Andrew Young

Operated the SONY A7sii to record two interviews for the TV Show: The Red Booth show that can be seen in Los Angeles, and Las Vegas weekly at midnight. This included setting up and lighting the blue screen, as well as setting up a 3 point interview lighting style set up for the host.

Operated the SONY A7RII using a 24-70mm Canon L Glass lens. We filmed dramatizations for interviews recorded weeks prior.

I worked on this Feature film as a day playing G/E. It was a heavy electric day, I was in charge of helping the Best Boy run power to our lights and buildings via two generators utilizing distro boxes to distribute power throughout the set. We had to power several buildings off of the two generators as well as powering all of our lights used on set. We used and set up a big 6k light to act as the main lighting source for the EXT Night shots. I also did additional grip work as well when needed.

I worked as the Gaffer and Assistant Camera for the short film The Dark Prince. I was in charge of setting up the lights according to how the Director of Photography wanted the shot to look like. I also supplied all the film gear for the shoot including the Lighting Gear, Camera Gear, and Grip Gear.

I wrote, directed and shot my own Short film called Disturbance. I had a crew of about 10 people helping me on this project. I was in charge of Directing the film, and the Camera team. I also transformed my apartment into a make shift set for the film by buying additional props to dress up the set. I used a SONY A7sii utilizing Xeen Cinema Primes. I recorded 4k ProRes 422HQ onto a Atomos Flame. It was a 3-day shoot that started on November 27th and lasted until November 29th.

I worked as Camera Operator B on a commercial for Guardian Patch. I operated the SONY A7Sii using Rokinon and Xeen Lenses. I was in charge of setting up the cameras, lens changes, and operating Camera B.

I was 1st Assistant Camera for the King Cash commercial, these will air in New Jersey, this was a 2 day shoot. We used the Arri Alexa Mini using Cooke S4 and Leica Summicron master prime lenses. I set up the camera each day, changed the lenses when needed, pulled focus when needed, and even dolly gripped as needed.

I worked on the student short thesis film Behind the Smile as Director of Photography. We used the RED Scarlet with Rokinon cinema lenses. I was in charge of the camera and lighting team throughout the shoot. I had a 1st AC, Second AC/Steadicam Op, Gaffer, and 3 G/E swings.

I worked as a Swing Grip and Electric on this short film. I am in charge of running electrical power to set, setting up lights such as the Arri M-18, Arrisun 12. I also put together and set different lighting tools/rigs for what the situation or scene called for.

I worked as a production assistant on set as well as working in the parking garage directing people on where exactly they needed to go. On the second day I helped breakdown the entire set.

I was the Cinematographer/DP for the short film shoot called: C.L.E.T.U.S. I used the Sony FS700 with Rokinon Cinema DS lenses. I also used the Atomos Shogun 4k recorder to record raw 2k footage.

I was cinematographer and I operated Camera A (SONY FS700) for a press conference involving the announcement of an partnership between The American Cancer Society and The Burbank International Film Festival.

I am the current Cinematographer and Production Manager for XERO LIGHT. We are a video production service that films Short Films, Music Video's, Interviews, Web-series, and other short form content.

I worked as a Camera Operator for 1 day shooting 4 episodes of The Red Booth. I worked with the Sony FS700 and I was also the DIT for the shoot transferring the finished data to an external drive after each Episode.

I worked as a production assistant on February 20th for the music video by The WAV. I was in charge of setting up lights, flags, silks, running electrical power, and doing other various jobs while on set.

I was the Cinematographer, DP, and Editor for this short PSA about the 5 stages of binge watching. I operated the SONY FS700 using Rokinon cinema lenses: 24mm, 35mm, 50mm, and 85mm.

I was in charge of helping prep and dress the set before production. This included repainting walls, moving and positioning furniture, pictures, lockers, etc, cutting and attaching trim pieces, and helping out wherever else I was needed.

I worked 2 days on set as the 2nd AC for the short film called: The Golden Year. I operated the smart slate, kept camera logs for each different shot, I helped out with lens changes as well as marking talent in the spots they needed to be in. The film was directed by: Salvador Paskowitz.

