Tim Erickson

DIT for Alexa Mini shoot. Create data pipeline to quickly turn around large volume of data & avoid OT. Live QC + data QC. Monitor Waveform, Vectorscope, etc for live QC & insure maximum flexibility for post & final color.

DIT for Sony F-55 shoot. Monitor waveform, Vectorscope, etc for live QC. Handle data + QC and transcode media with sync sound for editorial. Provide wireless monitoring.

Operated C-camera and handled splinter unit duties. Creative use of framing to help tell the story & worked with the DP so my work matched his overall vision. Speciality rigs for bikes and other mounts. Operated for large BMX action, jumps, stunts, etc.

DIT & Dailies Colorist for feature film. F55 Raw, F5, Red Epic + GoPro, drone & various misc cameras (7 total). Create robust data pipeline to handle the large volume of data + create custom LUTs. Perform dailies Colorist duties (matching diverse cameras) and transcode files Live Quality Check + data QC. Upload Avid offline files + dailies & create custom reports. Insure footage passes strict QC standards. Manage multiple crash cams.

ICG600 DIT for Coach Up spot. Create robust data pipeline to handle the large volume of data + Live QC & Data QC. Create looks + monitor each camera with Waveform to insure signal integrity + integrate with VTR. Create custom reports

Traditional ICG 600 Loader (Digital Loader) duties running the back end of the camera department. Download, QC, & format all media, interface with post, send film breaks, and help camera department with setups, fresh battery's, media, etc and company moves.

DIT for complex car type shoot. Alexa Mini on chase car with pursuit systems crane, Red Dragon on drone, and various crash cams. Wireless monitoring of Waveform/Vectorscope for exposure + QC. Data and live QC. Create robust data pipeline to handle the large volume of data. Create mobile workstation to follow the action. Fun shoot!

ICG 600 DIT for the SF Unit. Panavised Alexa Plus 4:3 with Xtal Express Anamorphics. Handle data, perform live QC + data QC, monitor waveform, and stay mobile for the multiple location moves.

DIT for F65 commercial studio shoot. Live Quality Check + data QC. Monitor waveform/vectorscope to insure full lattidue in RAW signal for maximum flexibility in post. Set up monitor chain with LUTs. Capture stills.

DIT for 2 camera, Panasonic Varicam 35 feature. Set up cameras for 3 simultaneous record modes + create custom looks to insure a smooth 4k online/offline workflow. Make sure all metadata passes to post for Avid workflow. Create robust data pipeline to handle the large volume of data. General camera tech support. Create dailies with sound for Director, DP, + Producers.

DIT for F55 Raw, F5 + GoPro & various misc cameras feature film (10 total). Create robust data pipeline to handle the large volume of data + create custom LUTs. Live Quality Check + data QC. Upload Avid offline files + dailies & create custom reports. Insure footage passes strict QC standards. Manage multiple crash cams.

2 Camera F-55 RAW shoot with Motion Control. Create robust data pipeline to handle the large volume of data + create custom looks. Create Color Management pipeline & perfom live Quality Check + data QC. Monitor both cameras for critical focus, dropped frames, etc + create custom reports. Transcode files + dailies with sync sound.

Colorist for 3 screen Barco format. Creative use of color, match shots, QC and match luma, chroma values across all 3 screens and create Rec709 + P3 digital masters.

16mm film Cinematographer / A-camera operator for additional photography. Shot Ultra 16mm on the Eclair NPR with vintage glass. Used new Lomography 16mm color negative film. Loaded and unloaded mags. Good times. Support film + photochemical workflows!

DIT for F55 Raw + GoPro and various misc cameras feature film shoot. Create robust data pipeline to handle the large volume of data + create custom LUT. Live Quality Check + data QC. Upload Avid offline files + dailies & create custom reports. Work with post house to insure footage passes strict QC standards.

DIT for a four camera shoot + Highspeed: two C300s + two Arri Alexa Minis & Fujinon 19-90mm LWZs. Create robust data pipeline to handle the large volume of data + Live QC & Data QC. Create looks + monitor each camera with Waveform to insure signal integrity + integrate with VTR. Create custom reports

2 Camera F-55 RAW shoot with Kowa Anamorphic glass. Create robust data pipeline to handle the large volume of data + create custom LUT. Create Color Management pipeline & perfom live Quality Check + data QC. Monitor both cameras for critical focus, dropped frames, etc + create custom reports. Upload Avid offline files + dailies.

Managed media for SF portion of a documentry. Create robust data pipeline to handle large volume of data + wide range of cameras (Sony F-5 + RAW via Pix, 5D mkIII RAW, Sony a7s + RAW via Pix, Sony FS7, Canon 7D, + various B-roll / BTS). Back up, verify, + QC footage & create reports.

