6/20 – 7/20
A&E — TV — A+E Networks
6/20 – 7/20
1/19 – 1/20
Media Manager (Microsoft Production Studios)
Staff Position — Run Studios
1/19 – 1/20
11/19 – 11/19
Live/Special Event — STG Productions Details
11/19 – 11/19
6 cameras, 2 shows, ingesting footage to hard drives off-site
8/19 – 9/19
Cartoon Network — TV — Alive and Kicking Inc. Details
8/19 – 9/19
2-camera Alexa
6/19 – 6/19
Media Manager
US Department of Veterans Affairs — Advertising — HZDG
6/19 – 6/19
3/19 – 3/19
Media Manager
Go Daddy — Advertising — SmartLine
3/19 – 3/19
3/19 – 3/19
T-Mobile — Advertising — Attn:
3/19 – 3/19
1/19 – 1/19
Corporate — COLOR creative
1/19 – 1/19
9/18 – 11/18
Film (Feature-length) — Tycor International Film Company
9/18 – 11/18
10/18 – 10/18
Prime Video — Corporate — Amazon Studios
10/18 – 10/18
9/18 – 9/18
Media Manager (Day Play/Pick ups)
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So Close
History — TV — Prodigal Pictures
9/18 – 9/18
9/18 – 9/18
Cartier — Advertising — MATTE Projects
9/18 – 9/18
8/18 – 8/18
WSDOT — Advertising — Haven Media
8/18 – 8/18
7/18 – 8/18
Camera Loader (Alexa Mini)
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Language Arts
Film (Feature-length) — Language Arts, LLC Details
7/18 – 8/18
media managed for 2-camera Alexa Mini
6/18 – 6/18
TV — Adult Swim [Originals] Details
6/18 – 6/18
media managing for 2-cam Alexa Mini, transcoding & uploading dailies nightly to DAX servers, syncing & organizing editing project in Avid
6/18 – 6/18
Digital — Atomic Entertainment Details
6/18 – 6/18
media managing 4+ cameras (Alexa Mini) during live stand-up comedy event
5/18 – 5/18
Go90 — TV — Film 45 Details
5/18 – 5/18
media managing for 4+ camera sporting event/soccer game
4/18 – 4/18
Media Manager
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Amazon
Corporate — Kontent Partners Details
4/18 – 4/18
2-camera, sync & lay-out footage in Premiere
4/18 – 4/18
Live/Special Event — Positive Image Video Details
4/18 – 4/18
media managing 2x Canon C300 cameras, transcoding footage for the edit, uploading transcoded footage to Frame.io servers
3/18 – 3/18
Media Manager (Asst Editor)
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Men I Trust
Film (Short) — Vass Productions Details
3/18 – 3/18
Red Scarlet media managing, syncing & organization editing project in Premiere
11/17 – 3/18
Facebook — TV — Hud:Sun Media Details
11/17 – 3/18
multi-cam Sony FS7s, A7s's
2/18 – 2/18
Internet — TV — Custom Productions, Inc. Details
2/18 – 2/18
Media managed for 2 cam Canon C300s
1/18 – 1/18
Media Manager
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Just So
Prime Video — Advertising — Double Entente Films
1/18 – 1/18
12/17 – 12/17
TV
12/17 – 12/17
9/17 – 10/17
USA Network — TV — NBC Universal
9/17 – 10/17
9/17 – 9/17
Corporate — Amazon Web Services
9/17 – 9/17
9/17 – 9/17
Media Manager
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TCAA
Toyota — Advertising — Strader Films
9/17 – 9/17
8/17 – 9/17
Film (Feature-length) — Paul Kyriazi Productions Details
8/17 – 9/17
media managed for 2-cam Red & CanonC300; synced & organized in Premiere; pulled reference screen grabs & emailed them to key crew; maintained several media tracking & camera logs
