Tammy Sutton

Manage day to day operations in Los Angeles and New York; work directly with clients; set supervising; bidding and invoicing; track overages; interview and hire artists; run weekly crew meetings; track deadlines. Projects include: Cell, Miles Ahead, The Sacrament, City of Dead Men, The Nightmare, Gorilla Glue Commercials

• Slay Belles, Visual Effects Supervisor, 2013 • Disciples, Post Visual Effects Supervisor, 2013 • House Party, Visual Effects Consultant, 2013 • The Captured Bird, VFX Supervisor, 2011 • 2001 Maniacs, Visual Effects Supervisor, 2010 • Lo, Visual Effects Supervisor, 2009 • Angel of Death, Visual Effects Supervisor, 2009 • Showtime Boxing, VFX Supervisor, 2007 • Wick, Visual Effects Supervisor, 2007 • Grace, VFX Supervisor, Compositor, 2006

Assign and approve all 2D and 3D tasks for teams in Los Angeles and Louisiana; communicate with clients to achieve desired look; maintain database; relay notes to artists; send weekly client status reports; assist in bidding; manage deadlines. The Conjuring, Gangster Squad, Beautiful Creatures, Twilight: Breaking Dawn: Part 1, Ghost Rider

Assign and approve all tasks for teams in Los Angeles and Louisiana; communicate with clients to achieve desired look; maintain database; send weekly client status reports; assist in bidding; oversee outside vendors and deadlines; evaluate depth maps and stereo conversion projects. • Harry Potter and the Deathly Hallows:Part 1 and Part 2

Oversee several projects at once; work with the VFX producer to manage deadlines across 6 facilities in 4 countries; interview potential new hires; set up 3D conversion department in London office; attend all client meetings and calls; communicate notes to leads and artists. Avatar, G.I. Joe: Rise of Cobra, and more

Supervise all projects in house; manage VFX team, work directly with clients to achieve desired results; assign and approve tasks. Projects include: Twilight, Final Destination 4: 3D, Powder Blue, City of Ember, Traitor, Nim’s Island

Quality control of all work sent to clients; relay notes to artists and keep database current; report to the VFX producer to manages deadlines; train junior artists to improve skills. • Get Smart, 2008 • Rendition, 2007 • Die Hard 4, 2007 • Bury My Heart at Wounded Knee, 2007 • Norbit, 2007 • Talladega Nights, 2006 • Final Destination 3, 2006 • Zathura, 2005 and many more.

Assign and approve all roto and paint work; complete compositing, roto and paint work; manage deadlines and priorities; design company website. • Holes, 2003 • Birds of Prey Pilot Episode, 2002 • The Adventures of Pluto Nash, 2002 • Death to Smoochy, 2002 • Collateral Damage, 2002 • Red Planet, 2000