Designed + implemented color / data pipeline for A, B, & C cameras. Live color grading + LUTs. Monitored live signal for critical focus, exposure, etc. & backed up, verified + QC'd data. Monitored Alexa Log-C signal with waveform/vectorscope for max flexibility in post. Created dailes with sync sound + custom LUTs. Wireless monitoring + video assist.

Creative use of color to enhance the story + shot balancing/matching. Work from the 2K Alexa Log-C files & create custom LUTs. Conform offline edit to camera original files and create a P3 monitoring chain. Perform a full QA pass + create multiple deliverables.

DIT for 2 Camera F-55 RAW shoot with Anamorphic glass. Create robust data pipeline to handle the large volume of data + create custom LUTs. Create Color Management pipeline & perfom live Quality Check + data QC. Monitor both cameras for critical focus, dropped frames, etc + create custom reports. Upload Avid offline files + dailies.

Multicam DIT + Video Assist. Create robust data pipeline to handle the large volume of data + managed multiple cameras, including highspeed. Create Color Management pipeline & perfom live Quality Check + data QC. Monitor waveform/vectorscope to insure full lattidue in RAW signal for maximum flexibility in post

Assistant Camera + Media Manager for a multicam TV series covering the AMA Supercross series. Managed Media for multiple cameras (2 c-300's, FS-700, GoPro's, GH-4). Provided full camera support + assistant camera duties. Build cameras + easyrig with flowcine arm & keep a fresh supply of batteries + media.

Red Epic DIT + video assist. Perfom all media management + create data pipeline to handle the large volume of data. Create Color Management pipeline & perfom live Quality Check + data QC. Monitor waveform/vectorscope to insure full lattidue in RAW signal for maximum flexibility in post. Red camera tech. Assistant Camera.

Creative use of color to enhance the story + highlight the brand. Balanced + matched shots. Conformed the offline edit and worked off the full lattitude Alexa Log-C files. Imported on-set DIT LUTs + performed QC / QA pass and created multiple deliverables.

Assistant Camera + media manager. 3 camera broadcast show for local Fox affiliate. Performed assistant camera duties & managed media for 3 C-300's + various GoPro's & a Red Epic Dragon for B-Roll. Set up monitoring chain + data pipeline to handle the large volume of data. Performed QC / QA checks & provided playback,

Creative use of color to enhance the story + create subtext. Use of contrasting color to create juxaposition + story arch. Balance & match shots. Conform to original RAW files + create online. QC & do multiple passes for a variety of delieverables + DCP. Set up P3 monitoring chain & create P3 + REC 709 masters.

Arri Alexa (log C) with T1.3 Zeiss mkII Super Speeds. Studio shoot. Work with the director to tell the story visually + enhance the brand. Manage the Camera + G&E depts. Creative use of color, lighting, composition, camera mov't, lens choice, etc. Also performed final color grade.

Created & Executed the visual content. Used lighting, framing, composition, color, etc to enhance the story + brand. Managed full camera dept (operator, 1st + 2nd AC) & managed full G&E dept. Develop the lighting + dolly moves & worked with Gaffer, Key Grip, + Dolly Grip to quickly + effectively acheive a number of complex setups.

Red Epic DIT + video assist. Perfom all media management + create data pipeline to handle the large volume of data. Create Color Management pipeline & perfom live color + LUTs. Live Quality Check + data QC. Monitor waveform/vectorscope to insure full lattidue in RAW signal for maximum flexibility in post. Red camera tech.

Created & Supervised workflow + media management for a Panavised Arri Alexa. Made sure everything was set up & running smoothly + monitored the progress. Trained the digital loader in proper media mngt + QC techniques. Worked with the DP & created a LUT for the show. Created REC 709 monitoring chain + got the show running until they hired another DIT

Downloaded, QC'd, & managed media on hidden, multicam commercial shoot. Three C-300's, multiple GoPro's + Red Epic. Sync'd Sound + transcoded to Pro Res after performing a color grade + matching cameras. Created a robust pipeline to safely + efficently handle the large volume of data. Set up Rec 709 monitoring chain + wireless camera feeds.

Color graded various video content that plays on the jumbotron during home games. Worked with Red One MX files & graded for the jumbotrons limited color/gamma space viewed outdoors during daylight. Matched multiple broadcast files from various football game footage. Performed online for various broacast channels + outlets.

Red Epic DIT + video assist. Monitored live signal for exposure, critical focus, dropped frames, etc. & backed up, verified, + QC'd data. Used waveform / vectorscope to insure full luminance & color lattitude of RAW signal for max flexibility in post. Designed/Implemented robust online/offline workflow & created dailies + MXF transcodes for Avid editorial.

Color graded a 30 sec, 15 sec, and short film concept for the brand. Conformed the offline edit and graded the RAW 5k files in Resolve. Performed a QA pass & met requirements for multiple delivery formats.

Performed final color grading + multiple passes for each delivery requirement. Conformed offline edit & worked from RAW files. Imported DIT on-set LUTs which served as a basis for final color + took the vision to completion. Enhanced the mood and feel through the use of color + created a balance between shots.

