Kick-off projects with clients and artists. Booking and scheduling post-production artists. Manage the workflow of a project from intake to delivery. Manage day-to-day communication with artists, agency producers, and clients across each project.
Summary
Production professional with 9+ years of demonstrated history working in the entertainment industry. Has extensive hands-on experience in all areas of production. Uses a deep understanding of storytelling to create, develop, and produce quality content.
Credits
9/22 – 6/23
Post Production Manager
Staff Position — PXP Details
9/22 – 6/23
9/21 – 9/22
Post Production Manager
Staff Position — VICE Media Details
9/21 – 9/22
Post Supervised for "Searching For Q" a Vice News Docu-Series Managing the encoding, ingesting, and uploading of media Implement media management, archive, and encoding workflows Monitor and troubleshoot post-production equipment functionality and report technical issues Oversee the daily technical operations of multiple edit suites, color suites, and sound engineer suites
5/19 – 9/21
Post Production Coordinator
Staff Position — BuzzFeed Details
5/19 – 9/21
Responsible for scheduling meetings, preparing paperwork, and organizing the workflow so all deadlines are met. Manage communication between creatives and post production team.
7/18 – 2/19
Dailies Technician – Legacies (Season 1)
The CW — TV — Sim Digital
7/18 – 2/19
4/17 – 11/17
Post Production Supervisor – Oscar Pistorius: Blade Runner Killer
Lifetime — TV — Swirl Films Details
4/17 – 11/17
Set up and maintain Sony tape decks. Use avid media and AJA technology to output HD and SD tapes to Sony tape decks. Maintain post production schedules. Coordinate with networks for edit notes, S&P issues and final deliveries. Assist post production team when short handed to address edit notes. Schedule edit sessions and audio sessions, track post production budgets and get licensing for music and media used in the edits.
3/17 – 10/17
Post Production Supervisor – Bobbi Kristina
TV One — TV — Swirl Films Details
3/17 – 10/17
Set up and maintain Sony tape decks. Use avid media and AJA technology to output HD and SD tapes to Sony tape decks. Maintain post production schedules. Coordinate with networks for edit notes, S&P issues and final deliveries. Assist post production team when short handed to address edit notes. Schedule edit sessions and audio sessions, track post production budgets and get licensing for music and media used in the edits.
2/17 – 9/17
Post Production Supervisor – Downsized
TV One — TV — Swirl Films Details
2/17 – 9/17
Set up and maintain Sony tape decks. Use avid media and AJA technology to output HD and SD tapes to Sony tape decks. Maintain post production schedules. Coordinate with networks for edit notes, S&P issues and final deliveries. Assist post production team when short handed to address edit notes. Schedule edit sessions and audio sessions, track post production budgets and get licensing for music and media used in the edits.
2/17 – 8/17
Post Production Supervisor – WHEN LOVE KILLS: THE FALICIA BLAKELY STORY
TV One — TV — Swirl Films / Georgia Productions, LLC Details
2/17 – 8/17
Set up and maintain Sony tape decks. Use avid media and AJA technology to output HD and SD tapes to Sony tape decks. Maintain post production schedules. Coordinate with networks for edit notes, S&P issues and final deliveries. Assist post production team when short handed to address edit notes. Schedule edit sessions and audio sessions, track post production budgets and get licensing for music and media used in the edits.
Self ID
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Recos
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Education
Class of '12
University of Houston
Media Production
My Gear
Skills
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