by surrounding the director with senior level crew.
9/23 – 10/23
Co-Producer – Mooch
Film (Feature-length) — First Names Films Details
9/23 – 10/23
Non-Union SAG Indie feature filmed around the coast of Massachusetts. Budget 500k. Managed all production teams as we shot for 20 days in 17 different locations with 43 SAG actors traveling to and from NYC. Ensured safe production and oversaw payroll, travel, paperwork and crew member logistics for the entire shoot.
2/23 – 2/23
Production Manager – Breakup Season
Film (Feature-length) — Static Films Details
2/23 – 2/23
Non-Union SAG Indie feature which shot east of Portland, OR. Featuring Chandler Riggs (Walking Dead). Aiding in phys- ical production elements, sourcing crew and implementing effective production measures for the three-week shoot. Travel logistics, coordinating and hiring background cast.
8/21 – 2/23
Producer
Staff Position — Gypsy Inc Details
8/21 – 2/23
In-house commercial producer at Gypsy Inc with their internal agency team. Handled production for photoshoots and commercials while working with client and handling project management. Basics covered putting together budget, handling wrap out, hiring crew and actors, overall translating creative into physical production.
3/22 – 3/22
Producer – What About David?
Film (Short) — Seasick Productions Details
3/22 – 3/22
Produced for Lindsey Ryan (Reed Morano’s protégé) whose production featured the DP of Sundance’s FREMONT (’23). Developed the script with her team in December 2021 and supported creative and physical production elements on set.
2/21 – 6/21
Assistant (Robert Schwentke) – Snake Eyes
Film (Feature-length) — Paramount Pictures Details
2/21 – 6/21
Supporting director during production and post, ensuring clear communication from director to all facets of production. Duties include script research, communicating with agents and actors and ability to manage new problems quickly as they come up.
2/21 – 2/21
Production Coordinator – Honor Society
Advertising — Honor Society FIlms Details
2/21 – 2/21
Supported production manager with wrap out and processing paperwork for vendors & crew.
Recos
Education
Class of '15
Chapman University
B.A. Screenwriting, B.A. Theatre/Playwriting and Screenwriting,
Skills
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