8/17 – 8/17
Digital — Watts Media Details
8/17 – 8/17
media managed for Arri Amira
5/17 – 7/17
Film (Feature-length) — Shep Films Details
5/17 – 7/17
wrangled media for 2 cameras RED (6k & 8k), applied LUTs, transcoded Avid .mxf proxies, created synced dailies
5/17 – 5/17
Media Manager
Advertising — Penelope Studios
5/17 – 5/17
4/17 – 4/17
Media Manager (Asst Editor)
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Holiday Hell
Film (Feature-length) — Morella Films
4/17 – 4/17
1/17 – 1/17
Discovery — TV — The Agency at Discovery
1/17 – 1/17
1/17 – 1/17
Script Supervisor (DayPlay)
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Sadie
Film (Feature-length) — Shady Plains LLC
1/17 – 1/17
10/16 – 10/16
Media Manager
Advertising — Victory Studios
10/16 – 10/16
6/16 – 8/16
MTV — TV — BMP Details
6/16 – 8/16
managed terabytes of media every day for round-the-clock shooting, trained/supervised 3 other media managers/tech assists to manage media, shipped hard drives daily, coordinated with post and camera assistants for smooth workflow
5/16 – 5/16
TV — Error 404 Productions
5/16 – 5/16
5/16 – 5/16
Media Manager
Advertising — REI studios Details
5/16 – 5/16
2 camera, A7s, offloaded media & renamed clips
4/16 – 4/16
Internet — TV — Zombie Orpheus Entertainment.
4/16 – 4/16
4/16 – 4/16
Media Manager
Advertising — Roundhouse Agency
4/16 – 4/16
3/16 – 4/16
TV — Magnussen Media Group Details
3/16 – 4/16
media managed for Alexa Mini, synced sound, organized project in Premiere
2/16 – 2/16
Film (Short) — Zube Productions Details
2/16 – 2/16
media managed for 2 cameras (A7s/Atomos Ninja) synced sound, organized project in Premiere CC
1/16 – 1/16
Internet — TV — Penny Arcade TV Details
1/16 – 1/16
media managed for 2 camera Red, pulled/emailed reference stills, synced sound, organized Premiere project
1/16 – 1/16
Corporate — Run Studios
1/16 – 1/16
11/15 – 12/15
Animal Planet — TV — Shark Teeth Films Details
11/15 – 12/15
off-set, end-of-day media management for 2 camera teams plus B-roll - multiple cameras, including: Sony PXW-X200, A7s, GoPros, and iPhones - also transcoded Sony XAVC media through Avid
11/15 – 11/15
Media Manager
Advertising — Run Studios
11/15 – 11/15
8/15 – 8/15
Camera Loader (2nd Unit, DayPlay)
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Grimm (Season 5)
NBC — TV — Hazy Mills Productions
8/15 – 8/15
8/15 – 8/15
Film (Feature-length) — Grey Zone Media Details
8/15 – 8/15
Media managed for Red Epic, Red Scarlet, Sony A7s. Sent reference stills to keys. Made hard drive purchase recommendations.
4/15 – 8/15
Animal Planet — TV — Shark Teeth Films Details
4/15 – 8/15
off-set, end-of-day media management for 3 camera teams - multiple cameras, including: Sony PXW-X200, Canon6D, A7s, GoPros, and iPhones - also transcoded Sony XAVC media through Avid
7/15 – 7/15
Media Manager (Seattle Unit)
Advertising — Saville Productions Details
7/15 – 7/15
Media Managed & transcoded Sony FS7 footage
7/15 – 7/15
Film (Short) — Giant Step Film Details
7/15 – 7/15
Media managed and transcoded for Black Magic Cinema Camera.