I worked as a swing grip and electric on the Feature film called: The Black Room, setting up lights, running electrical power, setting up camera sliders and dollies and other general duties on set.

I was on charge of operating the camera as well as doing DP work on this shoot. I was also a supporting actor in the video. We shot on the Sony FS700 using the Rokinon Cinema DS 24, 35, and 85mm lenses.

I worked on December 21st, 2015 as 1st AC using the Red Dragon. I was also a Jack of Trades Production Assistant pulling additional Grip duties.

I was the Writer, Director, Editor and Cinematographer for the PSA called: No Smoking. The shoot was pulled off using the Sony FS700 using a set of Rokinon DS cinema lenses.

I was in charge of setting up the camera as well as pulling grip duties on set. I was also a supporting actor in the video as well.

I was tasked with filming the actors performances so that they could review their performances during their next week classes.

I worked as the Producer and Director of Photography on the film: Ted's Open House. This was a horror/suspense movie. We had 48 hours to do pre-production, principle photography, and edit the film.

Assist the UPM, hire crew to work on production, train the crew on positions that they are hired for, made binders detailing their jobs on set for each new crew member, did the daily call sheets, pulled Key Grip duties, and also completed production reports and all required production paperwork.

I was responsible for paperwork such as: getting release forms signed, and managing all crew throughout the production, I assisted the UPM on set. I made the call sheet utilizing the script. I pulled key grip duties setting up lights, equipment, dolly, camera crane, running the slate, etc.

I did all the production paperwork and made a wrap book that had to do with both cast and crew documents, scheduling, budgeting, production insurance, film permits, etc. I ran the set as Assistant Director and I took care of all the call sheets, and daily production reports during production.

I worked with Douglas Sonders and Nicholas Cambata as a Production Assistant carrying all their camera gear (Red Dragon, 5D Mark III), and lighting gear to help them film BTS footage of the Celebration, FL Exotic Car Festival.

I helped set up the cameras and I also pulled Assistant Director duties on set such as calling the shots and making sure video was within the quality standards for the client.

Assist in all facets of production or where needed. Helped set up set/breakdown set, carry camera equipment, drive production SUV, and run errands.

I was tasked to drive the production van to each location and being an additonal Set Production Assistant. I helped out with various production departments, as well as setting up video village, setting up tents, and assisting in anyway I could with everyone on the production.

Broke down the script, managed all on set crew, made the call sheet for the day, kept a shot list with completed scenes and takes, ran the slate, set up production equipment such as dolly, camera crane, tripods, and cameras.

I am one of the Co-Owner's of Empty Vessel LLC. I Co-Host, Direct, Assistant Direct, and Write for the Empty Vessel Gaming Channel. We have 2 TV shows, They are Top Game which we will produce 2 of per month, and Top Challenge where we produce 1 per month.

I was the Key Grip on this shoot. I over saw 2 other grips on the production. We set up lighting, charging stations, and assisted in all other aspects of productions attaining to setting up cameras, tripods, shoulder rigs, etc.

Assisted world renown photographer Douglas Sonders setting up the lighting for his shoot.

I was basically the First, Second, and Third Assistant director on the film. I was in charge of running the set, making call sheets, sides, the shooting schedule, breaking down the script, and daily production reports.

I am in charge of B-Roll for the film. It is a cross promotional opportunity for SwitchKill Productions and Nathan Wind Productions to work together to promote his upcoming release.

I was in charge of running basic errands over the course of the 2 day production. I also acted in the film as well. Web URL: https://www.youtube.com/watch?v=R2PO8YlgE8I

To come up with interesting ideas and topics to talk about during my monthly Vlog about life as a Full Sail student. This also includes having periodic panels and special guests. Web URL: https://www.youtube.com/watch?v=7FpR9imNpUQ

This was a 6 hour challenge short film. I was a supporting actor in an student short film called "Work is Weenies." I was also in charge of editing and putting the film together once production was over. Web URL: https://www.youtube.com/watch?v=Surp9qPs_Ec

I was the Assistant Director: I assisted the director in making sure the actors knew what they were doing during production. After production had wrapped I was also in charge of editing and piecing the film together. Web URL: https://www.youtube.com/watch?v=xouIXUbWatk