Performed final color for three 30 sec spots. Conformed and graded from the original Red RAW files and performed the on-line edit. Created unique looks and created balance + matched shots. Rendered for a variety of different deliverables in multiple formats.

Develop & execute the visual tone + style for 3 unique spots. Work with the Director to faithfully create the visual story & highlight the brand. Develop the lighting & work with the gaffer + key grip to execute it. Create dynamic composition + camera movement. Perform color grading to maintain the vision & enhance the brand.

Designed + implemented color / data pipeline. Live color grading & LUT creation. Monitored live signal for critical focus, dropped frames, exposure, etc. backed up, verified, & QC'd data. Monitored S-LOG signal with waveform/vectorscope to insure max flexibility in post. Created dailes + offline for editorial. Wireless monitoring + video assist. Final color grading & conform.

Data Management for 7 different Cameras, Live QC + file and data quality check. Managed 2 Red cameras, 3 Canon 5d's, 2 GoPro's, and various Nikon and Canon B-Roll cameras on multiple shooting days. Provided full camera department support.

Created + supervised the Color, Media, & technical pipeline. Live Color Grading + LUT creation. Passed LUTs to post & created or supervised dailies. Transcoded RAW files for the offline edit. Monitored live signal & QC'd for focus, dropped frames, etc + QC'd each frame to insure file integrity. Video assist + wireless monitoring.

Arri Alexa Color + Data management. Created live LUTs, dailies + files for editorial. Live QC + File and Data quality check. Insured data + signal integrity and monitored the Log-C signal to maintain full lumInance + color lattitude. Set up Rec 709 monitoring chain. Made sure the DP's vision got passed to post.

Designed & Supervised DI pipeline + performed / oversaw final color grading. Conformed offline edit & worked from RAW files. Imported DIT on-set LUT's to provide a foundation + insure DP's vision got passed from set to final grade. Inhanced mood + story through use of color & provided shot to shot balance + a consistant look.

Cut and shaped Light. Used 12x12 silks and solids for Ext's and various lighting instruments for Int's

Red Epic camera tech, data management, color management, video assist, live QC and file + data QC. Insured data + signal integrity to create a rich digital negative for full lattitude in color grading. Provided full camera department support, doubling as a 2nd AC when needed + B-camera focus pulling for certain scenes.

DIT for C-300 (C log) multicam shoot. Created a robust data + color management pipeline. Live QC + data & file QC. Created unique LUTs and matched cameras. Used waveform/vectorscope tools to insure full luma + chroma lattitude for maximum flexibility in post. Full media management. Full camera support.

Live color grading/LUT creation. Created color + monitoring pipeline & insured images on set translated to post. Created or supervised dailies. Live QC + data quality check. Video assist/playback. Monitored Log signal to insure a thick digital negative + maximum flexibility in post. Performed final color grade + conform.

Red Epic DIT + Camera Tech. Monitored live signal for exposure, critical focus, dropped frames, etc. & backed up, verified, + QC'd the data. On set color grading + look creation. Used waveform / vectorscope tools to maintain + insure full luminance & color lattitude of the RAW signal for max flexibility in post. Video assist + monitoring.

*responsible media management + Red Camera Tech services. *on-set color grading. *backed up, verifed, + quality checked the material. *monitored the live signal and checked for focus, dropped frames, etc + provided feedback to the 1st AC. * dailies with sync sound + transcoded 4k source material to HD for editorial. * video assist and playback.

Design + Manage feature film digital intermiediate pipeline. Perform creative color grading to realize the directors vision + enhance drama/mood of the film. Match multiple cameras + source codec's. Perform the online and do multiple color passes for a variety of deliverables. Perform final QC so deliverables meet quality standards.

Worked closely with the director to faithfully create the visual intent. Worked with Gaffer + Key Grip on lighting to create the mood + feel of the film. Worked with camera crew to technically create the visuals. Managed camera + lighting dept's. Performed final color grading.

Worked with DP to est LUTs & performed final color grading + conform. Data mngt + live QC & data quality check. Red One technician. Used waveform + vectorscope to maintain signal integrity. Video assist + playback.

Created stylized visuals for this unique fashion film. Shot Ultra 16mm film with an Eclair NPR + vintage glass. Oversaw the small crew and created the looks with all grip (bounce board, mirrors, + silks, solids, & overheads). Worked with the director and came up with visuals to support the vintage theme.

Performed final color, conform, and on-line edit for the feature film. Balanced & matched content from shot to shot & scene to scene. Created a color arch to help support the narrative. Create deliverables in a variety of formats.

Used lighting + camera lens/movement to tell the story visually. Managed A and B camera teams + managed lighting / grip departments. Performed final color grading.

Designed & Implemented Color, Monitoring + Data Pipeline. On set color grading. Verified, backed up, + quality checked data. Performed final Color Grading + conform.