5/15 – 5/15
Media Manager (Dayplay/Pickups)
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Depth
Film (Feature-length) — Imagos Films Details
5/15 – 5/15
Media managed, transcoded, synced sound, organized Premiere CC project - single cam Sony F55
5/15 – 5/15
Special Olympics — Advertising — Caviar Details
5/15 – 5/15
media managed - single cam Red Epic
3/15 – 4/15
Media Manager (Asst Editor)
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Paralytic
Film (Feature-length) — Mighty Tripod Productions Details
3/15 – 4/15
media managed, organized project in Premiere CC, synced audio & video on set, helped with hard drive transportation logistics, 2 Cam - Red Dragon
3/15 – 3/15
Media Manager
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TCAA
Toyota — Advertising — Strader Films Details
3/15 – 3/15
2 Cam - Canon 5D
2/15 – 2/15
Media Manager
Advertising — Imagos Films Details
2/15 – 2/15
Media managed, transcoded, synced - Sony F55
2/15 – 2/15
Media Manager
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Changes
Corporate — The Mobile Ape Details
2/15 – 2/15
Sony F55 - offloaded XAVC SxS media and Sony Raw AXS media
2/15 – 2/15
OnDeck — Advertising — Urban Legend Productions Details
2/15 – 2/15
Red Dragon & Arri Amira - media managed Red SSDs and CFAST media
12/14 – 12/14
Westerado — Advertising — Imagos Films Details
12/14 – 12/14
Media managed, transcoded, synced - Sony F55
11/14 – 12/14
Media Manager
Advertising — Flaregun Details
11/14 – 12/14
Media managed & transcoded for 11 cameras - 1 Red Dragon, 1 Canon 7D, 1 Canon C300, and 8 GoPros
11/14 – 11/14
Script Supervisor (Dayplay)
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Ladykiller
Film (Feature-length) — Enlighten Media Group
11/14 – 11/14
9/14 – 10/14
TV — Picrow, Inc. Details
9/14 – 10/14
on-set Digital Loader (IA 600), Synced sound, transcoded dailies, coordinated hard drive transportation logistics, worked under direct supervision of DIT - 2 Camera Red Dragon
5/14 – 9/14
SyFy — TV — The Asylum Details
5/14 – 9/14
on-set Digital Loader (IA 600), managed camera trailer inventory, filled out camera dept's timecards, ordered camera dept expendables - 2 Camera Red Epic, plus 3rd 2nd Unit camera
4/14 – 4/14
Film (Feature-length) — The October People
4/14 – 4/14
3/14 – 3/14
DIT (Digital Imaging Technician)
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A Decent Lie
Film (Short) — Mackieshack Details
3/14 – 3/14
Media managed HDR Red Raw footage, emailed color corrected screengrabs to select production crew - Red Epic
2/14 – 3/14
Film (Feature-length) — Try This Films Details
2/14 – 3/14
Blackmagic Pocket Cinema Camera (SD card media)
2/14 – 3/14
Film (Feature-length) — Try This Films
2/14 – 3/14
12/13 – 12/13
Film (Short) Details
12/13 – 12/13
Researched & recommended hard drives for purchase by production - Red Epic
10/13 – 11/13
TLC — TV — Screaming Flea Productions Details
10/13 – 11/13
3 Camera - Canon C300
Created detailed video logs, arranged hard drive transportation logistics
9/13 – 10/13
Film (Feature-length) — Bullet Bright Films
9/13 – 10/13
8/13 – 8/13
Film (Short) Details
8/13 – 8/13
Red Epic Camera
Transcoded & synced film, shipped hard drive to out-of-state editor once completed
8/13 – 8/13
Media Manager (Seattle unit)
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Console Wars
Film (Feature-length) — The Gaming Project LLC Details
8/13 – 8/13
media managed interview footage, and transcoded media per out-of-state editor's instructions - 2 Camera Red Scarlet
8/13 – 8/13
