Midway through post, promoted to post coordinator to fill needs: create style guide, log graphics maps, create music cue sheets, pick up assets from vendors, back up assets, upload final assets to network, update content tracker.
Summary
Experience in production and postproduction, with preference and speciality in coordinating, scheduling, tracking, organizing, and working with technology to make all the aforementioned efficient and accessible.
Credits
10/17 – 10/18
Post Scheduler
Staff Position — Framework Studio
10/17 – 10/18
4/17 – 9/17
Associate Producer
Staff Position — Framework Studio
4/17 – 9/17
11/16 – 12/16
Post Production Coordinator – Leah Remini: Scientology and the Aftermath (Season 1)
A&E — TV — IPC
11/16 – 12/16
9/16 – 11/16
Post Production Coordinator – Mind Field (Season 1)
YouTube — Digital — IPC
9/16 – 11/16
6/16 – 8/16
Post Production Coordinator – The 20s (Season 1)
Internet — TV — Beachbody LLC Details
6/16 – 8/16
3/16 – 6/16
Assistant Editor (Premiere) – The 20s (Season 1)
Internet — TV — Beachbody LLC Details
3/16 – 6/16
Began as 2nd AE: ingesting & tracking XDCAM, transcode media to be uniform, synching audio, creating multicam sequences (groups), assist the editors with graphics/shots/etc.
2/16 – 3/16
Editor (Premiere) – Arcadia
Film (Feature-length) — Zetetic Details
2/16 – 3/16
Co-editor with director/producer/writer. I was granted several passes to refine the narrative and to reorder scenes. Provided Director with outside eyes and helped him hone in on and refine what he wanted to convey.
9/15 – 1/16
Post Production Supervisor – Samantha Moonley's Greatest Feeling
Film (Short) — GTK Films
9/15 – 1/16
Media
Recos
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Education
Class of '15
Point Park University
BA in Cinema Production, Editing Concentration
My Gear
Skills
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