Summary

Experience in production and postproduction, with preference and speciality in coordinating, scheduling, tracking, organizing, and working with technology to make all the former efficient and accessible.

Credits

5/17 – Current

Coordinator – Framework Studio

5/17 – Current
11/16 – 12/16

Post Production Coordinator Leah Remini: Scientology and the Aftermath 1

A&E — Reality/Doc (TV) — IPC
11/16 – 12/16
9/16 – 11/16

Post Production Coordinator Mind Field 1

YouTube Red — Internet — IPC
9/16 – 11/16
6/16 – 8/16

Post Production Coordinator The 20s 1

Internet — Reality/Doc (TV) — Beachbody LLC Details
6/16 – 8/16

Midway through post, promoted to post coordinator to fill needs: create style guide, log graphics maps, create music cue sheets, pick up assets from vendors, back up assets, upload final assets to network, update content tracker.

3/16 – 6/16

Assistant Editor (Premiere) The 20s 1

Internet — Reality/Doc (TV) — Beachbody LLC Details
3/16 – 6/16

Began as 2nd AE: ingesting & tracking XDCAM, transcode media to be uniform, synching audio, creating multicam sequences (groups), assist the editors with graphics/shots/etc.

2/16 – 3/16

Editor (Premiere) Arcadia

Film (Theatrical) — Zetetic Details
2/16 – 3/16

Co-editor with director/producer/writer. I was granted several passes to refine the narrative and to reorder scenes. Provided Director with outside eyes and helped him hone in on and refine what he wanted to convey.

9/15 – 1/16

Post Production Supervisor Samantha Moonley's Greatest Feeling

Film (Short) — GTK Films
9/15 – 1/16
10/15 – 12/15

Editor (FCPX) Samantha Moonley's Greatest Feeling

Film (Short) — GTK Films
10/15 – 12/15

Media

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Education

Class of '15

Point Park University

BA in Cinema Production, Editing Concentration

My Gear

  • Car
  • MacBook Pro Retina 15"

Skills

  • editing
  • field & post coordinator
  • Mac / technology proficient
  • Media Encoder
  • Premiere
  • spreadsheets
  • tracking & organizing