Kindle — Advertising — Amazon.com
8/13 – 8/13
7/13 – 7/13
Film (Short) Details
7/13 – 7/13
Red Epic Camera
4/13 – 7/13
Film (Feature-length) — Whitewater Films Details
4/13 – 7/13
Washington Production Incentive Film, Crew & extras payroll (IATSE/DGA/Teamsters/Non-union)
4/13 – 4/13
Digital — Panic Button Pictures Details
4/13 – 4/13
2 Camera - Canon 5D
4/13 – 4/13
Film (Short) — Higher Ames Productions Details
4/13 – 4/13
Sony F5 Camera
3/13 – 3/13
Film (Short) Details
3/13 – 3/13
Sony F5 Camera
3/13 – 3/13
Film (Short) — Movies & Computers Details
3/13 – 3/13
Multi-cam: Red Scarlet, Canon 7D, Panasonic GH2
2/13 – 2/13
Media Manager
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ONE.org
PSA — Digital Details
2/13 – 2/13
Camera: Arri Alexa
10/12 – 10/12
locallygrowntv.com — Digital — Abundant Productions Details
10/12 – 10/12
Synced, transcoded, and organized project in FCP7 - 2 Camera Red Epic & Red MX
10/12 – 10/12
Film (Short) — Rebel Unicorn Productions Details
10/12 – 10/12
Red Scarlet camera
4/12 – 9/12
Internet — Digital — Tx2 Pictures
4/12 – 9/12
8/12 – 8/12
Film (Short) — Heavy Glow
8/12 – 8/12
8/12 – 8/12
Film (Feature-length) — Grinning Man Media Group Details
8/12 – 8/12
RED MX camera
emailed reference screengrabs to select on-set crew, synced sound & organized in Premiere project
4/12 – 4/12
Film (Short) Details
4/12 – 4/12
Canon 7D
3/12 – 3/12
ABC — TV — BBC Worldwide
3/12 – 3/12
3/12 – 3/12
Film (Short) Details
3/12 – 3/12
Sony F3 camera
3/12 – 3/12
T-Mobile — Advertising Details
3/12 – 3/12
7D Camera
5/11 – 3/12
PBS — TV — The High Bar Details
5/11 – 3/12
HVX/HPX camera (P2 cards) & Canon 5D
FCP Editor on select episodes
1/12 – 2/12
DIT (Digital Imaging Technician) (Asst)
Boeing — Advertising — Magic Stone Productions, Shark Films Details
1/12 – 2/12
Multi camera Red Epic
1/12 – 2/12
Script Supervisor
–
3
Film (Short) — Faith vs Fate Productions
1/12 – 2/12
1/12 – 1/12
Music Video Details
1/12 – 1/12
Canon 7D
12/11 – 12/11
Digital — JWalker Entertainment
12/11 – 12/11
12/11 – 12/11
Film (Short) — Faith vs Fate Productions
12/11 – 12/11
12/11 – 12/11
Media Manager
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Suspect
Film (Short) — Scaringi Films Details
12/11 – 12/11
Red MX Camera
11/11 – 11/11
Media Manager
–
Sirens
Film (Short) — Dilated Pictures Details
11/11 – 11/11
Red Mx Camera
11/11 – 11/11
Film (Short) — Mackieshack Details
11/11 – 11/11
Red Mx Camera
10/11 – 10/11
Film (Short) — Robot Brockley Details
10/11 – 10/11
Red Mx Camera
10/11 – 10/11
Script Supervisor
–
Room 13
Film (Short)
10/11 – 10/11
8/11 – 9/11
Media Manager (Assistant Editor)
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This Is Ours
Film (Feature-length) — First Sight Productions Details
8/11 – 9/11
RED MX camera
Also script supervised and assistant edited the film as well.
8/11 – 8/11
Film (Short) — Memeblast Media Details
8/11 – 8/11
Red Mx Camera
7/11 – 8/11
Film (Feature-length) — Whitewater Films
7/11 – 8/11
6/11 – 6/11
Film (Short) — Scaringi Films
6/11 – 6/11
4/11 – 6/11
Film (Short)
4/11 – 6/11
3/11 – 3/11
Film (Short) — LionSky Productions
3/11 – 3/11
11/10 – 12/10
Film (Short) — Smiling Zombie Productions
11/10 – 12/10
11/10 – 12/10
Corporate — Scaringi Films Details
11/10 – 12/10
The winning fake "bad" informercial created as part of a contest for the feature film "Grassroots"
6/08 – 3/10
Script Supervisor (Editor - FCP)
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Eyes in the Dark
Film (Feature-length) — Emerald City Pictures
6/08 – 3/10
